Silk pillow. Object is round, flat on top and bottom, with a thick, straight edge. Red silk covers a paper structure, holding a sawdust filling. A triangular silk label is attached to the top centre, light in colour with black embroidery in Chinese characters.

Silk pillow. Object is round, flat on top and bottom, with a thick, straight edge. Decaying red silk covers a paper structure holding a sawdust filling. A triangular silk label is attached to the top centre, light in colour with black embroidery in Chinese characters.

Women's robe. Black garment is long with an A-line shape through torso toward hem. Garment is open at front, with high slits in the skirt on both sides. It closes by a fabric string that wraps around a fabric ball located on the collar. Collar is made of several patches of fabric sewn together, including one patch with light blue pin stripping. Sleeves are wide, and increase in width toward the cuffs, which are sewn closed but for a small opening at top for the hands. Opening is protected from tearing by reinforced stitching below hole, as are the arm holes.

Veil, or shawl, worn with wedding ensemble (3132/2 a-b). Fabric is wild tussar silk in a light orange-brown colour. It is hand embroidered with small images of standing birds, elephants with tusks and long tails, and human figures with arms spread, in gold metallic thread, round wooden beads, and tubular glass and metal beads. The back of the veil shows the yellow and white thread used to attach the beads.

Baggy shalvaar style pants, worn with a long tunic (part a), and veil or shawl (part c), as part of a wedding ensemble. Pants are made of wild tussar silk in a light orange-brown colour and have a wide waist band, with pull-string that ties at the front. Legs are pleated at top front, loose through the thigh and tapering toward the ankle, where hem is stitched five times. The garment is otherwise undecorated. Interior is lined with silk fabric in a course weave.

Silk embroidered jacket. Jacket is short-sleeved with a collarless 'v' neck, open at the front and fastened with two cotton ties. Garment is made of tan coloured cotton in a course weave, covered on the exterior by dark purple silk. The front is embroidered in shades of gold with images of standing birds, butterflies, and flower motifs. The back shows two serpentine dragons, bodies extending upward, clawed feet protruding, heads toward top, scales densely embroidered. The dragons are surrounded by flower motifs as well and rounded linear decorations. Arm cuffs are decorated with a single line of circular motifs, while the bottom of the jacket body has several lines of small triangles in black, purple and dark blue. The interior is covered on one side only with a tan fabric in a finer weave than that underlying the rest of the garment.

Long tunic (kameez) worn over pants with a veil, as part of a wedding ensemble (3132/2 b-c). Shirt has long narrow sleeves, a slightly scooped neck, and a front opening that fastens with hooks. Garment is made of wild tussar silk in a light orange-brown colour. It is hand embroidered the length of the front opening on both sides, and around the wrists and front of the neck, along with cording of metallic thread. Images include standing birds, elephants with tusks and long tails, and human figures with arms spread, in gold metallic thread, round wooden beads, and tubular glass and metal beads. The back is undecorated; the interior is lined with panels of silk in a course weave.

Embroidered boy's shirt. Long-sleeved, collared shirt is made of mashru cloth, a mix of cotton and silk, coloured in vertical stripes of red, yellow, green and black with sets of small white dots regularly scattered across the red. Chest and back are heavily embroidered with flowers, mango tree designs, and 'v' shaped animal horns. Small mirrors are inset on chest, back and around cuffs, surrounded by sickle stitching. A decorative gold metal button fastens the shirt at the collar, with a plastic button at waist. Two ties on the interior also help hold the garment closed.

Velvet bag constructed of two pieces of black velvet lined with brown and cream cotton in a flower and square pattern. The identical pieces have been sewn together at back and remain open at front, hemmed and finished, with leather thongs knotted onto and running the length of each edge as a means to tie closed and tighten the bag. The back is undecorated, while the front is covered heavily in beading in flower and foliage patterns in green, blue, pink, red and silver coloured beads. There are also rows of metal beads near the edges. The foot of the bag is rounded and extends upward.

Beaded panel bag. Bag is rectangular in shape, rounded on top corners, with a braided green and blue wool handle attached to the interior edge. The top half, front and back, has a black stroud background covered in beading in a large floral pattern in pink, blue, red and tan glass beads. A dark orange silk-like fabric lines the edges, along with rows of white beads. The interior is lined with black fabric at top, and a light floral pattern deeper in the bag. The lower exterior is a panel made entirely of beads (woven on a loom), in a floral design on white, with a green border. Wool tassels hang from bottom and sides of the panel, attached to blue and white beads.