Small rattle made of woven grass. The weaving starts from a square-shaped closed end, a long rectangular body, and then long strands of unwoven grass over a piece of wood(?) are bound by undyed plant fibre forming a handle. Inside the body appear to be small, smooth red stones?

Marble figure of a lion atop a square base. Animal is in a seated position, with front legs braced widely in front of a wide chest. Head is turned slightly to the left, mouth open and showing teeth. Carved lines create eyes, nose, a wrinkled brown, beard and curled mane, as well as musculature on body.

Ten flaked obsidian points and chips of varying sizes and shapes. Largest measures at 5 cm long compared to smallest at 1.5 cm. a-f) Six flaked chips. g-i) Three triangular points. j-k) Two smaller chips that are more glass-like in appearance.

Group of eight small obsidian points and chips. a) Largest and most complete projectile point. Long triangular blade with a long rectangular stem. b) Obtuse triangluar blade. c) Triangular blade with a very flat base where it has broken. d) Triangular point with flat area where blade has broken off. e) Triangular point with flat area where blade has broken off. f-g) Two point where there tip of the blade has broken off. h) Small piece of worked obsidian.

Large scale aluminum abstract sculpture. Stands on, and is attached to, a thick, black, oval, stone base. Sculpture itself is made of epoxy powder-coated aluminum, with a brushed silver surface. On three legs stands a large eye in formline design, with two concentric ovals forming the pupil inside a large open space. The sculpture’s lines vary in thickness.

Large wooden halibut hook. Two pieces of wood, lashed together by cotton sailor's binding, to form a V-shape. Iron spike is lashed at an acute angle to shorter arm. The hollowed-out arm is carved with an animal body, with exposed ribs, a hole in the chest, and vertebrae and a tail extending over the head of a bird.

Rounded oval wooden rattle comprised of two complementary parts, with painted designs. Sides held together by twisted fibre wrapped around the handle. One side has a zoomorphic face with straight, bared teeth and ears extending upwards. The other side has a face with large circular eyes and ears extending upwards. Designs on both sides painted in black, red and dark green.

Carved argillite sea captain figure, with inlaid ivory face. Upright standing male figure, on rounded rectangular base, with arms down at sides but curving toward front. Figure is wearing a long coat and pants with flower buttons, pointed shoes, and a brimmed hat over curly hair. His right hand holds a dog against his front, in profile. Left hand is in his pocket. Cross-hatched design on dog's body.

Large oval argillite platter with shell inlay around the top of the outer edge. The centre of the platter is concave and completely covered with a design of a large, central, sculpin face, with a human on each side of it in profile, facing inward. The rim had sixteen evenly spaced oval shell inlays, but seven shells holes are empty.

Carved argillite figure standing on a rectangular base (a). Figure is shown wearing a headdress and a robe with an incised bear(?) design on the back. In his right hand he holds an ivory stick that tapers to a point (b); in his left, an ivory rattle (c). Both hands are held at centre front.