Sculpture made from single piece of soapstone. A man is shown in a parka, with the hood up covering his head, standing in a wide stance, his arms raised to shoulder height, clutching in both hands a sinew rope. A seal lays upside down in front of him, attached to the other end of the rope. A cleaver made of wood lies beside the man's right foot.

Small soapstone carving of a crouched man. Figure has a parka with a long flap at the back, and pointed hood pulled up over his head, as well as leggings, boots and mitts. in his outstretched hands are a flat, round drum made of skin stretched over wood, and a wooden drumstick.

Drum and drumstick. Round drum (part a) is made of skin stretched over a circular wood frame and nailed to secure along the frame’s bottom edge. On the underside, thin strips of hide are connected in 4 places to the frame and come together in the centre, tightly wrapped around themselves, to join at a small wood handle. The face of the drum shows a painted lightning-snake design, with a large centrally placed head showing bared teeth and curling hair in red and blue, the long thin body wrapping around the outside edge of the drum top. Part b is the drum stick, consisting of a long wooden shaft, rounded, and a leather covered head attached by a leather strip wound around the stick's neck.

Painted drum made of stiffened skin stretched over a round frame of wooden slats, attached together with adhesive. Skin wraps around frame edges to the back, where thin strips of sinew are attached through holes to draw the material tight. These are lashed together with leather thongs at centre, making a handle. The face of the drum is painted red and black, with four salmon heads emerging from the sides, surrounding a series of concentric cirlces at mid-point with interspersed crescents and traingles .

Hollow bone tube with bands of cross-hatching at each end. Brown twisted hide cord wrapped around middle, leading to long loop. Cord is reddish on some edges and has been darkened by use.

Basketry violin case. Case in the general shape of a violin, with a long neck and widening of the upper and lower bouts. Lid is attached with two small decorative metal hinges at back, and closes with a hide tie at front. Case is heavily decorated on the exterior with red and black cherry bark and grass beading, in a checkered pattern. A woven cedar bark handle is attached below the front tie closure, attached on one side by a hide loop and the other by a brown and yellow shoelace.

Quill loom. A piece of willow wood is bent into a bow to support the weaving. At one end is attached a short strip of moosehide held in place by a pin topped with a red plastic ball. To the hide is sewn several cotton threads. Near their opposite ends, the threads pierce a thin rectangle of cardboard that keeps them separated; they are then tied to the other end of the wood. Woven into the threads are porcupine quills dyed multiple colours, creating cream-coloured diamonds on a background of alternating areas of light green, dark pink, and yellow. Borders of white and yellow line each side of the weaving. The quills have not been trimmed.

Quill loom. A piece of willow wood is bent into a bow to support the artwork being created. At one end of the willow is attached a short strip of moosehide to which is sewn several cotton threads. Near their opposite ends the threads pierce a small rectangle of cardboard to keep them separated, and are then tied to the other end of the willow. Woven into the threads are porcupine quills dyed multiple colours, creating patterns of 'X's and diamonds on a cream-coloured background. The quills have been cut to a length of approximately 1 cm at the back of the weaving.

Museum Expedition 1930, Robert B. Woodward Memorial Fund and the Museum Collection Fund

Headdress in the style of a bearclaw headdress, except the "claws" are each carved from sheep horn. Two thick leather strips are stitched together at the ends to form a circular forehead strap. Attached to the strap are 24 long, curved "claws" sewn on at their proximal ends. Each is attached by a nail to a small square of horn. Their distal ends are blunted, and a small hole has been bored through each tip for cotton string to pass through. The string connects the horn claws to each other and to two large feather pieces (lower shafts), as well as to short leather thongs. Thin pieces of sinew are wrapped around the string. A piece of cotton is tied to each side, dropping down under the headdress where they are tied together.