• Results (47)
  • Search

Item Search

The item search helps you look through the thousands of items on the RRN and find exactly what you’re after. We’ve split the search into two parts, Results, and Search Filters. You’re in the results section right now. You can still perform “Quick searches” from the menu bar, but if you’re new to the RRN, click the Search tab above and use the exploratory search.

View Tutorial

Log In to see more items.

Doll86.126.37

The Elizabeth Cole Butler Collection. Collected: Elizabeth Cole Butler

Culture
Apache
Material
glass bead, tin cone, trade cloth and hide
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Model Tipi Cover86.126.5

The Elizabeth Cole Butler Collection. Collected: Elizabeth Cole Butler

Culture
Cheyenne
Material
ink, leather ty, tin cone, dyed horsehair, glass bead and muslin
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Belt85.113.19

The Elizabeth Cole Butler Collection. Collected: Elizabeth Cole Butler

Culture
Crow
Material
glass bead, tin cone and leather
Made in
“Plains” ?
Holding Institution
Portland Art Museum
View Item Record
Knife Sheath84.3.4

Gift in memory of Isaac M. Bates by his children and grandchildren.

Culture
Lakota
Material
rawhide backing, tin cone, glass bead and tanned hide
Made in
Plains, North America
Holding Institution
Portland Art Museum
View Item Record
Model Cradle Decorations50.67.44

The backboard for the cradle is missing, only the quilled ornaments remain. These consist of two large sections of smoked skin, which wrapped around the cradle and were decorated with orange, white, red, brown, light blue and yellow porcupine quills. The design may be called "otter tail” design as the fretwork moves from left to right as if the otter was doing this: jump-jump-slide-jump-jump. Another suggestion is that he "fret" design may be an abstract thunderbird. There are also two straps decorated with quill wrapped thongs, tin cones, and blue and white pony beads. The cradle model is exceptional in two respects. First it is a model and only 3 are known. (The other being in the NMAI and the Peabody Salem Essex). This suggests it was might have been made for sale as pieces that are missing perhaps were not made, or were lost after it was acquired. The cradle decorations are displayed on this mount condensed, as the piece would have been longer. The rectangular piece below might not be in correct location. B Hail, "Hau, Kola,” pg. 144, fig. 127, shows an early Dakota cradle with three of these rectangular forms dangling down from the bottom of the cradle board not from the wrappings.

Culture
Sioux
Material
wood, hide, porcupine, bird quill, tin cone, glass bead and wool cloth
Holding Institution
Brooklyn Museum
View Item Record
Feathered Bonnet Trailer26.803.1

Robert B. Woodward Memorial Fund

Culture
Lakota and Sioux
Material
wool cloth, eagle feather, rawhide hide, dyed horsehair, tin cone and porcupine quill
Holding Institution
Brooklyn Museum
View Item Record
Tipi Bag or Possible BagX1111.1

Also called a storage bag, tipi bag or possible bag. The beads are sewn with sinew in a 'lazy stitch'. Kroeber called the design a transverse bar or lengthened checker pattern. Bag is beaded on one side with a decoration of crossed and abstracted forms in red, blue, gold and green. The edges are also beaded with metal jingles and orange dyed horsehair decorations. The two-ended pitchfork type design is typically Sioux. It is Central Plains but not Cheyenne or Arapaho. Bead workers would also do this type of beading to show off their expertise so some were also made to be ornamental or given away as gifts.

Culture
Sioux
Material
hide, bead, tin cone and horse hair
Holding Institution
Brooklyn Museum
View Item Record