Large, carved, wooden, hokhokw mask with a long beak and circular cutout nostrils. The beak is hinged with pieces of leather nailed to either side. The beak is painted black with a red mouth and nose. Along the front end of the beak are ten, white, incised U-forms. At the back of the nose are two large black and red U-forms followed by smaller red and white split U’s outlined in black. The eyes are white, outlined in black and red, on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top and side edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. Intertwined in the cedar are a few feathers. The bottom has crooked beak depicted with black and white eyes, red and white mouth and a protruding, crooked beak. The mask is painted black, red, and white with Northwest Coast stylized designs.

Large, carved, wooden, raven hamatsa mask with a long beak and two sets of s-shaped cutout nostrils. The beak is hinged with pieces of leather nailed to either side. The beak is painted black with a red mouth and nose. At the back of the mouth are three red ovoid-like shapes. Surrounding the nose are two s-shapes and three elongated s-shapes. The eyes are white, outlined in black, surrounded by red, on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top, side and bottom edges of the mask are lined with braided cedar. The top and sides have short bundles of cedar creating a fringe. Intertwined in the cedar are a few feathers. The underside of the mouth is painted black with a small white and red design. The mask is painted black, red, and white with Northwest Coast stylized designs.

Woman's black velvet tubular-shaped evening bag with drawstring closing. Bottom stiffened with heavy paper(?). Trimmed with a decorative braid worked in metallic gold thread, sequins and glass beads on animal skin(?). Nine brass rings on inside near top to accommodate a gold-coloured twisted cord drawstring.

Rectangular slightly flared coiled basket (bifurcated stitches). Parallel splint base construction. Upper half of basker is fully imbricated in cat-tail grass (?), with design on upper half of basket of zig-zag pattern outlined in dark cherry bark, then cat-tail grass (?) and red cherry bark center. Alternaing intervals of red and dark cherry bark along rim. Lower half is imbricated with zig-zag pattern with flat bottoms and tops, in cat-tail grass (?). Two rows of dark cherry bark imbrication on bottom. Two rawhide loops and long knotted handle on one long side, one loop at center and long knotted handle on other long side, one long thong on each short side.

Armour has triangular plates hung by dark blue cord onto a thin black band. Part (a) has four plates; part (b) has three plates. The plates are made of five black lacquer ware pieces strung together with green cord.

Pair of black armour (part a-b). The armour is rectangular in shape with a hook on the top edge and rounded lower corners. The front is painted with a black lacquer. There are four round rivets and a wave-like ridge across the centre. The back is covered by a black fabric with gold symbols.

Carved, wooden, raven-kolus transformation mask. The exterior raven consists of a long black beak, red mouth and cutout nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The mask opens in four directions – to the sides, up and down – exposing kolus with a short white beak, red mouth and nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The side boards depict its wings; top its tail feathers while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by nails. The mask is painted white, black, green and red with Northwest Coast stylized designs. Long strips of cedar hang down the back covering the head of the wearer.

Wooden, carved, oval shaped, human transformation mask with a small bear mounted on the head like a headdress. The front of the mask is a large human face with red mouth and nose, black moustache and black outlined eyes on a white circular background surrounded by a green ovoid. The face is outlined in white. The bear has a long snout painted black with white edging. The nose and mouth are red. The mask splits down the centre and opens to expose another human/whale face. The inner face is detailed exactly like the outer face with the exception of killer whale motifs painted on the cheeks and forehead. The eyes have drilled holes. The opened boards are hinged with leather and nails; they are painted white with human hands and arms. The back of the bear has many twisted cedar strips that hang. The outer face is lined with small bundles of cedar. The mask is painted dark green, black, white and red with Northwest Coast stylized designs.

Wooden, carved, dear-human transformation mask with a long snout painted red with circular cutout nostrils. The jaw is hinged with a piece of leather nailed to the lower mouth; the sides have metal hinges. The face is dark red/brown with white edging and detailing; black outlined eyes on a green, ovoid-like shaped background; brow is black. There are two large, orange ears nailed to the top that appear to be added later. The mask opens in three directions – to the sides and down – exposing a painted human face with cutout nostrils. The three open boards are detailed with the figures hands, along with ovoids, U’s and split U’s. Twine cord that attaches to all three sides and run through the human’s nose to assist the mask in opening and shutting. The back has numerous cedar strips that would fall behind the head of the wearer. The mask is painted red, dark red/brown black, green, white and black with Northwest Coast stylized designs.

Carved, wooden, raven and human transformation mask. The exterior consists of a long black beak, red mouth and stylized nose. The beak and sides are hinged with pieces of fibre and leather, nailed to all sides. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. Nailed to the top of the head are numerous broken raven feathers. Another figure is painted underneath the mouth. The mask opens in three directions to expose a painted human face with cutout nostrils and mouth. The three open boards are detailed with ovoids, s-shapes, U’s and split U’s. The back is partially hollowed. There is an attached twine cord that assisted the beak in opening and shutting. The mask is painted black, red, white and green with Northwest Coast stylized designs. There is a large metal ring nailed into the top of the head, probably for display purposes.