Man’s long, narrow, rectangular scarf or sash, heavily embroidered with multicoloured geometric and floral motifs and many mirrors. Arranged along the length of the scarf are sixteen square and rectangular blocks of embroidered designs, consisting of a variety of motifs, many different kinds of stitches and two styles of embroidery (kharek and pakka). The embroidery is so dense that it completely covers the background textile. The blocks of embroidery are separated by black “braid” formed from bundles of black cotton thread which is laid and couched with red thread. There is a border of silver and gold mirrors along all four edges, and the ends are embellished with green and pink beadwork and small red-orange silk tassels. A binding of dark green cotton muslin is machine-stitched along the outside edges. The underlining is pieced from plain and printed cotton and rayon(?) textile in various shades of red.

Small, flat, square, embroidered envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch outlined in black, are grouped together into larger squares that are arranged in a grid, separated with narrow bands of alternating mirror-work and floral designs that form an X on the back of the bag. The square is bordered with mirror-work, alternating with floral designs. The embroidery is so dense that it completely covers the background textile. There are glass beads sewn onto the seams, which are worked in fine interlacing stitch. Small pompoms and glass beads are stitched to the lower corners. At the intersection of the three corners is a small white button, embellished with small coloured glass beads. The embroidery is underlined with red cotton textile that is printed with multicoloured designs.

Close-fitting, shoulder-length child’s hood made of red cotton textile which is heavily embroidered with medallions, geometric designs, mirrorwork and linear border motifs, worked in green, yellow, off-white, blue and black cotton and silk thread. A rectangular panel of embroidered cotton textile hangs loosely to the shoulders at the sides and back. Mirrors, alternating with blocks of interlacing stitch, form a border around the edges of this panel; a square multicoloured medallion and two multicoloured circular medallions are embroidered at the centre back. The crown is embroidered with floral motifs worked in silk floss, and there is a short fringe of green, white and blue glass beads at the forehead. Two short strands of twisted fibre are attached at the front edge, over the temples. The hood is lined with dark yellow and red cotton textile, and the edges of the hood are bound with dark yellow and green cotton bias tape.

Black damask silk haori (羽織) or jacket/overcoat. The neck and centre opening are edged with a wide band. The sleeves are short with hanging panels and an opening under the arms. On the back of the neck and each sleeve is a flower embroidered in light coloured thread. The damask is woven with an abstract horizontal pattern. The inner lining or haura (羽裏) with colourful designs known as gaku’ura (額裏) is cream silk with a floral pattern and covers only the upper part of the kimono. It has three family crests or kamon (家紋) in the shape of diamond-shaped flower motifs known as kage hanabishi (陰花菱).

Grey silk tsukesage (付け下げ) with lower floral pattern. The neck and centre opening are edged with a wide patterned band. The sleeves are short with hanging panels and an opening under the arms. The pattern has flower and line motifs in blue and white along the bottom hem and on the back of the sleeves. There is one family crest or kamon (家紋) in the shape of cherry blossoms known as kage zakura (陰山桜) embroidered on the back, below the collar. White coloured thread is used to make stitch marks from the bottom hem half way up the kimono and again on upper collar. The inner lining is cream silk and stops short of the bottom hem.

Olive green coloured silk sash or obi, brocade with an overall pattern. The pattern has small roundels with floral and bird motifs in multiple coloured threads, predominately gold, black, blue and red. The back is lined with olive green silk.

Black silk sash or obi, embroidered with a floral and thin leaf design.

Cream silk komon (小紋) with a purple stripe pattern. The neck and centre opening are edged with a wide patterned band. The sleeves are short with hanging panels and an opening under the arms. The pattern has vertical stripes with pointed and beveled ends in light and dark purple. The neck band is lined with cream striped silk and four strings have been stitched to create loops on the inner back.

The first piece is a mask (part a) with a red face with wispy black bangs and hair on the side, feather-like shaped eyebrows, small thin cut out eyes, cut out nostrils, and an open cut out mouth with teeth. The second piece is a cloth bag (part b) with a floral design of green, orange, and brown on a cream-coloured background. The bag has two ties, one on the side and the other on the overlaying flap to tie and close the bag together.

The first piece is a mask (part a) with a beige face, an open cut out red mouth with teeth, a moustache, a goatee, eyebrows, a black hairline from the sides around to the top, and cut out eyes and nostrils. The second piece is a cloth bag (part b) with a design of yellow and brown hatch marks on a green background. The bag has two ties, one on the side and the other on the overlaying flap to tie and close the bag together.