Pipe with a mouthpiece tube of wood at one end that then widens to form a cylindrical bowl. Rectangular piece protrudes from pipe tube where it bents into the bowl. Hollow centre. Outside appears to have been oiled.

Light weight wood figure with an elaborate coiffure indicated by incised line patterns. Clan scarifications on the face and the long neck. Closed oval eyes, pouting lips and small breasts. Arms resting at the sides with the elbows bent so that the hands are at either sides of the navel. Standing on a pedestal with the knees slightly bent.

Brown wood helmet mask of an animal with bulbous eyes, ears, and horns. Large open mouth with jaws and very large teeth, five and six pairs deep. Upper teeth have incised diagonal lines. Fabric band across the forehead decorated with cowrie shells and extends back around the top of the head where a horn is attached at either side. Inside and back are filled with a light brown raffia-like material.

Split leaves woven to form a rectangular shaped fan. Fan is attached to a wooden rod for a handle. Geometric designs woven in red, green, purple, and pink.

Small round wild grass basket with lid. Colorful dyed grass designing. Color is almost faded completely on the outside but is vibrant on the inside. Makah weaving style. The color dye is called an Analine dye, it was water based which is why it fades so fast.

Medium sized purse shaped cedar basket with handles. Basket is made with an open weave style. Red and black imbrication designing along the front and back of basket. The top half of basket has an open lattice style weave design throughout. There are a couple of pieces that are detached or broken. There is brown paper tape on handle of basket in attempt to repair.

Medium sized rectangular cedar slat-style basket. Significant material loss all over. Evidence of handles, and possible loss of row. Red and yellow imbrication designing all over outside in a stripe/checkered pattern. Adhesive paper tape along inside in attempt to repair basket. Some leftover residue of the tape.

Cedar basket with cedar slat foundation. Twist work border with 4 distinct loops along rim. All sides are decorated with 3, horizontal, checkered patterns in a wavy design with black accents.

No provenance- collected from Fraser Valley Vancouver Island/Northwest Coast

Carved wood totem pole Coqualeetza IRS had a training program that involved some traditional cultral work, where girls wove baskets, spun and knit, and boys learned carving with the hopes that this would help develop work skills, teach technical training, continue some traditional knowledge, and help students sell their goods. This was funded first by the DIA and then by the United Church after 1934. Rev. Raley's resulting collection from this program was used for display at the school as well as for teaching, and later became part of the of UBC's collection at MOA. This painted carving is wood, painted black, yellow, green, and white. Paint type is unknown, may contain arsenic, lead. Handle with care, wear gloves. Base is black with yellow lettering that reads "CHWK 1935", which we interpret as being carved at Chilliwack's Coqualeetza IRS in 1935.