A pair of embroidered panels on a horizontal rectangle of purple silk. Each panel is finely embroidered with an arch shape open at the top made up of flowers, leaves, and four white cranes with red heads in flight, one of which is near the bottom while the other is near the top of the side of the arch shape. The flowers are predominantly in shades of blue and green. Some details are couched in gold thread. Within the arch are four wide v-shapes of embroidered flowers and leaves opening toward the centre of the panel.

A pair of identical vertical rectangles of dark blue silk damask heavily embroidered with silk thread in many colours. Many motifs are outlined with gold thread. The central image of each is a white feline with black spots, edged in fine white stitches representing fur, with a human-like face, and its head turned toward the left. The embroidery creates a three-dimensional effect following the form of the animal. Above and beside the feline, there are cloud forms in various colours. Two red plant forms are below the feline, and white plant-like forms curve toward the feline. Green leaves coming out of a striped stepped form are directly below the feline, beside which, on both sides, there are rainbow-like forms. Each badge is pasted to a backing of paper.

Handmade rendition of the Korean flag. Square flag of cream coloured silk-like fabric, with two ties in each corner. Designs are formed of coloured fabric inset into cut-out areas of the flag. At the centre is a disc with an S shape division at centre, dividing the disc into two swirls, one red and one dark blue, each tapering to a point at one end (yin-yang symbol). Radiating out from the disk towards the four corners are four sets of three dark blue bars, some broken and some solid. Clockwise from the top, the first is broken-solid-broken, the second is solid-solid-solid, the third is broken-broken-broken, and the fourth is solid-broken-solid.

Men’s off-white jacket. The jacket has a narrow collar stiffened with paper, a v-neck and an overlapping centre opening with long wide ties. The sleeves are long and wide with a rounded lower edge. The outside is made of silk; the inside is made of fine white cotton and padded.

Skirt of made of eight panels of pale green shiny, translucent silk open at the back. The skirt fabric is pleated onto a band of white silk, with long ties at both ends of the band made of ramie doubled over and sewn with stitches concealed inside. There is a smaller area at the top right upper edge with no pleats. On the left side the silk is inserted higher into the waistband, thus raising the bottom hem at this point. Roughly-written label in black ink in phonetic script and Korean characters on waistband.

Light green silk blouse with striped sleeves. The blouse is short and flared with long sleeves. The centre opening has gores of yellow silk on the front edges and is tied closed with red silk ties. The neck is finished with a burgundy silk band, which has an inner neck band of white silk called “dong-jeong”. The sleeves are made of bands of coloured silk stitched together, called “seak-dong”, that are vertical when the arms are extended. The bands are yellow, blue, red, green, white, red, yellow, pink, white, and burgundy. The lower edge of the straight sleeves curves upwards slightly at the end. The blouse is completely lined with fine white cotton cloth that is pasted to the outer layer with no exposed seams. There is a faint blue floral pattern stamped on the lining of the front panel, which overlaps the right front panel when tied.

Two white belt carriers (part b-c) with metal snap fasteners. On the front of each is a five-toed dragon, with pearl and fire motifs in brown, yellow, red, white, black and silver. The pieces are stiffened with cardboard and wire. The back is lined with white cotton.

Light orange damask skirt panel (part b) with tiny pleats and embroidery. Across the top is a wide cotton waistband with three frog fasteners. A white string is attached to a loop on the waistband. The orange damask is woven containing large peony motifs. On the edges of the skirt are scalloped borders with a floral motif in red, yellow and green on a ground with dark blue trim. On the front and back are xiezhi?, phoenix, peony and mountain motifs in pink, red, gold, green and blue. The inside is unlined.

Blue collar (part c) with embroidery and brass frog closure. The collar is rounded at the back and pointed at the ends. On the front are butterfly and peony motifs in gold, pink, purple, green, white and yellow. There is pink trim around the edges. The back lining is white cotton.

Dark blue skirt of heavy stiff silk with a smooth sheen on both sides. It is made of two fabric panels joined with a hand-sewn seam and open at the back. The skirt is evenly pleated at the top and inserted into a waistband of white ramie. The waistband is lightly pasted together and ends in long ties. The upper edge of the skirt is pulled up at one end inside the waistband, making that edge slightly shorter.