Harpoon (part a) with a detachable head (part b). Harpoon has a cylindrical steel shaft inserted into a wider wooden handle. Ends of wood are capped with copper(?). Hide cord wrapped around bottom end in a loose spiral, before tightening into a thick band; hide acts as a handgrip. Second hide tie knotted around base of metal shaft. Top of shaft tapers to a point, for head to fit on. Harpoon head consists of an oval-shaped blade, with a sharp point, welded to a triangular holder. Long rope line strung through hole drilled into centre of holder, creating a large loop. Rope is secured together at intervals.

Pair of boots made of wolf skin. Legs and vamps are covered in white fur, soles are light brown hide. On either side of the boot heels are two long hide ties, meant to be secured around the ankles. The top openings are edged with canvas-like material, through which is threaded a dark pink drawstring. Bottom edges of openings are trimmed with three decorative bands. Top rows have an alternating white and dark blue triangle motif; second are plain yellow; third are green with scalloped edges, with a shiny, gold-coloured diamond motif overtop. Interiors are unlined.

Harpoon (part a) with a detachable head (part b). Harpoon has a flat shaft, made of two pieces of antler riveted together, that narrows to a point. Shaft is inserted into a wider “V”-shaped piece of antler, riveted to a cylindrical wooden handle. Knife-shaped, antler blade secured to opposite end of handle with hide ties and copper nails. Hide strip woven through the bottom centre of wooden handle. Strip held close to handle with hide and rope ties. Harpoon head consists of an oval-shaped steel blade, with a sharp point, riveted to a triangular holder. Long hide strap strung through hole drilled into centre of holder. End of strap has a loop handle.

Pair of boots made of caribou skin. Legs and vamps are covered in a mix of brown and white fur, soles are light brown hide. On either side of the boot heels are two long hide ties, meant to be secured around the ankles. The top openings are edged with dark blue cloth, through which is threaded a white braided drawstring. Interiors are unlined.

Carved, three-dimensional, mask pendant. Male face has wide oval-shaped eyes, thick black brows, frowning open mouth, and a black painted beard and moustache. Area around eyes is sunken and painted blue. Nostrils and lips painted red. Rest of face decorated with design elements in blue and red. Male is wearing a red twisted ring on top of head. Leather cord nailed to back of carving. Artist inscription on back with date, title, name.

Goblet-shaped drum with animal skin stretched over the top. Skin is secured in place with wooden pegs and a secondary strip of skin. The shape of the batter head is formed with internal strips of plant fibre, visible at intervals through the skin. Drum has a triangle-like protrusion along the back, towards the top edge, with a small hole drilled through its centre. Likely for hanging purposes. A large hole is cut into the body of the drum, to the left of the protrusion. Drum is decorated with incised lines, circling the entire body. Designs are (from top to bottom): plain line, plain line, zigzag, plain line, and zigzag. Carved inscription over top the first band, to the right of the protrusion. A repair has been made on one side of the body, using sheet metal.

Standing wood shrine figure. Body is rectangular in shape and has geometric and linear motifs incised on the front and sides. Hide collar, coloured black, wrapped around neck. Figure has a wide nose, pronounced brow and lips, and angular eyes. Has a ponytail that protrudes sharply from the back of the head. The end of ponytail connects to the figure's back. Lines incised on portions of hair overtop of head, hanging portion of ponytail is thin and smooth. There is a small gap between the ponytail and the back of the figure’s neck. Extending from all sides of the hide collar are strands of cowrie shells. Long strings of black, red and white glass beads are tied around the ponytail with light brown thread. Two copper coins and one small brass(?) bell are attached to the bead strings, hanging down the back of the figure. Plain brown tie, with knotted ends, is strung between the ponytail and the neck of the figure.

Leather ammunition belt, with fifty open-ended pockets across its surface for individual bullets. Belt fastens with a metal buckle, attached with a leather tab. Tab is covered by the belt loop. Opposite end of belt is made of a narrow strip of leather, with five adjustment holes along it. Holes are spaced out, at equal intervals, and lined with metal. Entire exterior surface of belt is covered in brocaded decoration. Background is pale orange, with designs overtop done in golden brown. Geometric motifs along all belt edges and edges of pockets. Designs across pockets, belt loop and area around adjustment holes are curvilinear and floral. Back of belt is undecorated.

Long model kayak made from dehaired seal skin. The kayaker is attached to the inside seat area of the kayak and consists of an upper body only; he wears a seal fur parka and holds a wooden model paddle out front, in both hands. The figure's face is made out of stocking, with an embroidered face, including part of a blue wool cap (or hair?). There is a separate model harpoon (part b) with a wood handle, antler point and sinew rope, that fits under the skin lashings of the kayak. Model is unsigned.

Small, gourd mate container. Container exterior is covered in orange-brown leather, stitched together along the back side. It is oval-shaped and has a raised, rounded lip made of stainless steel. The lip slopes into a plain border, that extends slightly outward from the container. Leather is pinched in three places, along the base, to form triangular legs. Interior of container is rough, covered in dried pith.