This kachina is wearing a long, painted dress, tall hide boots. He is carrying a bow and a small, striped bag in his proper left hand.

This is a wooden figure with only a body, shoulders and head. It has a rectangular torso, round head set on a narrow neck and V-shaped shoulders. It wears a beaded necklace and earrings. The eyes are two small slits. Two thirds of the face is lightly painted, the remainder dark. The torso has two vertical stripes. Although the description says with small bird, none is present.

Four sticks tied together with one cord.

This sculpture is painted wood with a beaded necklace and small abalone shell pendant. Although title says with bird, none is present.

The name of this kachina is by Stewart Culin and may not be correct. This kachina has a corrugated fabric snake wrapped around his neck from front to back. He wears a fabric skirt painted with geometrics and tied with a sash. The shoes are made from hide, painted blue with reddish dark cuffs. He carries stick staffs in his hands, and wears leather fringed armbands around each arm and a fur cape. His chest and lower legs are painted red. His helmet style mask has a small, flat, painted head projecting like a horn on the proper right side. The ears of the mask are flat pieces with feathers sticking through as if earrings. There is a grid across the face of the mask with a zig zag line for a mouth. A black hair beard flows below the lower mask. Fur and feather remnants are across the top of the head.

This Kachina is probably Poos'hum, a seed bringing kachina. He appears in the villages around the time the fields need to be planted. He brings seeds of all kinds that have been blessed by the supernatural gods. The squares along his cheeks of his face indicate the corn seeds. Both ears appear to be reattached. Feathers on top of head in poor condition. This kachina doll is carved from one piece of wood. The body is painted red with one yellow stripe and one blue down each side of the chest. The arms have yellow sleeves. The face mask is painted with slit eyes and trisected by red on one side, blue in center, yellow on other side. It has tattered feather headdress. Originally Stewart Culin, collecting curator, thought this kachina was Ma'alo but it does not have the characteristic face or ears of that kachina.

A hide sack with flint and steel inside it. The steel has a double curve form, thicker than usual. Pouch has a jagged edge that Sean Standing Bear (10/24/2000) thinks relates it to lightening.

Mudhead kachina doll with 4 knobs on head, protruding eyes and mouth. Dressed in a black cloth dress tied around the waist with string and a black scarf around the neck also tied together with string. The arms are carved separately and attached with nails. The body is painted in purple-brown paint. Condition: Good. Nail holes in the bottom of the feet, probably from a previous mount.

This is a conical shaped basket with a stepped flag design in brown on natural fiber colored background. The shells and feathers are fastened to the exterior and extend out from basket. Although called a puberty basket it is thought that this basket was not necessarily used for puberty ceremonial. At the time it was collected it was thought that ceremony no longer was being practiced so such baskets were no longer being made for traditional practice. While it may have been intended for such, there is no physical evidence that it was ever used to hold water, and it is more likely that it was made for sale, an aestheticized version of a traditional form.

Three strands of beads tied together making one necklace.