Patola ceremonial cloth of silk, dyed blue, red and cream with an ikat warp and weft resist technique. The geometric jewel motif (ratan chok bhat), runs down the centre of the cloth and there is a border of stripes on either side, one of which has been machine-sewn on. The long edges are machine-hemmed and the ends have been cut. A smaller piece (b) has been machine-hemmed on all sides.

Ceremonial altar cloth (tok wi). Long rectangle of green silk with imbedded floral patterning is hemmed on three edges and has a border sewn along the fourth edge, consisting of three different strips of fabric hand embellished with couching techniques and embroidery in gold, silver and blue thread. Two edges are lined at the back with strips of an orange coloured silk.

Rectangular belt that is stiff and embroidered in various shades of blue on one side and lined with white on the other. The belt is worn with a sleeveless jacket (2701/13 a), a skirt (2701/13 b), and an under-bouse (2701/13 c) as a costume.

A sleeveless under-blouse, with blue embroidery at collar and across chest, which wraps around to close at side with metal snap fasteners. The blouse is worn with a sleeveless jacket (2701/13 a), skirt (2701/13 b), and belt (2701/13 d) as a costume.

A skirt of sheer white fabric completely covered with blue embroidery over a white nylon underskirt, both of which are gathered into pleats under a cotton waist band that is open at one seam and has long ties. The skirt is worn with a jacket (2701/13 a), blouse (2701/13 c), and belt (2701/13 d) as a costume.

Collarless jacket made of a sheer white fabric completely covered with blue embroidery and lined with white nylon fabric that closes at the front with metal snap fasteners. The long sleeves have plain white nylon extensions that are open along the inner seam. The jacket is worn with a skirt (2701/13 b), a blouse (2701/13 c), and a belt (2701/13 d) as a costume.

Nagajuban (長襦袢) is a full-length kimono underwear. This nagajuban has a date eri (伊達襟, detachable collar) hand-sewn onto it. Ivory-coloured lightweight robe has a blue and red floral collar stitched on, and a patterned fabric sash, stitched on at the back.

Heavy brocade formal obi for woman's kimono. Repeating embroidery pattern, in gold, green orange, blue, black, purple, red and yellow, depicts an outdoor scene in which a boat floats near a foliage-covered river bank.

Yellow, patterned-silk woman's kimono with a white lining edged in pink. Large daisies with pink centres and green leaves, highlighted with gold and silver, are painted onto the fabric. Three metal snaps are sewn onto the inner collar.

Uchikake (打掛) with gold, burgundy, blue, green, peach, yellow and brown embroidered designs and a red lining. Design elements include auspicious motifs such as cranes, pine trees, Japanese plum blossoms and the woven patterns on a heavy, creamy white fabric are family crests or kamon (家紋) known as kikkō ni hanabishi (亀甲に花菱), a small diamond-shaped flower motif in turtle shell pattern. The red lining curls up around the bottom of the white fabric to create a thick roll-like ruff known as fuki (袘).