Carll H. de Silver Fund

Museum Expedition 1941, Frank L. Babbott Fund

Gift of Mrs. Eugene Schaefer

Ogre's Uncle (Oötsawihazru) Kachina Doll. This is a tall, slim Kachina with a large, snarling snout, red lips with open, teeth filled jaws. His mask has long, curved, green and black striped horns on either side of the head, and black goggle eyes. The back of his head has a feather bundle and he wears a fur ruff around his neck. He wears western style white pants, a concho belt with studs with turquoise circles painted in them and a purple, tailored shirt with painted white buttons. He wears painted tall, red boots with real yarn ties at the top. His PR hand is raised brandishing a bloody knife. His PL hand carries a bow (broken). He has a real hide cape tied in the front under his PR arm but he is totally carved with details underneath the cape. As an Ogre's Uncle he is a little more patient than the Black Ogres, not as active but still fearsome. Ogres (Soo'so'yoktu) appear during the ceremonies in the last stages of the Powamuya usually held in February depicting the final stages of the world's creation where Kachina spirits are implored to carry out the purification of life.

Mud Head (Koyemshi) Kachina Doll. The figure is carved totally from one piece of wood. He wears a black skirt and carries a rattle in his PR hand and ears of corn dangle from his PL hand. He wears a green bandanna around his neck. The painted boot moccasins have silver and turquoise ornaments on them. The Mud Head's role during dances consist of a group of 9 of them clowning around, using the audience for their jokes, often lewd behavior and comic relief but with the underlying message that their behavior is totally improper and such antics are not what is to be done.

Museum Expedition 1903, Museum Collection Fund

Silver bracelet with one green-colored stone set in a silver sunburst medallion. The front of the band consists of four (4) ridges alternating with three (3) furrows. Each ridge is decorated with roughly parallel, vertical incisions.

This spectacular necklace is made from coral and turquoise beads, several loops with one black pendent stone. Length is for necklace closed.

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Consultants agreed this shirt was probably Metis or Santee (Eastern Sioux) made in the late 1800s. Style derived from Red River Métis sometimes called Eastern Sioux or Crow. Beadwork has long, spidery look i.e. Crow design where the flower sets in. So may be a mix- Métis inspired Eastern Sioux or Crow. Collar was originally navy blue now faded. The shirt might have been made for army personnel, as this was a popular souvenir to acquire.