Small box (part a) of paper noshi awabi (stretched abalone) offerings. Each noshi consists of folded paper, white on one side and red on the other, with a strip of dried abalone down the centre. There are three bundles (parts b-d), and five loose offerings (parts e-i). The open box is covered in striped paper, with Japanese characters written across a short edge, and a small cutout on either side.

Mask with trunk-like projection extending forwards from top of the head. Mask built on a wood frame, lined with woven plant fibre. Heavily decorated with cowries and areas of beadwork on forehead and around side. Face has cowrie shell eyes outlined with beads, and a wooden nose and mouth. Bottom edged with plant fibre, which has been split into finer pieces below the face.

Tunic (part a) and hat (part b). The large T-shaped tunic is made of a black fabric with beige and red applique. The tunic has large open sleeves. The sleeves, lower portion of skirt, and circular area around neck have the same repeating beetle-like design in beige with red dots throughout. Across the plain black section are rows of alternating red and beige dots. The hat is made of a dark navy fabric with beige and red applique, and cowrie embellishments on the sides. Composed of two pieces of fabric, semi-circular at the top, then tapering to a point at the bottom, edged and lined with red fabric.

Carved and painted mask. The rectangular face section has two sunken rectangular areas on either side of the nose ridge, two rectangular cutout eye holes, and small pointed ears. The forehead is decorated with X's, creating a repeating diamond and triangle design that continues down each side of the face. The designs are painted dark red and black. The superstructure is a female figure with projecting breasts, square shoulders, arms bent at the elbow and held out to the sides. Her left forearm is shaped like a large ladle. She is wearing a red fibre skirt. She has red crest-like hair, and an earring in her left ear.

Hunter's tunic (part a) with matching hat (part b). Tunic made of bright blue cloth. Rectangular black leather patches are attached all over, with long, thin strips of brown leather knotted to both sides, creating fringes. A few pieces are dyed red or green. White cowrie shells outline the neck, and are sewn in lines on the tunic. There is a five-sided pocket on the front, centre - with the three stitched edges lined in cowrie shells. The bottom edge is unfinished, and somewhat fringed from unravelling fabric. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has a circular mirror inset in leather between two curved horns at front, centre. A single row of cowrie shells lines the bottom edge.

Hunter's tunic (part a) with matching hat (part b). Tunic made of brown cloth. Rectangular black leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has three black leather patches with long, thin leather strips knotted on either side, evenly spaced on sides and back. At front, centre - there is a circular mirror inset in leather between two small horns. A single row of cowrie shells lines the bottom edge.

Hunter's tunic. Tunic made of dark brown cloth. Rectangular leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns, tufts of hair, and small mirrors inset in leather are attached all over the tunic.

PEARLS (AMNH, NEW YORK, NY, USA, 2001)

Leather headdress with fur, cowrie shell, bead and button decorations. Leather band, that would wrap around forehead, has veil of chains hanging from bottom edge. Dark yellow and dark blue tube beads along bottom of veil. Bottom left edge of headband bordered with red and dark yellow tube beads, bottom right edge bordered with dark blue and green tube beads. Headband attached to round piece of skin, covered in grey and black animal hair, by eight leather straps. Round piece of skin would sit on top of head. Leather straps at front and back of headband are wider than the ones along the sides. Roundel in centre of headpiece, overtop of animal hair. Roundel has diamond and circular patterns done in white, light blue, dark blue, red and dark yellow round beads. Long chin strap, made of two leather strips, hangs from bottom edges of left and right sides of headband portion. Chin straps are secured together with thread covered in round beads. Beads are light blue, dark blue, red, yellow and white. Beads form a striped pattern. Wide leather strip extends from back of headdress. Ends of long back strip and chin strap have off-white and black animal hair. All leather surfaces are covered in cowrie shells on the exterior. In addition, the back strip has rows of red and green oval beads, dark blue and black tube beads, and plastic buttons. Buttons are black, white, dark maroon, yellow and green.

Basketry headdress with bead decorations. Eight coiled basketry splints sewn together at left and right sides to form circular frame. Exterior of headdress covered entirely in glass beads. Beads form a mirrored, vertical stripe pattern. In centre, on both front and back, is a wide dark blue stripe with a yellow line down the middle. On either side of the dark blue stripe are white bands, red-orange bands, and then thin emerald green stripes. Six horizontal strands of yellow glass beads, on front and back, drape across entire vertical stripe design. Two columns of cowrie shells on left and right sides, splitting up front and back halves of headdress. Three groupings of coins hang from back of headdress, close to the top edge, at the ends of alternating red-orange and dark blue beaded strands. White fabric name tag, reading “Gordon Wilson,” attached to back interior wall of headdress, towards left side.