Whale bone carving of a hunter carrying an unstrung cable-backed bow and bucket, attached to an irregularly-shaped base (part a); figure is standing along front edge of base. Small stone structure (part b), made up of rocks stacked on top of one another, on opposite end of base; attached with two pegs. Figure has intricately carved facial features, consisting of oval-shaped eyes, wide nose, and frowning mouth. Figure has a large skin pack strapped across back; sinew straps wrap around hunter's chest. Pack has long rods sticking out of either end; tufts of white fur around where the rods protrude. Small back quiver slung over hunter's right shoulder; self-nocked arrow shafts (parts c-k) fill quiver. Bucket hunter is holding in left hand is filled with dark red and orange stones. Figure is unsigned.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Pair of snowshoes (parts a-b) made of wooden frames with two curved crossbars. Babiche latticework between the frame and crossbars; latticework reinforced with plastic ties along frame. Shoes are rounded before tapering at the ends; shoes are flat. The frame consists of one piece of wood that has been bent into shape; ends are secured with nails below the front crossbar. Middle section of latticework is woven wider than front and back sections. Oval-shaped gaps in weave, underneath front crossbar, for feet; skin ties secured to sides of gaps. Decorative tufts of light blue, orange and dark purple wool are attached along the outer edges of frames, on front and back ends. Grooves cut into frame above wool decoration. The longer snowshoe (part b) has a knotted cord tied around the frame above the front crossbar, along the left side.

Ulu type knife. Metal blade is crescent-shaped with a beveled bottom edge. Blade held in place by bronze metal plates on both sides, that slot into the underside of the handle. Three copper nails have been hammered through the bronze plate into the blade to hold it in place, with the ends smoothed to blend with the bronze plate. The handle is a rectangular piece of horn, with a curved top edge. A hide cord is tied around centre of handle.

Painted drum (part a) made of stiffened skin stretched over round wood frame. Skin wraps around frame edges to the back; thin strips of sinew looped through holes in skin draw material tight. Sinew strips lashed together in centre with leather thongs; black looped cord attached to leather, for hanging purposes. Face of drum has bird, fin and sun motifs painted across surface, made up of formline design elements; done in dark blue, gold, and dark red. Artist signature and date made painted along side of drum; done in red. Drum rests inside separate square wood frame (part b) with tall walls (Metal hooks and wire in interior and on back of frame, for hanging purposes).

Goblet-shaped drum (part a) with animal skin stretched over the top. Skin is secured with seven removable wooden pegs (parts b-h) and fibre cords. Bottom edge of skin is trimmed with braided cotton(?); loops knotted throughout trim. Two braided plant fibre bands wrap around body and are strung through loops; pegs fit in between cotton and plant fibre. Thick braided cord attached to bands at top and a plain piece of plant fibre tied around base; used as a carrying strap. Long neck in between head and base of drum; protruding lips where sections meet neck.

Small goblet-shaped drum (part a) with animal skin stretched over the top. Skin is secured with five removable pegs (parts b-f) and fibre cords. Bottom edge of skin is trimmed with braided cotton(?); loops knotted throughout trim. Two braided plant fibre bands wrap around body and are strung through loops; pegs fit in between cotton and plant fibre. Thick braided cord attached to bands at top and a plain piece of plant fibre tied around base; used as a carrying strap. Long neck in between head and base of drum; protruding lips where sections meet neck.

Stringed musical instrument with a cylindrical sound barrel, wide neck and curved head. Three metal strings, tied around rod extending from bottom of sound barrel, connect to three tuning pegs at head. Pink-purple snakeskin covers head of barrel; secured with nails. Base of barrel has a ring of teardrop-shaped holes around central circular hole; two tiered rows of carved triangles decorate edges. Tuning pegs have cylindrical bodies, pointed tips and the bases taper towards a circular base. Pick and bridge top are attached to instrument by a cord. Shoe lace tied between tuning pegs and around rod at the base, to use as a carrying strap.

Rhinoceros skin shield. Large and circular shield of thick animal hide. The shield is covered with raised bumps, with a raised line across centre. On the reverse is a hard U-shaped hand grip at centre. (A small white cord has been attached along the edge for hanging.)

Doll, in standing position, with a walrus tusk head. Eyes, eyebrows, and frowning mouth are incised; nose carved in relief. Incised elements coloured with black and red pigment(?). Figure is wearing reindeer fur clothing, consisting of long hooded parka and tall boots. Parka has grey-white bands running down chest, and along bottom edge. White fur belt wrapped around waist with brown trim along bottom edge; brown fur and red fibre fringe hanging along bottom edge of belt. Bands identical to belt wrapped around upper arms; green stripe decoration through centre. Fur and red fibre fringe also hanging from back of hood. Boots are white with red stitches along soles; beaded fur pompoms attached to knee of right boot. Doll has no hands.