Pair of white gloves with black patches of animal skin with long fur glued onto the fingertips and three places on the back of the hand. Long, translucent plastic claws are also glued onto the fingertips. A metal snap closure is affixed at the wrist.

A woman's fitted sleeveless off-white vest with collar and lapels, mock pockets at the front waist line, and no front closures. Decorated with braid, appliquéd coloured fabric, sequins, and metallic gold-coloured thread. The textile is a woven, napped cotton or wool, resembling suede or felt. Red and blue textile on collar and lapels, as well as in appliquéd design, front and back, are of the same type of textile. Narrow gold-coloured braid (.3 cm.) forms a decorative free-form vine, leaf, and flower pattern attached by machine. Sequins and very small metal beads incorporated into design. Edge of collar, lapels, centre front, and bottom edge finished with saw-tooth edging (.5 cm.) of blue textile, gold-coloured braid (.8 cm.), and gold metal fringe (2 cm.) with gold-coloured metal sequins. Armholes finished with saw-tooth edging and gold-coloured braid.

Oval ring shaped headdress with a mesh frame backing that is decorated with flower clusters and hanging tassels. They are embellished with white, silver, gold, plastic(?) pearl-like beads, rhinestone and cording. One side of the headdress has a larger cluster of flowers than the other. Two black ties are on either side of the headdress for attachment.

Sleeveless dress with blue bodice and black skirt. The bodice has a v-neckline edged with floral trim. There is a black velvet band at the waist with metal hook and eye closures. The skirt is gathered in the back, plain in front. The upper inner lining is printed cotton with a stripe and floral pattern.

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure's face is glossy pink with black moustache, sideburns and caste mark. White eyeballs with black pupils; four gold teeth exposed. Yellow neck; black backswept hair outlined in gold. Light pink, green, red, and gold crowns; same colours repeated in elaborate headdress which rises at back to a form resembling a bird with a lolling green tongue. Upper row of jagged teeth . Figure wears black jacket, pink upright collar, edged with red on front; wide green band around waist, narrow red belt. Jacket sleeves have inserts above the cuffs decorated with red braid. Red cord at back of neck forming epaulettes. Orange shoulder sash; white vest, small yellow piece of fabric at neck line. Long batik skirt, coloured cream, brown and black. Hands yellow.

White, sleeveless robe with a centre opening and side slits. The edges are lined with yellow and gold sequins and a silver geometric pattern. Scattered around the dress are green, pink, and blue flower-like decorations.

Three-dimensional female humanoid puppet: head with yellow beaded and sequined headdress (part b) fits into body with bodice and skirt (part a). The body has jointed arms and legs. Hair is dark blue dyed twine. The head is decorated with an orange lace ribbon at the ahirline, and a purply-pink lace floral design ribbon running from forehead to headdress. Red ribbon frill at neck. Bodice is yellow with beaded and sequined design and metallic gold and silver ribbon across chest. Sleeves are multicoloured sythetic material puffed at shoulders and gathered at elbows. The same material forms an underskirt with a semi-transparent black overskirt that has blue and silver embroidered flowers. The figure is also wearing a purple, orange, yellow and off-white floral print shawl, which she holds in each hand.

Three-dimensional male humanoid puppet (king character): head with paper crown (part b) fits into body clothed in a skirt and shirt (part a), and necklace (part c) fits around neck. The body has jointed arms and legs. Gauzy material with metallic embroidery drapes from shoulders. The figure is clothed in a semi-transparent, multicoloured floral patterned skirt, and a red and gold shirt. His hair is blue dyed plant fibre, knotted at the top of his head, and his moustache is the same material dyed purple-blue. The figure's right hand is clasped, and his left hand has the index and middle finger extended, with the rest folded.

Woman's red wool hat. Hat is trimmed with wide bands composed of many rows of multi-coloured embroidered ribbon, rickrack, and braid. Puffy, high crown is gathered onto the contoured headband which ends in long ear flaps secured under the chin with red ribbon ties. Partially lined with multi-coloured striped cotton canvas. Front edge eased to fit closely around the face.

Orange women’s tunic with embroidery and appliqué. The tunic has a high, square neckline. The front has a large embroidered panel from the shoulder to hip. The embroidery on this panel is so elaborately detailed and so densely worked that none of the background textile is visible, and this part of the tunic is very stiff. Within this panel are small- and medium-sized circular, diamond and double diamond shaped motifs arranged in rectangular groupings, and numerous very small mirrors. Below the panel are three horizontal panels of silk and cotton textile (yellow; light green; orange) embroidered with triangular, diamond and floral border designs worked in black thread, accented with several colours and metallic thread. The back of the tunic has a centre back opening with braided ties. Pouches made of orange silk textile and containing small amounts of dried plant material are sewn into the top edge on both sides of the neck opening. On the back there is a large panel of orange nylon(?), embroidered with multicoloured circular medallions and edged with diamond shaped border motifs, silver coloured sequins and white rickrack. Strips of light green and orange silk textile, edged with black braid and white rickrack, form side panels that connect the front and the back of the garment. The front of the tunic is slightly longer than the back. The sleeves are elbow-length and close fitting, made of bands of silk and cotton textile (orange; red; dark green; yellow) embroidered with cross stitch and decorated with sequins, braid and rickrack. All panels, strips and bands are underlined with cotton textile. A label made of off-white cotton textile, printed with a rubber stamp and handwritten with ball-point ink, is attached at the neck edge on the front with a loose running stitch.