Water dipper with a flat-bottomed aluminum bowl and plain wooden handle; handle is secured to back of bowl with nails and a piece of plastic(?). Exterior of bowl decorated with raised designs; top and bottom edges have braided lines, main body is decorated with repeating floral motif. Space between braids and flowers is filled with small impressed triangles; curvilinear and triangle motifs throughout. Manufacturer's mark engraved on base of bowl.

Decorated bow handle wrapped in stripes of coloured yarns. The wood is tapered at both ends, with a small tip for attaching the string - the bottom tip is broken. The widest part of the bow is at the centre. The bow curves slightly down the length, and is wrapped in seven sections of bright colours, divided by bands of solid black, white or green or small sections of twisted colours.

Water dipper with a coconut shell bowl and carved wooden handle. Tip of handle is drilled into back of bowl, extending towards centre; secured with a rod that curves along interior of wall. Tip is decorative and consists of two triangles framing a thin spire. Deep grooves carved around middle of spire; semi-circle designs across triangles. Long handle has straight sides and bottom; top has multiple curves with grooves notched across length.

Wooden paint bowl, or container, carved in the shape of a frigate bird. The bird's head projects out from one end of the bowl, with its tail at the opposite end. A knotted and looped hanging cord is attached through four holes spaced evenly around the upper edge. The cord is made of twisted fibres. The bird is roughly carved, with pencil marks indicating the design. Writing on base in red ink.

Wooden navigation figure. The carving is of two similar wooden figures attached along their backs and heads, facing in opposite directions. The figures end at their thighs, which attach to a base of lime 'cement' with stingray spines embedded in it, projecting downward. Eight spines were originally attached, with four on each side, but currently two are broken off at the base and four others are partly broken. The figure has a long knotted and looped fibre cord attached at the top of the heads.

Chambri Lakes initiation spear. Top, flat triangular crocodile-like head, with carved and painted semi-circular eyes and a black circle on snout. Plaited twine tied with a loop. Next section is ornately carved with six flowers, with a horn-shape extending from each flower. In between each pair of flowers appears a half flower, with horn-shape extending out into crosshatched fishtail end. Next section uncarved, light brown, with black bands on top and bottom ends, and small tapered carved sections. Next section ornately carved, two flowers, with concentric semicircles extending out. Thin handle wrapped with plaited red-brown twine. Lower section has ancestral face with five barbed pieces, four of which are ornately carved. The base of which is a smooth black.

Yarn painting representing the pilgrimage of the Peyoteros. Square wood board has coloured yarn pressed into beeswax on one side to create an image. This painting represents the pilgrimage of the Peyoteros. Two separate groups of people that are travelling towards the centre of the scene, and in the middle are the chiefs. In their path are flowers. Above them, there is a blue gourd with a white candle, blue corn, blue and green deer head with a white candle on its head, brown and blue arrow, and portal design. Above, to the right, is a figure wearing a large headdress, bules, and a knapsack. Left of the sun is an eagle, carrying lengths of various-coloured material in its mouth. Below the bird is a seated figure next to a fire. Upper left, behind the singer, is an arrow, snake, and a bow. There is a house with an arrow and deer antlers outside, and inside are two bowls with a little deer. There is a thorn on the side of the house. In the five peyotes in the middle they have arrows on each side, and to the left there is a woman with her gourd and candle. Along the bottom, there are four spiders, snakes, people and cornfields. Along the right side, there is a house with two people to the left, and a woman on the right, behind whom is a dog.

Wood mask. Wide incised stripes have been carved vertically over the lower half of the face and in half circle patterns across the forehead. These have been filled with white creating a striped pattern. Down the centre of forehead is a ridge that widens and becomes the nose. Eyes are thin slits cut through the wood, with large rounded eyelids above and below. Mouth is a protruding cube, with white colouring the centre. Plant fibre is knotted to the chin, and hangs down. There are drilled holes spaced along the edge of the upper portion of the mask. The back of mask is concave and undecorated, with a black string tied to two of the holes.

Macho (Mule) mask, carved and painted. The face is black, with a gold bridle painted on. The ears are separately carved pieces that are inserted in the face. The nostrils and gums are light pink, with large white teeth. There are large blue eyes, with large curved cutouts. There are two eyehooks at back with a green string.

Kachina figure, carved and painted. Small standing figure on small mound-like base. Figure wears long cape, headdress, long tunic, belt, black leggings and red boots. The headdress has many components – coral, two black horizontal lines, three turquoise horizontal bands, three black feathers with red bands, tie in the back. The figure’s hands rest at the belt on their waist. Written on base, '“Takush Mana” by Rick James'.