Jug used for pouring chicha. The jug has a rounded body and the neck is shaped into a human-like figure. The figure has small, thin protruding legs as well as protruding arms with hands that hold two mugs and a bottle-shaped object. Around the figure’s neck is a scarf, with ends decorated with incised lines. The face is small, and topped with a wide hat with ear flaps. The top of the figure’s head is hollow and serves as the jug’s lip. A handle is connected to the jug at its shoulder and figure’s middle back. The body of the pot is covered with skin that is tied on with sinew. Sinew also wraps around the jug’s handle, and a braid of sinew spans between the handle and the figure’s neck.

Rectangular coiled cedar root basket. Each side has a pattern of two dark brown and one red-brown set of arrow-like designs done in imbrication. Strips of dark brown and red-brown bark are also woven through the top row at the rim. Two strings of hide are strung through the top coil on either side, creating long handles.

Shadow puppet, representing the character Bima, Pandhawa Prince, made of skin. The figure wears a large gold and black headdress. The headdress has decorative holes cut into it and scalloped edges to mimic fine metalwork. The figure’s flesh is dark red. His face is in profile and looks to the left. He has a long black sideburn and a small black moustache. The figure’s eyes and tongue are red. His chest is bare and has a small patch of chest hair. On each of the figure’s upper arms and forearms he wears gold bracelets. In each of his hands he holds a white spear. Each of his arms is composed of an upper arm piece, a forearm piece and a hand piece of skin. These pieces are attached to each other using small nails. His wrist joints are also attached to long wooden sticks; this results in his arms having movable joints. Tied around his waist, the figure wears a loin cloth. The fabric is red, black, grey, white, blue and green. The red, green and blue elements of the garment have black stripes on them. The black, grey and white elements of the garment are arranged in a check pattern with gold trim. The puppet’s thighs are large and bare. Black thread attaches a wide wooden stick to the middle of the puppet’s body. The stick is pointed at the bottom end.

Shadow puppet made of skin. Represents the character Kresna (Krishna). The figure has green skin exposed at its face, arms, chest, stomach and legs. He wears an elaborate gold, red, blue green and white headdress. The red and blue elements of the puppet are striped with black lines. The gold elements of the puppet have small holes through them and scalloped edges to mimic the shapes of fine metalwork. The figure’s face is in profile; it has long black sideburns and a thin curly moustache. His eyes and tongue are red. A large gold necklace hands down the figure’s chest. He also wears a gold chest piece that wraps around his torso. There are gold bracelets on each of the figure’s upper arms and wrists. On his fingers, there are gold rings. At each of the figure’s shoulder joints, elbows and wrists, there are metal nails the pieces of skin and attaching the skin of the hands to wooden sticks. One of the sticks is on the front and the other is on the back of the puppet. These allow the puppet to have movable arm joints. Wrapped around the figures waist is an elaborate skirt with red, blue, green, white and gold detailing. The fabric of the skirt also wraps around the upper left thigh of the figure. The toe and finger nails of the puppet are painted white. There are gold bracelets around each of his ankles. There is a dark brown stick which is pointed at the bottom end attached to the front and back of the puppet with yellow thread.

Doll wearing thick fur clothing. The face of the doll is made of light coloured stone, with carved eyes, nose, mouth and ears. It is enveloped by a large brown fur hood attached to a jacket that ends at the waist and has a long, narrow flap in the back that falls nearly to the knees. The coat is edged at wrists, face and bottom with white fur. The pants are made with a white and brown fur, cut decoratively at the top on both front and back and inlaid with a lighter coloured fur. Leggings of the same darker fur cover the leg from thigh to ankle and are attached by fur suspenders to the waist. Matching mitts cover the hands. Off-white hide boots tie at the ankle and have dark brown, furry soles. The doll underneath the fur appears to be covered with a canvas cloth at the back and brightly coloured fabric at wrists.

Rod puppet named Gatotkaca. The face is blue, with black decorations painted around the red eyes. A moustache and beard surround the red mouth. The puppet wears an intricate diadem, with a decorated hair curl that features the image of an eagle. On his back are finely cut wings, decorated with paint on the outside and sewn together at the middle. He wears a sleeveless top decorated with beads, and a matching apron with green ribbons that hang down the sides. A sarong is attached at the waist and hides a wooden stick that extends up through the torso and into the puppet’s head to control its movement. The arms are decorated with bracelets carved like birds, and are moveable at the elbows and shoulder by wooden sticks attached to each hand. The wooden stand (part b) is square and painted black.

Wayang kulit (shadow puppet) of gunungan (mountain) or kayon (tree of life). One side of the object shows a set of white stairs leading up to the closed double doors of a small temple. Guarding the doors at either side are two golden skinned, blue faced creatures (raksasa) holding maces. Their faces are fierce, with red eyes and sharp teeth in grinning mouths. To either side of the temple’s roof are the faces of dragons, with red eyes and mouths, sharp golden teeth, and feathered brows. At top is the head of a purple demon that wards off evil spirits. Above it is a golden Tree of Life full of monkeys, birds, flowers, and a serpent wrapped around the trunk. A tiger and water buffalo face each other at the tree’s bottom. On the other side of the object is a large blue demon’s head with open red mouth and white teeth. It is surrounded on all sides by yellow and red flames. The leather of the object is pierced through with patterns that create delicate lacy designs intended to allow light to shine through. The puppet is held firm by a long smooth handle made of polished horn.

Two-dimensional shadow puppet. The human-like figure is identical on both sides. It has white skin painted with sparse black hairs, round red eyes, an open, bearded red and gold mouth, and bared gold teeth. The hair is black and curled, and contains a gold headdress. The figure wears a checked and decorated garment that sits at the hips and falls to the floor. His legs are bare, with small colourful serpents wound around the ankles. The arms are encircled by elaborate bracelets at wrists and above elbows, and each hand has fingers as well as a large red and pink claw. A long white tail, decorated with several bracelets begins at the puppet’s hip and winds up to the top of its head. The leather of the puppet is pierced decoratively, especially throughout the hair, to allow light to shine through. Horn handles hold the puppet at the middle and move its fully extendable arms.

Antaboga kulit shadow puppet. The creature’s face is pink, with partially closed eyes, a long snout, and an open red mouth with many sharp teeth and a thin black forked tongue. A golden headdress is attached to his forehead and a gold and white necklace surrounds his neck. The body is long and curved, eel-like, with no appendages, and ends with a golden tip on the tail. The object is painted the same on both front and back. The puppet is held up by a thin unpainted wooden handle attached at the bottom.

A shadow puppet in the shape of a tiger (Hari Mau kulit). The puppet is painted both front and back in brown with black tiger stripes. The mouth is open, showing large bared gold teeth and red gums. The eyes are heavily lidded, and have pronounced lashes. The features of the face- eyes, mouth, nostrils and jaw, are emphasized by close-set piercings through the leather. The figure crouches in a pounce position, with long, splayed gold claws on front and back feet.