This shirt is constructed with very little tailoring. It is left open at the sides and a triangular bib is sewn on at the neck. This bib is decorated with blue pony beads, patterned with rows of triangles. Strips made of porcupine quillwork and maidenhair fern stems have been placed on the arms, shoulders and as epaulets. Long buckskin fringes have been added at the sides of the shirt, the bottom, and the sleeves. The shirt is dyed a yellowish-orange color. On the proper right side, many narrow, brown, horizontal bands that are bisected at one end have been painted. These have been said to stand for horse whips. On the proper left, four hourglass shapes, almost completely filled in with black, have been painted. They have been said to stand for cloth or blankets. The triangular neck flap is beaded somewhat differently from front to back. The front shows two rows of triangles whereas the back includes a third row that contains two triangles. The blue beads visually square off the pointed end of the skin and are similar to the design on Jarvis shirt 50.67.1a.

The name of this kachina is by Stewart Culin and may not be correct. This kachina has a corrugated fabric snake wrapped around his neck from front to back. He wears a fabric skirt painted with geometrics and tied with a sash. The shoes are made from hide, painted blue with reddish dark cuffs. He carries stick staffs in his hands, and wears leather fringed armbands around each arm and a fur cape. His chest and lower legs are painted red. His helmet style mask has a small, flat, painted head projecting like a horn on the proper right side. The ears of the mask are flat pieces with feathers sticking through as if earrings. There is a grid across the face of the mask with a zig zag line for a mouth. A black hair beard flows below the lower mask. Fur and feather remnants are across the top of the head.

This white buckskin shirt, with the faint remnants of a pinkish stain in the general shoulder area, has a squared cloth bib and cuffs made of red Stroud cloth. This bib has been attached with knotted lengths of buckskin thong. Both bib and cuffs are decorated with white seed beads and additional pony beads are sewn onto the bib. A line of chain stitch embroidery in blue decorates the bib at the front while the back of the bib is plain. A rosette on the front center of the shirt is decorated with reddish-orange and white porcupine quills and brown maidenhair fern stems that are in a configuration that probably represent a thunderbird. Bird quills in white, green, and brown are wrapped around the rawhide strips that are suspended from each shoulder. Additional fringe is inserted in each sleeve seam, which is wrapped at the base with red bird quills and white porcupine quills. Four long, pierced strips, two suspended under each sleeve, are also fringed. Horizontal reddish stripes are painted on the back of the shirt. A rectangular shaped repair, which appears to be of native origin, located on the front of the proper right shoulder, has been reattached to the long pierced tab by a knotted string of hide that matches the existing fringe. See Jarvis research file in Arts of Americas office.

Tailored as an "over-the-head" garment, the shirt is constructed from four pieces of skin (front, back and two sleeves). It is laced together from elbow to wrist on both sides, but the triangular bib is sewn on. Lazy stitch beadwork has been used on the bib and shoulders. Both the front and the back of the shirt are elaborately painted which is unusual. The upper quadrant on the proper left side of the shirt is stained a dark grayish brown, the upper right is smudged with reddish stain. The painted designs on these colored areas probably represent a tally related to war exploits. On the brownish area, sixteen linear objects, possibly stylized rifles, have been drawn in paint, one above the other. On the right, in the area partially stained in red, are seventeen linear designs in brown, bifurcated on the right side that may represent horse quirts. The shirt is also painted on the back with five geometric shapes that almost certainly represent people (torsos are triangular with round heads, but facial features are not indicated). Designs that probably represent horse tracks are on the right lower sleeve in front and on the reverse on the right shoulder. The lower left sleeve at the wrist is decorated with evenly spaced rows of short slashes. The beads used to decorate the shirt are almost entirely large blue and white pony beads, although there are some tube beads on the epaulets and along the sleeve. The porcupine quills are dyed mainly orange and white. The two rosettes on the chest are quilled with brown fern stems and white porcupine quills and are also appliquéd with white pony beads. There are some remnants of white fur on the tips of the fringe at the hip of the shirt. One feather was attached to fringe. Hair locks are made partly of human hair and partly of horsehair dyed blue-green with a few light colored hairs interspersed among the locks. The locks are wrapped at the base with porcupine quills. This shirt is part of an outfit with leggings 50.67.1b, c.

Bark cloth costume with a round face gourd mask. The costume is narrow at the top (34 cm wide including ears), does not have arms or arm-holes, and the front opening is sewn closed with plant fibre. The head is lightly stuffed with newspaper. An oversized J-shaped penis attachment made of wood and wrapped in barkcloth is tied to the front of the costume. The circular face of the mask is framed with a bent stem tied on with grass fibres (19 cm in diameter). The face area is covered in a very dark brown paint or pitch and has projecting round eyes, a triangular nose and carved lips, with a round ear projecting out to each side. There is a faint painted circular design on the front side of the costume in orange and brown. The bottom of the pants is heavily fringed and is the widest part of the costume. The bark cloth ranges through three shades with the lightest used for the head, a light brown for the body and darker brown for the pants.

Light-brown, rectangular-shaped book in two pieces (parts c” is the book; part “d” is the detached front cover). Cover is bound in cardboard and covered with cloth. Each page has a woodblock print on one side. A strip of dark orange paper is pasted onto the cover with calligraphy written vertically. Part of a set, with 1434/5 a-b.

Light-brown, rectangular-shaped book in two pieces (part “a” is the book; part “b” is the detached back cover). Cover is bound in cardboard and covered with cloth. Each page has a woodblock print on one side. A strip of dark orange paper is pasted onto the cover with calligraphy written vertically. Part of a set, with 1434/5 c-d.

Folded, woven grass betel nut basket. Long braided straps, attached at each corner of a flat square of light yellow woven grass, are knotted together into two crossed loops (opposing corners). Two bands of dark brown grass or stem are woven in a sqaure over a base weave of different tones of natural coloured fibres.

Drawstring bag. Woven basketry bottom, with a red, green, yellow, and white coloured cloth top attached, lined with purple fabric. Attached to the outside of the bag by a purple drawstring are two tubular bamboo containers. One is meant to hold a small whisk (529/12 e) and the other a small collapsible spoon (529/12 f).

Three-quarter scale basketry model of a Harley Davidson motorcycle. The front wheel and handlebars (a) are joined to the main body (b) with a rattan peg (c) and can swivel. Motorcycle sits back on a bamboo kickstand and back wheel, leaving front wheel suspended in the air.