Small wooden carving in the style of a model totem pole. Base is rectangular with the front corners rounded off; above the base is a carved animal head that appears to be a mountain sheep ewe, with straight horns pointing up; then a plain pole section; at the top is another carved animal head, a mountain sheep with curved horns. Both animals have round incised eyes. The back is flat and plain. The base has an ink inscription: "WHiTEHORSE Y.T. July 1962"

Shallow, circular husking basket woven from plant fibre; done with herringbone twill weave. Rim formed with two wood coils, wrapped in plant fibre; main body of basket secured between coils. Plant fibre wrappings dyed(?) a dark brown. Additional external and internal coils, undecorated, are underneath the wood rim, for reinforcement; held to rim with twisted cords. Body of basket is golden brown, coils are grey-brown.

Folding coconut shredder stool. Stool consists of two rectangular boards with slight zigzag profiles and cutouts in their centres; cutouts have angled edges. One board is inserted through the cutout of the other, allowing them to fold inward and outward; rest flat when folded inward, form a low "X" shape when folded out. The upper arms, that form the seat, are decorated with stain and incised geometric motifs. Pencil grid overtop each arm with central design of three interconnected diamonds, inside a vertically oriented rectangle, with diagonal lines extending from top and bottom corners; space between edges of diamonds and rectangle border are carved out. Edges of seat are stained(?) dark brown; checker pattern across centre, where arms meet. Extending from the front arm is a serrated blade. Blade is oval-shaped and is inserted into a rectangular protrusion that ends in a triangle-like base; area around top of rod is circled with metal. Triangle-like base of rod decorated with incised crisscrossing and diagonal lines. Lines, and edges of rod, are darkened with stain(?). Rest of stool is undecorated.

Shallow, circular husking basket woven from plant fibre; done with herringbone twill weave. Rim formed with two wood coils, wrapped in same plant fibre as basket; main body of basket secured between coils. Sections of plant fibre wrap are darker than rest, forming a light striped pattern around opening of basket. Entire basket is naturally coloured a light yellow. Small metal loop is threaded through bottom edge.

Shallow, circular husking basket woven from plant fibre; done with herringbone twill weave. Rim formed with two wood coils, wrapped in plant fibre; main body of basket secured between coils. Plant fibre wrappings dyed(?) a dark brown. Additional external and internal coils, undecorated, are underneath the wood rim, for reinforcement; held to rim with twisted cords. Body of basket is golden brown; internal coils are coloured red-brown, exterior coils are grey-brown.

Circular wood headrest carved from a single piece of wood; three legs extend from bottom. Circular top is slightly concave and has a rounded bottom. Legs start cylindrical but curve outward slightly towards middle. Exterior sides of legs flare outward when they curve, forming triangles with rounded backs. Legs have small lips at foot and flat bases. Headrest is undecorated.

Model pole with a thunderbird on top and a masked human at the base. The bird on top has wings pointing upward, in black, red and green; a large yellow beak and feet; two small vertical black ears, green around its eyes and a red mouth. The human at the base is in a kneeling position and has bear claw hands in black outline, a red-brown body, a mask-like face with bright green across the eyes, red on the nose and mouth, and black painted hair on top. The middle section is rounded and painted in two shades of green. The pole is attached to an unpainted, square wooden base, with nail heads showing on the bottom. Artist name and date written on the back of the bird, in black, under the wings.

Lidded dish carved in the shape of a bear. Painted black on exterior with white painted interior. The dish (part a) has an oval-shaped concavity in the bear's back; holes drilled into left corners. The bear's head extends forward, with ears back, a line for the mouth, and the eyes are lightly carved with circular cutouts for inlay. Each paw has carved toes. The lid (part b) is rectangular, with rounded sides. The two shorter sides are angled inward, and the interior of the lid has an oval concavity with a hole drilled at centre; two holes drilled into left corners.

Model sturgeon-nosed bark canoe (part a) with two model wooden paddles (parts b-c). Canoe hull has a long, pointed bow and stern, creating sharp angles at the opening. The body is shaped with rib and slat frames, lashed together with bark and plant fibre. There is metal wire along the underside of the stern, and a small hide tie towards the middle of canoe (left side). There is one thwart across the middle of the canoe opening. Paddles have rectangular blades with flattened handles; designs painted in light red and dark blue across front and back of blades. Smaller paddle (part b) has connected diamonds with crosses through them on front; horizontal stripes across back. Larger paddle (part c) has zigzags painted and incised across front of blade; chevrons across back.

Weaving (part a) with hanging bar (parts b-d). Weaving has ground of natural white wool; design features a central rectangle consisting of columns of chevrons trimmed with triangles along the top and bottom edges. Red-brown, grey, and checked bands divide the columns. Chevrons are done in rows and alternate directions; done in black, white, and mint green. Top and bottom sides of rectangle are trimmed with white bands with red-brown triangles of varying sizes. Right side of box bordered with thin band of semi-circles and a striped line; left side has wavy lines with solid and dual-coloured diamonds. White, with red-brown, fringe along left, right and bottom edges; hanging pocket sewn on back, along top edge. Hanging bar (part b) consists of cylindrical rod with two animal heads on either end, to prevent weaving from sliding off (parts c-d). Animals are open-mouthed and their facial features are made up of formline design elements.