Shoulder cloth (selendang) of songket brocade. Hand loomed purple cotton cloth with continuous supplementary weft of silver wrapped cotton yarn creating rows of intricate floral motifs. Long fringe at both ends, one of which is finished off with a solid woven band of green.

Ceremonial skirt cloth (saput). Long maroon coloured cloth, hand woven on a back strap loom with discontinuous warp. The natural dyed silk is single sided and weft faced. Alternating rows of hand wrapped gold and silver thread designs decorate the central panel, framed within a gold border.

Woman's ceremonial cloth (saput). The cloth consists of two panels of red silk, hand loomed on back-strap loom with discontinuous warp and dyed with a weft ikat resist technique-known as "endek", that are sewn together with the seam down the centre. A songket supplementary weft of silver covered threads divides the central design into four rows of rectangular shapes with tall tree-like cones at either end. Within the rectangles is a red, orange and cream weft ikat.

Silver finger-ring with faint incised design. [CAK 26/05/2009]

Silver finger-ring with a central cross and floral motifs on the band. [CAK 26/05/2009]

The wool cloth is dark purple. The button is silver and thread. The silk is dark purple.

Spirit of the Ancestors-Engraved silver broaches and bracelets were first worn by Northwest Coast Native women to display their inherited crests during the late 19th century, when they were no longer able to display their crests by wearing ceremonial regalia or tattoos. Today, such displays of cultural identity are legal, but bracelets continue to be important ceremonial and everyday wear.