A dark black wood mask with two stylized faces forehead to forehead and having forked ends. The foreheads are in the middle and are upraised. One face is upright with the other face inverted in a mirror image. The eyes are horizontally slit with rounded oval eyelids. There is a nose and slightly open pursed lips. One face has a horizontal indent under each cheek while the other face has slightly fuller cheeks.

Figure in seated position with hands clasped around knees. Head is turned up and towards the right.

Seated figure with knees up at chest and arms down sides with hands clasping buttocks. Figure has an elongated head with open mouth and eyes.

Sake container (a) in the shape of a cylinder that tapers towards the bottom with two flaring arms at the top that are joined with a crossbar for a handle. A tapered stopper (b), fits into a hole near the edge of the top. Bands of twisted bamboo, two near the top, and five of differing widths at the bottom, hold the staves of wood together. Stained reddish-brown overall with a Japanese character inside a circle painted on the outside of each arm, and Japanese characters painted around the centre of the base.

Oval shaped tray with carved floral design in relief. Red lacquer finish on top and sides; bottom in black. Two seal-like marks in red.

Shallow rectangular tray with a depiction of a blossoming cherry branch in red, green, and brown. Unmarked.

Traditional-style electric lamp post made from dark brown wood and opaque white glass panels; square shaft, house-like light box with roof-like top, and rounded finial.

Screen consisting of an embroidered image of an old man and woman raking pine needles below a pine tree framed with wood and with a sheet of glass protecting it. The image is embroidered in off-white, light pink, blue, brown, black, green and gold on a light orange-pink fabric background. The wood frame is divided into sections around the image with low-relief geometric designs as well as elongated oval holes, there are two vertical pieces at the sides of the frame with more geometric low-relief design as well as a finial at the top of each, two arched feet at the sides, and cloud-like carved protrusions at the top corners. The frame has a dark red-brown finish.

Panel composed of four cells, each with a portion of a carved pine tree, rocks, and bamboo in low relief on a background of vertical and horizontal slats with white rice paper adhered to the reverse. From PR to PL, the panels are parts a-d.

Relief carving of two long-billed waterfowl with long legs standing in water and amongst purple irises. Frame is painted red and grey on face. Colours are green, red, purple and gold.