Wood shaft with three-sided blade which takes one quarter of overall length. Widest side has indented line painted red. Shaft is lacquered with gold, red brown, and black bands. Notched ivory piece for butt end. Below this, a knotted cotton cord is attached through hole in the shaft. Below this, four feathers are attached lengthwise along gold lacquered shaft section and are held in place by two black lacquer bands which overlap at the ends of the feathers. Two feathers have disappeared, the other two are still attached.

Rectangular basket (a) with rounded corners and a flat lid (b); lid is fitted flush to slightly flaring sides. Slat foundation of cedar joined together in split-stitched cedar root coiling. Sides decorated with imbrication resembling small rectangles which are placed in zigzag designs; there is a row each of red brown and black cherry bark flanking light yellow brown bark. Pattern horizontal on longest sides, vertical on ends. Other small design elements interspersed. Sturdy rim around base elevates basket. Imbricated and beaded upper basket edge in red brown cherry bark; lid with small loop handles, one at one end, the other, broken off (part c). Lid with beaded diamond patterns in red and black; faded. Base and top recessed rims are cracked and broken off.

Slim wooden club tapering from the notched head to the grip. In section, the blade is a very flat diamond, with slightly concave faces and a ridge at the centre on both sides. Handle is a flattened hexagonal shape, wound with alternating tan, blue, and yellow thread. Extremely small ridges at top of grip. Handle ends in a widened pommel with a pointed end. Blade has rough rectilinear patterns incised on each side (different) in mirror image around the central ridge. One side is typically parallel and perpendicular to the major axis of the blade; the other side is in diagonals to that axis. Overall dark brown; possibly a resin, oil, or other stain has been used. Probably chonta palm wood. Different geometric design on each side.

Slim but heavy wooden club, tapering from deeply notched head to grip. In section, the blade is a very flat diamond with concave faces and a central ridge on both sides. The extreme edges of the blade have been sharpened further. Small ridges below the blade serve as hand guard. Rectilinear incisions on blade, in mirror image around the central ridge - same pattern on both sides. Handle is flat hexagon in section, tapering to a slightly wider pommel with carved pointed end. Dark brown overall, except for sharpened edges and incisions. Some cracks in handle. Dark colour may be a resin, oil, or some other stain. Probably chonta palm wood.

Slim, heavy wooden club, tapering from a deeply notched head to the grip. In section, the blade is a very flat diamond with concave faces with a central ridge on both sides. The extreme edges have been sharpened further. Very small ridges above grip serve as hand guard. Handle is a flat hexagon in section, tapering to the base, where a slightly wider pommel ends in a point. The weapon is dark brown overall, but worn at the edges of the blade and the grip to a light brown. Dark colour possibly a resin, oil, or some other stain. Probably chonta palm wood.

Black coloured face with a hooked nose that attaches to the top lip. Black, green and red ears protrude from the top of the face. Face has prominent brow ridges, cheeks, and lips. A cloth flap and jute sacking is attached to the back, as is a rope harness for suspension. A wire with hooks and eyes is also attached to the back.

Mask representing a sea monster with large protruding eyes that each point outward, thick lips with a movable lower jaw, circular suckers on the cheeks, and horn-like protrusions on top of the head. Mainly painted blue and white with red-rimmed eyes, red nostrils and lips, and red on the suckers. Nail holes and fibre remnants on the reverse.

Human face with a wrinkled forehead and large protruding ears, lips, eyebrows, and nose. The circular eyes are inset with mirrors and metal rims that are sunken in orange eye sockets. Long curvilinear grooves extend down the sides of the face to the shin from the ears. Cedar bark fringe attached at top of the head is short in the front and long in the back. The mask is painted with orange and blue on the forehead and ears, black brows with white underneath that extends down in a curve on either side of the face that forks at the end beside the mouth, orange around the eyes and on the nostrils and lips, orange and blue on the grooves at the sides of the face, and the remainder of the face is painted black.

Face with wide protruding mouth, large hooked nose, bulging eyes, and markedly protruding ears. Animal fur attached at chin, eyebrows, and top of head where three loops of cedar root (?) are also attached. Rectangular piece of black fur sewn to black cloth hangs from back; another light brown cloth nailed to back, as are green and light brown cords.

Carving of a mask-shaped humanoid face that is somewhat flat, with a slightly protruding brow, eyes, nose and mouth. The figure is painted with a brown forehead that has an abstract design in light blue, white, red and dark yellow; a green brow with white edges; black around the eyes and over the bridge of the nose; white cheeks, nose tip, and chin; red nostrils and lips; a black moustache; and a black vertical band at the centre of the chin.