Three cut fragments of a ceremonial wrap skirt made of silk, with purple and red dyes. Two of the fragments are ends (b,c) with a thick red border along one edge; the larger fragment is from the centre. The design is a weft ikat resist technique (known as endek).

Ceremonial altar cloth in shades of brown and copper-gold. Black cotton warp, bronze metallic filament weft. Continuous and discontinuous supplementary weft with silk single filament yarn. Adat house motif, with buffalo heads.

Ceremonial women's wrap skirt. The two panels of hand dyed purple silk, hand-loomed with a discontinuous warp, are stitched together at a horizontal seam that runs across the middle of the skirt. The continuous and discontinuous supplementary weft of silver thread creates a band of triangular temple-like motifs along the bottom and one side edge of the skirt and several lines of silver stars within the body of the fabric.

Paisley wool shawl. Square of dark brown wool has a thick border of printed paisley motifs in gold, red, and blue. Two paisley tear-drop motifs are placed at opposing corners. The ends are left loose and fringed. Three small rectangles of black silk are hand stitched onto one edge of undersurface, at sides and centre.

Turquoise silk cloth with an overlaid purple centre panel and a looping gold filament border stitched on around the edge. The top surface of the runner-like cloth is covered with a decorative hand embroidery of mixed gold and copper filaments attached in a couching-technique known as stumping, with the resultant cross hatching of the ivory coloured thread covering the under surface. Cloth has long twined strands that hang out beneath metal fringe at both ends.

Long silk shoulder cloth (selendang). Dyed, using plangi and trikit resist technique, to produce a red ground covered with white squares, some large and filled pink, green and purple star bursts, others small and filled with red, green and/or yellow, all within a double white lined border.

Cloth fragment with a floral pattern of hand embroidery. Silky threads of red, pink, brown, gold, white and several shades of blue and green are stitched into a cream coloured fragment of fabric. Long edges are folded back and handstitched to the underside, one side with the addition of a piece of seam binding.

Two fragments of silk dyed using plangi and trikit resist techniques. Solid pink and green ground with shapes in purple, yellow, green and pink and smaller white squares, divided into diagonal bands and wedges with white. Each fragment has a seam stitched along one side, with diagonals opposing.

Ceremonial skirt cloth (saput). Long maroon coloured cloth, hand woven on a back strap loom with discontinuous warp. The natural dyed silk is single sided and weft faced. Alternating rows of hand wrapped gold and silver thread designs decorate the central panel, framed within a gold border.

Ceremonial cloth in of songket brocade. Warp is red cotton, weft is purple silk, and the continuous and discontinuous supplementary weft is gold wrapped cotton thread. The centre motif of a traditional adat house is flanked by four karabau, or buffalo heads. The framing border of alternating gold filled squares and purple squares with crosses is thicker at the corners.