Portable altar containing three dimensional figures of Saint Isidore the Laborer and two yoked bulls. The top and side walls of the altar are painted blue. There is an arched opening in the façade of the altar. It has a yellow border. There is a sheet of glass in the opening so that the figures inside are protected. On either side of the archway, there are blue pilasters with gold capitals. There is also a dark blue archivolt lining the archway. The roof above the arch is triangular. It is painted pink with gold accents. There is a flower-shaped finial at the apex of the arch; it is pink with blue leaves. On either side of the central triangle, there are two smaller triangles completing the roofline. They have the same finials as the central triangle. The wall below the finials is painted yellow-white with pink accents. Where the left and right sides of the front of the object border the pilasters, they are painted green with red stripes. Inside the altar, the figure of Saint Isidore stands atop a cube plinth that is painted yellow-white with blue designs over top. Saint Isidore wears black boots, a green robe with gold trim and has a brown beard and long hair. He holds a red book with black text on the cover. Left of Saint Isidore, there are two small bulls painted yellow-white with black spots and red tongues. There is a gold yoke between them. The bulls stand atop a low, square plinth of unpainted wood. The artist’s name is written on the back of the object in blue pen. Also, a location is written in pencil and a number is written in red pen.

Small altar with nativity scene inside. The exterior of the altar is painted yellow-white with red borders. On the top and sides of the altar, there are green wavy lines painted between the red borders. There are two pieces of leather nailed to each side of the altar and to the sides of the doors, as hinges. The exterior of the doors are painted with one half of a flower each and with blue vines emerging from its sides. Above the opening of the altar, there is a triangular piece of wood affixed, creating a peaked roofline on the façade, painted yellow with a green half-sun motif. Each of the interior doors is decorated with a two-petal flower. Inside the altar, the side walls are painted dark blue and the back wall is painted yellow with silver stars. Standing against the background are Mary and Joseph, bothey both wearing gold crowns and gesturing to Jesus in his cradle in front of them. The baby is naked and his cradle is red. Also in the background, right of Mary, a person in a red robe stands with their hands clasped in prayer. Left and in front of Joseph, there is an angel that holds a gold horn to his mouth. Left and in front a man in a blue shirt kneels and prays as he looks upon the baby. Right and in front of baby Jesus, a man wearing a gold cap, blue cape and yellow robe kneels and prays, as well as a grey animal with pointed ears that crouches and clasps his front hooves in prayer. In front of the angel, a man wearing a gold cap, red cape and yellow robe kneels and prays and to his right is a boy with black hair and a red cape praying. A woman to the right faces the child while she kneels and prays. Right of the woman, and in front of the praying animal, there is a patch of yellow grass in which a yellow-white bird stands. In front of the man in the gold cap on the left side of the altar, there is a goat standing left of a yellow-white, four-legged animal and a small brown camel to its right, and than a sheep, and a striped llama(?). A grey donkey with a satchel on his back stands right of the llama. In the foreground on the left side of the scene, there is an orange and black striped animal, a pink and black bird and a brown spotted dog. In the furthest right position in the foreground, there is a small brown and black four-legged animal. There is indecipherable writing in orange pen on the back of the object. On the bottom of the object, the wood is unpainted.

Altar containing three-dimensional figures set upon two tiers depicting heaven and earth. The exterior of the altar is painted yellow-white with red borders. On the top of the altar, a blue curlicue design is painted over top the yellow-white background. There are also curlicue designs on the sides but they are red. The doors of the altar are attached with two pieces of leather nailed to each side. The exterior of the doors are painted with a large flower that is split in half by the doors. The centre of the flower is yellow with a red cross-hatched design over top. Around the centre, there is a ring of small, pink flower petals. There are also grey, blue and purple petals. Above the doors, there is a triangular piece of wood attached to the façade. The triangular piece is painted yellow with a red border and a red flower. Each of the interior doors is painted with a flower; they are grey, red and blue with yellow centres. The figures within the altar are made out of plastic. In the top tier against the back wall, there are three haloed figures holding quills and books. In front of these figures, there are a variety of smaller people. Many of them are holding instruments. There are also small figures of goats, rams, owls and other four-legged animals. The background is painted yellow-white with red, grey, yellow and blue spots over top. In the lower tier, there are four figures attached to the back wall; they carry out various everyday tasks. Below, there are smaller people playing instruments, carrying babies and caring for animals. There is also a tall yellow and red table with a pitcher, a cup, a bottle and a round fruit atop it. The animal figures appear to be dogs, cats and birds. On the back of the object, there is a number written in red pen. Also, there is a piece of tape with a number written on it in blue pen.

Portable altar containing a three-dimensional figure of Saint James. The exterior walls, back of the roof and base of the altar are painted blue. The front of the altar has an elaborate façade. In the centre of the façade, there is an archway that reveals the figure inside. The top of the arch has a scalloped edge. The dome is painted yellow with red and blue detailing. At the top of the dome, there is a pink flower with gold accents and green leaves. On either side of the archway, there is a narrow vertical wall with a column embedded in it. The shaft of the column curves inwards at its centre. It is painted yellow-white with black curved lines over top. Behind the columns, the walls are green. Above the columns, the walls are painted yellow-white. Directly above the square capitals, there are red designs painted over top the yellow-white background. The interior walls and ceiling of the altar have a pink diamond pattern painted over a yellow-white background. In the middle of each diamond, there is a yellow dot. The figure of Saint James stands atop a plinth formed by three-stacked shapes. He wears black sandals, a yellow robe, a dark blue cape and a white hat. He has a brown beard, mustache and hair. In his left hand he holds a silver-coloured sword; his right holds a staff with a black handle and two gold balls hanging from it. The back of the altar is painted yellow-white. The artist’s name, location and some numbers are written in pencil on the back. There are also two stickers with numbers and words.

Portable altar with a three-dimensional depiction of peasants in love. The exterior walls of the altar are painted yellow-white with red borders. On the left, right and top sides of the altar, there are purple leaves painted over the background. The doors of the object are attached with two pieces of leather per side; the leather pieces serve as hinges. There is a large painted flower split between the two doors. The centre of the flower is a grey base with red cross-hatching over top. Above the doors, there is a triangular piece of wood attached to the façade to create a peaked roofline. The design on the triangular piece of wood is faded but a cross-hatched flower centre remains visible. There is a flower painted on the interior of each door. They are grey, purple and red with cross-hatched centres. There are three vultures flying above the three-dimensional scene inside the altar. Two of them are attached to the top wall and the other is attached high on the left wall. The vultures are black with red beaks and red plumes atop their heads. One of the vultures has a black lamb in its talons. There are faint clouds and mountains painted on the back wall of the altar. The ground has hills and valleys formed from clay. On the left side of the object, a brown and black striped donkey sits atop a hill. In the foreground in front of the donkey, there is a cave under which two small animals sit. On the right side of the altar, there is a tall hill on which three birds are perched. There are many animals sitting and standing within the scene; there are lambs, bulls, rams and donkeys. Near the middle of the scene, towards the background, one animal rests atop another animal’s back. Behind these two, there is a man and a woman. The woman, on the left, has a grey hat, two black braids and a pink skirt. Her hands are upraised as if she is dancing. Her partner stands to the right; he wears a red coat, grey hat and plays a guitar. There is another couple right of the musical one. The woman is lying with her back on the ground and one of her legs revealed. Her lover wears a red coat and black pants and is stooped over her. The artist’s name and location are written on the back of the work in blue paint.

Portable altar depicting the Spanish conquest. The exterior walls of the altar are painted white with pink borders. On the side walls are purple curlicues. There are three pieces of leather nailed to each side of the wall and to the side of the doors as hinges. One half of a flower is painted on each of the doors. Above the front doors of the altar, there is a triangular piece of wood attached to the façade, creating a peaked roofline with a pink cloud-like motif and a black dot painted on it. On the interior of each door there is a narrow flower with two large petals and four small petals and purple vines. Inside are two tiers with part painted in various shades of blue and white to resemble the ocean and part yellow and orange to resemble sandy ground. Also in the background, there are three wooden sailing ships embedded in the back wall of the altar, adorned with red crosses. On the top tier, the ships from left to right are dark brown, orange and light brown. On the bottom tier, the ships from left to right are orange, light brown and dark brown. An elaborate throne rests with its back against the left wall on the top tier. A king sits in the throne so that his profile is turned towards the viewer. The king has long black hair, mustache and beard. He wears a gold crown, long orange jacket with white trim, and an ornate green robe with a white pattern on it. He holds a gold pointed sceptre in his left hand and points with his right hand. Right of the king, there is another throne with its back against the back wall of the altar. A queen sits in this throne. She wears a gold crown, white and black hood, orange jacket with white trim and an ornate red dress. She clutches her sceptre in both of her hands. On the right side of the altar, there are relatively small people standing amongst tall grasses and a palm tree. The small people are purple and wear loinclothes and white and black printed headdresses with orange feathers attached over the forehead. One of them holds a young child in her arms, another points towards the ships in the background. In the lower tier, a conquistador stands on the left. He wears a silver helmet, orange jacket, pink and black robe and holds a long silver axe-like weapon in his right hand. To the right corn and pineapples are shown growing out of the ground. Standing amongst the grasses, there is a man in purple, larger than the people on the top tier. In his left hand he holds a light brown pipe and a parrot rests on his bent elbow. In his right hand, he holds a bow and arrow. A yellow and black monkey hangs from his right arm. The artists name and location are written in dark blue paint on the upper left corner on the back of the object.

Portable altar containing a three dimensional figure of the Virgin del Cisne (town in Ecuador) holding a baby. The top and side walls of the altar are painted blue. The front of the altar has an elaborate façade. There is an arched opening in the middle of the façade that reveals the figures inside. A pane of glass encloses the figures inside the altar. The innermost part of the arch is painted yellow. Slightly outwards, there is a raised gold border that follows the line of the arch. On either side of the arch, there are blue pilasters with gold borders and gold capitals. Above the arch, the wall ascends into a curved roofline that looks like a flattened onion dome; it is painted green with red and blue accents. At the top of the dome, there is a flower-shaped finial. The flower is pink with blue flowers and gold accents. The walls on either side of the central dome ascend into triangles. They also have pink and blue finials at their apexes. The upper portion of each of the walls is painted yellow-white with red and blue detailing. Where the side walls border the pilasters, they are painted yellow with a red and blue scalloped detail along the outer edges. Inside the altar, the side and top walls are painted yellow-white with pink details. The figure of the Virgin stands upon a two-part plinth. The lower part is cylindrical and is painted yellow-white with green splotches. Atop the lower portion, there is a small blue mound. The Virgin is barefoot. She wears a gold crown, a long red jacket and a yellow-white dress with gold embroidery. In her left hand she holds a gold staff and in her right hand she holds baby Jesus. The child wears a yellow robe with gold trim. The skin of both figures is pink. The back of the object is unpainted. There is a piece of paper affixed to the back of the object with paint. On it, the subject of the altar is written in blue pen. There is also a piece of tape with a number written on it in blue pen.

Portable altar containing a depiction of the Holy Week Procession in Ayacucho. The exterior walls of the altar are painted yellow-white with red borders around the edges. On both side walls, there are faint grey squiggly lines. Two pieces of leather are nailed to each of the side walls and to the sides of the doors; the leather pieces serve as hinges. The exterior of the doors are each painted with a red, purple and orange flower. Each flower has two long petals with undulating sides and two small purple petals. The centres of the flowers are orange. Above the doors, a triangular piece of wood is attached to the façade to create a peaked roofline. There is a faint black, brown and yellow motif painted on the triangular piece. The interiors of the doors are each painted with a flower. The flowers each have two red petals and two purple petals. The left and back walls inside the altar are painted purple. There are white stars or fireworks painted over the purple backdrop. Attached to the backdrop, on the back wall, there is a small plastic figure of an angel with purple wings. Below the angel, also attached to the backdrop, there is a figure of a praying woman. On the lower right side of the back wall, there is a plastic figure of a man playing a guitar. Left of the praying woman, ascending from the ground, there is a tall structure formed from thin black beams. The beams meet in a dome-shape at the top of the structure. Attached in various places to the structure, there are three yellow and red bundles. A woman in a purple shawl and red dress stands in front of the structure with her hands clasped in prayer. Her baby is strapped to her back. Next to her, there is another woman in an orange shawl holding a yellow and black striped object. Right of this woman, there is a large white platform with many candles attached to it. The candle flames are red and the platform is decorated with gold patterns throughout. The platform also has various white and gold pots attached to it. A figure of Jesus stands atop the platform. He is wearing a red sash, is surrounded by a gold halo and holds a gold flag. Right of the platform, a man with a mustache holds a yellow and black tuba. In front of the woman in the purple shawl, there is a man in a round-collared yellow robe holding a staff with a vase-shaped object atop. Next to him, there is a man in a dark blue robe, red and black striped cape and red, black and yellow crown. The man wearing the crown holds an open book in his hands. Next to him, there is another man in a round-collared robe holding a staff. Behind him, a woman carries her baby on her back and clasps her hands in prayer. Right and in front of her, there is a woman in a red shirt and yellow and black cape; she also clasps her hands in prayer. There is a child next to her, wearing a yellow shawl and skirt and purple shirt. Next to the child, there is a man in a yellow shirt, blue tie and blue pants. A small boy stands next to him. Behind the man and the boy, a musician with a thin mustache plays cymbals. Next to the cymbalist, a man in a blue and black striped outfit holds a candle in his hand. A small boy also holds a candle to his right. The artist’s name is written in green paint on the back of the object. Two numbers are also written on the back of the object, one in red ink, the other in pencil.

Large, circular, woven cedar basket with lid. The basket is round at the base and flares out toward the shoulder, narrowing again toward the rim. Basket is covered in a checkerboard imbrication in light brown with a large entwined diamond motif imbricated over top. Two twisted hide handles sit at the shoulder. The lid is flat and attached to the basket by a hide “hinge” at the rear, with two hide thongs at the front to tie the basket shut. The lid is decorated with a large dark brown imbricated diamond.

Round, woven cedar basket with lid. Basket is coiled in construction, with an imbricated design on the exterior of sets of inverted triangles in light brown, dark brown and red. The lid is slightly convex, decorated with a four point imbricated star. It is attached to the basket by long hide strips that tie in the centre over a small flap of leather. Four small holes are pierced through the edge of the lid through which the hide strips enter and attach the lid to the basket.