Brown leather moccasins entirely covered on the vamp and sides with red and black woolen fabric. Blue, yellow and white beading is featured on the fabric portions. Side flaps and ties made of unadorned leather.

Pair of moccasins with multicoloured floral beading. Sewn around bottom and up heel. Different hide on top than on sole.

A pair of skin moccasins with an old Ojibwa border pattern in solid binds on toe in white background with yellow chevrons and border. Cuff (missing on one) was made of worn red velvet with white, blue and pink beads in diamond lattice pattern.

White skin moccasins with vamps and cuffs made of black cloth trimmed with red. Cuffs have a zigzagging pattern around the bottom, comprised of three beaded lines in yellow, purple and white interlaced with straight beaded lines of blue. Vamps feature a central floral design in white, blue, purple and yellow.

Single, light tan-coloured moccasin. Has tie and a sewn down toe top with floral embroidery in red, pink, light green, dark green, and mauve. Border of red and blue. Cotton or silk thread.

A pair of skin moccasins, each sewn down the middle of the toe top, embroidered, and having tie-laces. Fine convent embroidery has a flower motif in yellow, pink, purple, green and orange, with bands of blue, pink, red, light and dark green, likely silk.

Small, tan-coloured, pouch-like bag with red satin trim and multicoloured floral embroidery. Top flap flips up to reveal two pockets open from middle. Lined with blue and maroon fabric.

Pouch made from the full skin of an ermine, including the head; pouch is lined with fabric; opening is a slit located on the ermine's back, directly behind the neck. Back legs and tail covered with beaded panels. Two flaps of floral beading and cloth-work sewn onto back.

Bag made from deer hide and cotton with a green and yellow pattern with two pockets, one on the inside and one outside. The outer pocket is embroidered with a floral pattern in pink, purple, yellow, and green. The bag is rounded along the bottom edge and has a short skin strap at the top.

Carved wooden, crooked beak mask. The beak has red and white, ovoid shaped, cutout nostrils outlined in black and white. Running from the brow is a large, protruding, central black and white circular frill that projects upwards and curves downwards to the middle of the beak; detailed with repeating black and brown u-forms. The mouth is red, flat, wide and protruding. Behind the beak are two large, brown u-forms carved in relief. The underside of the beak is detailed with a bird figure with painted facial features and a circular beak that projects out then curves into the middle of the mouth. The bottom parts of the beak are hinged with rectangular pieces of leather. The eyes are black, outlined in white and red on a white ovoid shaped ground; the brow is black. Behind the eye are two red and white u-forms. The inside of the mask is hollow with the exception of pieces of fibre twine to articulate the beak. The top and sides have cedar braids and small bundles; longer strips hang down the back. Attached to the top are two triangular-like shaped ears with circular tips. The mask is painted black, white, red and brown with Northwest Coast stylized forms.