Wooden model of a mortar (part a) and pestle (part b) for corn grinding. Burnt into the wood is a geometric design of triangles around the rim and diamonds around the base of mortar, and the pestle has two bands burnt into it.

Carved wooden bowl with overall upside-down conical shape and concave centre with flattened lip. Outer surface has been burnt to a mottled, dark brown finish.

Model bow (part a) with thin (part b) and thick (part c) model arrows. Part a: bow has curved spine with a piece of fibre tied to each side. There are three sections of darkened wood down its length. Part b: arrow has a sharp point at both ends and has a set of three arrow feathers at one end. Part c: arrow has blunt and rounded ends and has a set of three arrow feathers at one end.

Carved wooden plaque with human face near top. Burnt and carved geometric design below the face and on the vertical edges. The vertical edges form a convex lip that protrudes at the front. Three holes at top, presumably for hanging.

Figure representing a person in the act of kneeling in prayer. The figure is leaning forward on its right leg while the left knee is bent so that the left leg is extended outward and backward. Both arms are extended outward with the hands in front. Clothes are of a slightly lighter wood colour than the body. On a wood base.

Dark brown wooden spear with two pointed ends and a central grip made of reptilian skin wound on both ends with cord.

A fairly tight lattice of thin strips of stem (?) woven between a square frame of doubled sticks.

A fairly tight lattice of thin strips of stem (?) woven between a rectangular frame of doubled sticks.

Wooden, five prong comb; three of the prongs are longer. The top, handle, is rectangular in shape with a circular piece on the top middle. There are three vertical incisions. The surrounding area is decorated with an interwoven line design. Back has simple linear decoration. Front is signed ‘R. Rie’. Remnants of blue detailing.

Irregular wood piece that bends at an angle while tapering at one end. Both ends have a knob around which string and bark cording are attached. Linear design in black consists of two horizontal bands around either end and pair of circles with tapering ovals around the natural elbow-like features where the piece bends at an angle.