Form is of graduating in size, having seven 'steps' on each side. Front and back surfaces are flat. Mirror with metal edging and outlined with two and a half rows of black beads at centre front. Small burnt circles outline form. On front, two crossing diagonal lines above mirror, two semi-circular lines below mirror, and a triangle on the base. On back, central line with paired lines curving away on either side. Beads, some loose and others strung together, are pressed into beeswax to form decorations: red and yellow cross above mirror, red and yellow diagonal line below mirror, three black rows below mirror on right, yellow bordered by red on left of base, black and red cross at centre base, five circles down each side, and four circles down centre back. Pink and yellow yarn pulled through hole at centre top, knotted with ends hanging free. Two red and two yellow pompoms on cord wrapped below mirror.

Mask (a) with flat top that has four feathers (b-e) inserted into a circular drilled hole at the top centre and is painted white with black and red details. The narrow forehead has large straight black eyebrows. The mask also has small semi-circular eye holes, a hooked nose with rounded semi-circular nostrils, a pursed protruding open mouth, a pointed chin, three crescentic ridged lines from the sides of the nose to the upper side rims. Two curved ridged lines and one painted line extend from mouth to temple, and there is a solid jaw line along side rims from temple to chin. On the reverse, grey-green cord has been looped and knotted through double holes drilled at centre top and on each side rim. Inscription.

Deeply carved hawk mask. Widely spaced u-shaped ears with interior red split u, trefoil-shaped design on forehead between ears, black brows, deeply inset eye areas with circular hollow eyes, pointed hooked nose that touches the centre of upper lip, rounded semi-circular nostrils, two ridged u-forms on temples, semi-circular scallop-like design on cheeks, deeply inset area around protruding continuous lip band, pointed chin, and two nails at top of ears. On inside, two metal hooks are screwed in below the forehead, a twisted cord is looped through both and knotted, two other pieces of cord are looped and knotted around first cord, signed at upper side on right, "Hawk-Kwakiutl-Margaret Bay."

Northwest Coast style humanoid face mask, painted white. Wide flat forehead has five stitches in a vertical row at right of centre; beaten copper brows are nailed above bulging circular hollow copper eyes, slightly indented at base, in black pointed ridged eyelid lines; straight nose has indented semi-circular red nostrils; open mouth has protruding red lip bands; two stitches in a diagonal line between nose and upper lip; black bands with three rows of dots extend from lower corners of eyes, curve on cheek to terminate at side rim; nails in some holes along upper rim. On reverse, cord is looped and knotted through a hole in each side rim, second piece of cord is looped and knotted through a hole in centre upper rim and around the first cord. Piece of folded cloth nailed above eyes; two nails at left of nose. Stitches and nails are to repair crack; paint flaking; copper on eye and brow on left have green areas.

Mask with roughly ovoid light coloured wood, tapers slightly to chin. Facial features asymmetrical, with a long thin nose, bulbous end, and flattened top. Almond shaped holes for eyes, horizontal slit for mouth, perforated nostrils are black from burning. Hair is gathered into bundles and affixed horizontally, using adhesive wads to the following areas: above and below each eye, below nose, and fanned vertically over chin. Dark brown burned lines form geometric pattern on each cheek and along eyebrow area. Burned hole at each temple has length of single twist fibre cord strung between and knotted on back.

Small roughly shaped guitar has rectangular head. Five pegs on underside extend through to top, with peg in each corner and at centre. Ends of three horsehair and two metal strings are wrapped around pegs, opposite ends are wrapped and tied around the bridge which is glued to the lower body. Four twisted palm fibre cords are wrapped and knotted around fingerboard. Fingerboard is glued and nailed to neck. Sound hole in centre of body. One strip of wood is bent to form sides, glued to top and bottom of body. Red and blue yarn looped and knotted around fingerboard next to head. Three pompoms attached to top centre of head by braided cord.

Small roughly shaped wooden violin (part a) has scroll-like end, peg-box with four pegs, thin white cord looped and tied around one end of peg-box, fingerboard extending downward from peg-box, four metal strings with one end of each string looped around a peg and the other end passing through a hole in the tail piece, looping over the string and is twisting, on two strings at tail piece are metal circles with short yarn fringe. Small dark brown cleaver-like instrument attached to string on right by thin white cord. Small square piece of wood beneath end of tail piece. Looped and knotted palm fibre cord passes through holes in end of tail piece and around knob glued to bottom back. Two s-curved sound holes cut into sound board on either side of strings between fingerboard and tail piece. Sound board, sides, back and fingerboard are glued together. Bracket (part b) bow has 38 calibre gun shell cartridge at one end, cloth-strip wrapped and tied at end of cartridge, multiple strands of horsehair emerge from cloth and extend down length to pass through hole in opposite end and are knotted.

Oval, green-brown face mask with smooth, contoured front surface. Eyebrow ridge forms a heart-shape with chin. Almond-shaped eye holes are deep-set, prominent high cheek, triangular nose with triangular nostrils at a ninety degree angle to face and mouth slit between thin dark pink-red wedge-shaped lips. Interior surface is grey-green with rough adze marks. Two small holes on either side of eyes. There is fishing line tied through the top set of holes. There are six other holes along the outside margin which do not go through to the inside. Hole at top back, slightly off-centre. Wood is checked at top margin.

Human face mask with smooth front, straight nose in high relief extending from curved eyebrows, and oval eyes cut through. Triangular nostrils cut in nose from bottom. Mouth is hole created by two intersecting ovals. Remnant of dark painted lines, vertical wedge on chin, horizontal line on left cheek, eyebrows, and parted hair indicated across top and vertical series of dots on lighter section at centre of forehead. Carving marks on interior surface are overall fairly smooth. Small holes on sides and indentation on one side indicates that a string or cord was previously tied there. Screwed in metal eye hook at centre above eyes with a twisted multi-ply wire attached. 'J.C.' is written in white at one side.

Loom (parts a-d) consisting of a partially completed brown and grey-white double-faced weaving on complete backstrap loom (part a). Intertwined in the weaving is a batten (parts b) and two lease sticks (parts c-d) that can be removed along with four shed rods and two heddle rods are tied to weaving. The long looping stitches attach weaving to front and back loom bars. Detailed are three horizontal rows of abstract geometric designs of beige diamonds, x’s and triangles on a brown ground. Part b is a wooden batten, trapezoidal in shape. Parts c-d are a smaller, thinner version of part b.