Wooden animal face mask with a narrow face and beak-like mouth. Mask has a pronounced brow over circular eyes; eyes are inlaid with what appears to be white glass? Nose has a thin bridge before smoothly flaring out at the base; mouth is open and angled downward. All sides of mask are rounded; interior is hollow. Mask has holes for the eyes.

Carved wooden face mask with a large nose protruding out from the centre. Painted mainly in black and blue, with large red nostrils and a pattern of red dashes at both upper sides. Round open eyes and an open slit at the mouth. Chin unpainted. Braided cedar bark rope attached all around the edges; the braid meets at the top and is bound by a cotton twine. Half of the bark has been dyed red. Above the bound area the cedar bark sticks out over the forehead, as a loose bundle. Inside unpainted. Artist initials carved into wood (T inside the A). (Metal eye hook and plastic tied across back for hanging.)

Two-piece mask (part a) and tunic (part b) costume. Mask consists of a rounded basketry headpiece, crowned with ten horns, and a rectangular panel hanging from the front. Headpiece is covered in thick braids, made of hair, which wrap around the bases of the horns. The braids then extend downward, draping over the chest and back of the wearer. Braids have red cloth tied at intervals along their length with cowrie shells hanging from their bottoms. The mask panel is covered entirely in cowrie shells with stuffed red fabric in the centre, imitating eyes and a nose. Additional cowrie shells and red fabric decorate the horns. The tunic is sleeveless and indigo-dyed, with off-white designs throughout. Designs are inside rectangular blocks across surface. Designs include: interlocking abstract “X” shapes, dots, concentric diamonds, and propeller-like shapes. Fringe decorates bottom edges and slits are cut underneath arm openings. Black cloth lining around neck opening and slits.

Lightbox photograph. Large digital photographic print mounted inside a painted, wood-framed lightbox, painted black. Print depicts three figures wearing grey camouflage on a mountainside. The mountainside stretches from the top left to the bottom right corner of the horizontal print. In the other half of the image, the cloudy sky is shown and another trapezoid-shaped mountain is visible in the background. The three figures are spaced evenly along the mountainside and are shown in profile. The figure higher up the slope is sitting with knees bent, head down and arms circling their knees. Figure in middle is most in focus, shown kneeling on the ground, head bent forward, with their arms stretched out in front. The figure towards the bottom of the slope is sitting with their back to the camera, with their head tilted down, leaning back on their right arm. The mountainside is covered in an assortment of grey, brown and white rocks, and pieces of obsidian.

Cloth doll with embroidered facial features. She is wearing a belted black dress and pants. Doll has a beaded headdress and multi-strand necklace; necklace is done in yellow and orange. The headdress consists of a ring and long woven train covered in horizontal bands made up of beads, buttons and bells; twisted fringe along bottom edge. Bells are silver, buttons are white and beads are done in orange, white, yellow, dark blue, pink, light green, and silver. Band designs consist of alternating vertical stripes, chevrons and plain horizontal stripes. Collar, cuffs and bottom edge of dress are decorated with yarn geometric designs; done in orange, yellow, light blue, pink, and white. Additional wavy silver ribbon trims bottom edge of dress. Opening of pants are bordered with wide green ribbons with heart-like designs throughout; ribbon trimmed in orange yarn, designs done in silver. Doll is attached to a wooden base.

Black stone narwhal on a greenish-black stone stand (part b). The whale has a wooden peg in its belly that sits in the hole on top of the somewhat rectangular stand, and a detachable spiraled tusk (part c) that goes into a hole near the mouth. There is a ridge along the back that curves down slightly to the fluted tail. It has slightly curved pectoral fins projecting at the front sides. The round eyes and blowhole appear to have black paint in them? Syllabics (i-si-tu i-lu-la) inscribed on base of stand.

Hunter in sealskin covered kayak with hunting equipment. The model kayak (part a) is a wood frame covered in tight sealskin; the opening for the paddler has a U-shaped piece of bone(?) around the front, with a wooden slat at the back (nailed in place). The hunter (part b) fits tightly inside the opening and is wearing a sealskin parka, and has a carved stone face; his arms are held in front, holding a long bone(?) paddle horizontally in both hands (skin loops). On top of the kayak, in front of the hunter and tucked under a skin strap, is a bone harpoon attached by sinew to a sealskin line, which sits in folds, with the other end attached to a piece of skin cut-out to look like a seal float, tucked under straps behind the hunter. Next to the harpoon is a long bone hook (part c) that also fits under the strap. The base of the hunter has the artist name and disc number written in green marker. An inside slat of the kayak also has the disc number in green.

Black stone narwhal on a greenish-black stone stand (part b). The whale has a wooden peg in its belly that sits in the hole in the oval stand, and a detachable spiraled tusk (part c) that goes into a hole near the mouth. There is a ridge along the back that curves down slightly to the fluted tail. It has slightly curved pectoral fins projecting at the front sides. There are carved holes for the eyes, and a V shaped blowhole mark, and an incised line for the mouth. Syllabics (i-si-tu i-lu-la) inscribed on base of stand.

Stone carving of a goose on a separate antler base (part b). Goose is made of polished black stone in a resting position with its head turned back. Fours lines are carved on the back to show wings; for eyes there are small circular lines with a tiny hole indented in the centre. The goose has a hole in the bottom at centre for the stand's peg. The antler stand is a Y-shaped piece with the ends rounded off, and a wooden peg inserted at the centre. Artist name and community inscribed on bottom of goose.

White (beluga) whale attached to an antler base. Carved whale of tusk, with pectoral fins glued in place. Appears to have a wooden peg attached firmly to the flat antler base. Green ink has been added to the round incised eyes and the ]-shaped blowhole on top. The small tail appears to have been broken and reattached. Artist inscription on base in green marker.