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Large Basket made with the 'shi-bu' technique and decorated with woven design of a man36.519

Gift of Frederic B. Pratt

Culture
Pomo
Material
bead, feather, willow, bark ? and root thread ?
Holding Institution
Brooklyn Museum
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Belt44.34.4

A. Augustus Healy Fund

Culture
Inupiaq Eskimo
Material
ptarmigan quill, hide and cotton thread
Holding Institution
Brooklyn Museum
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Overskirt from Man's Festival Costume41.1275.274b

Museum Expedition 1941, Frank L. Babbott Fund

Material
cotton, velvet, silk, bark strip, paper, metallic thread and bead
Holding Institution
Brooklyn Museum
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Breeches from Man's Festival Costume41.1275.274d

Museum Expedition 1941, Frank L. Babbott Fund

Material
cotton, velvet, bark strip, metallic thread and bead
Holding Institution
Brooklyn Museum
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Gathering of Nations2011.5

This traditional, coiled basket is created especially for the Museum for the tipi exhibition by the artist Carol Emarthle-Douglas. On a natural background, it depicts eleven different women, each wearing the traditional dress of her Tribe, or Nation. In her hands she extends out a three dimensional basket woven in the style of her people as if to present it to the entire world. This is reflected exactly the same on the inside where she extends her basket as if to her community of basket makers. Four different basket making techniques are represented and materials are as follows by Nation: Seminole-One-rod coiling- one coiled pine needle, wrapped with raffia Haida- Twining- Red and Yellow cedar bark, commercial dye Pomo-One rod coiling-Round reed wrapped with raffia, various colors Navajo- One rod coiling- Round reed wrapped with raffia, various colors Yakima-One rod coiling- Round reed wrapped with raffia, various colors Nez Perce-Twining-Waxed linen thread in brown, green and white Northern Arapaho-One rod coiling, Coiled cloth wrapped with wire core, wrapped silk thread Ojibwa-Bending bark, Cherry bark, artificial sinew, etched design Penobscot- Twining- Black ash, sweet grass Chitimacha-Twill- Black ash, yellow cedar Cherokee- Twill-Yellow cedar, dyed yellow cedar

Material
waxed linen thread, single-rod hemp core, yellow cedar wood, reed, raffia, sweet grass, pine needle, silk thread, cherry bark and artificial sinew
Holding Institution
Brooklyn Museum
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Summer Coat36.43

Frank L. Babbott Fund

Culture
Inupiaq Eskimo and Yup'ik Eskimo
Material
sealskin, wolverine fur, eider down duck feather, hide, sinew and thread
Holding Institution
Brooklyn Museum
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Raincoat with a Drawstring Hood, edged in blue fabric36.30

Frank L. Babbott Fund

Culture
Inupiaq Eskimo and Yup'ik Eskimo
Material
seal intestine, cloth, thread and fibre
Holding Institution
Brooklyn Museum
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Shoe Fragment, Composite45KI765/P27-1

AMEC Analysis: Years (max): 1920 Comments: This is the heel and sole of a women's boot. The heel consists of 11 strips of leather cobbled with square headed nails. The sole is also leather and stitched on. Several eyelets are still attached indicating this was made after 1874. Three fragments of one heeled boot. Largest fragment labeled 45KI765/P27-1a, middle fragment labeled 45KI765/P27-1b and smallest fragment labeled 45KI765/P27-1c. Size and shape indicate a woman's shoe. The sole is leather, the interior support is a thicker leather and the exterior surface is a finer leather. Shoe is held together with round iron nails and the sole is sewn to the body of the shoe, including the heel and toe. One eyelet fastener is present. Exterior leather is very worn and fragile. Iron nails are corroded. Heel layers are partially delaminated. The toe end has fully delaminated. Grey residue on upper and lower surfaces. L. Penttila 4/1/2010

Material
leather, iron metal and thread
Holding Institution
The Burke: University of Washington
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Beaded Band60.2/5535

Culture
Eskimo
Material
bead and thread
Made in
Greenland
Holding Institution
American Museum of Natural History
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Collar, Woman's60.2/5533

Culture
Eskimo
Material
bead, thread and cloth
Made in
Greenland
Holding Institution
American Museum of Natural History
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