Animal puppet head on a wooden pole. Head and mobile lower jaw are made of wood, curved ears are made of metal. The oval-shaped eyes, screwed onto either side of the face, are made of wood. The head and upper section of the pole, imitating a neck, have different coloured fur nailed to them. The face and lower jaw are white-grey, the ears are brown-red, and the neck is light brown-orange. Dark brown fur runs down the back of the neck and down the centre of the face. The muzzle of the rusa is painted grey-purple with black nostrils. The wooden eyes are painted black, with the centre front done in white. The mouth is lined with red leather, with a long, matching tongue sticking out from the lower jaw. The mobile lower jaw is operated with a green, plastic string. The string is threaded through both the upper and lower jaw, and then passes down the back and front of the pole. The string has a black handle at the end. Jaw joint consists of a metal hinge and white cloth bands.

Headdress made of a brown felt cap with a small leather and beaded band around the forehead. Long white and dark brown feathers attached above the band, all around edges of cap. Six small white feathers sewn directly to top of cap. Long feather shafts wrapped in red fabric and secured to the brown cap by loops of skin. Strands of animal hair adhered to white, circular pieces of fabric that are attached to tips of all of the long feathers. Beaded forehead band has designs of crosses and pyramids done in white, dark blue, orange, black and red. Band has two beaded circles attached to ends with crosses and triangles done in light blue, red and black. Strands of silk-like fabric drape down from centre of beaded circles. Strands are white, lavender, dark blue and dark yellow.

Nkisi figure made of wood. Figure stands on a round platform with knees slightly bent. The arms are bent at the elbows, with both hands placed on a protruding abdomen with an empty hollowed-out space at centre. Each elbow is wrapped, and the right wrap contains a bird foot. The skullcap is raised, with a single horn mounted to the crown. The eyes are narrow slits, with wooden pupils, and the open rectangular mouth has four wooden teeth. Hanging from the pointed chin is a strip of reddish-brown hide. The long neck, waist and ankles are all wrapped and coloured a reddish-orange. The body is heavily decorated, notably on the face and chest.

Small red hide pouch with tie. Inside pouch is an elliptically shaped black shiny stone object with irregular edges covered in red pigment. Square white sticker affixed to side of bag.

Sanjuan Mask. Wide face painted black. Small red downturned mouth and large flat nose. Strip of leather with some hair nailed horizontally across top of forehead with three nails. Single hole drilled on either side with yellow string attached. White collar extends from below jawline. Back of mask is unpainted.

Rattle type wooden staff, adorned with deer hooves at the proximal end. Staff is rounded, carved at pommel with a small face, sharp teeth bared in a wide grin, nose flat and slightly protruding. Head comes to a small, round peak. Dozens of deer hooves have been tied to short lengths of hide and attached to the top, under the face, with long wraps of hide.

« The manufacture of woven hare skin blankets by Indians of the Mistassini and Lake St. John bands is described in detail by Speck (1930, pp. 451-454), Lips (1947, pp. 42, 44), and Rogers (1967, p. 64, fig. 8, p. 40). Speck (1930, p. 454) notes that 100 skins were required for a blanket, while Rogers (1967, p. 64) states that a large blanket to be used by three people might comprise twice that many skins. These blankets were woven of narrow, twisted strips of hare skin on a three-pole frame by a coil netting technique in which the strip of skin was conveyed by a wooden or bone needle. The Speck collection contains two examples. The smaller, in poor condition, measures approximately 165 by 145 cm. The larger measures 220 by 152 cm and has short cloth ties at the four corners. It may have been worn as a robe. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.17.

« Two styles of netted snowshoes are represented in the Speck collection by a single pair each. Both pairs have birchwood frames and babiche netting. One pair, from Kiskisink, is constructed in the "swallow tail" style (Davidson, 1937, pp. 67-68, fig. 27c) in which the ends of the frame form a tail. Although Davidson describes this style in his chapter on snowshoes with two-piece frames, this specimen has a frame consisting of a single piece of wood, the ends of which are lashed together with babiche at the tail. There are two slightly curved cross bars which are morticed into the frame. The harnesses are made of clothes line and the wearer's heel rested on a rectangular piece of tanned caribou skin which is folded over the opening and sewn into the netting. One shoe has a large area of broken netting in the center which has been repaired with twine (fig. 31a). According to Rogers (1967, pp. 91-92), swallow-tail snowshoes were used by the Mistassini at the time of his fieldwork in the early 1950s and were worn by both men and women. Men used them during November and December and again in the spring when the snow was heavy. During mid-winter they were used by men only on well-packed trails. Women used them all winter. The snowshoes of this type that Rogers describes had a one-piece frame like the pair in the Speck collection. According to Speck's notes, the swallow-tail style was the typical form among eastern Montagnais bands. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.18, fig 31a (p.59). « The manufacture of snowshoes among the Lake St. John and Mistassini Indians has been described in considerable detail by Lips (1947, pp. 69-77) and Rogers (1967, pp. 91-101). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.18.

Purse.

Large, rectangular shaped moose hide, stretched and tide to a wooden frame. There are traces of fur along the edges where numerous holes have been cut for the rope to pass through. The corners of the frame are bound together by rope.