Standing wood shrine figure. Body is rectangular in shape and has geometric and linear motifs incised on the front and sides. Hide collar, coloured black, wrapped around neck. Figure has a wide nose, pronounced brow and lips, and angular eyes. Has a ponytail that protrudes sharply from the back of the head. The end of ponytail connects to the figure's back. Lines incised on portions of hair overtop of head, hanging portion of ponytail is thin and smooth. There is a small gap between the ponytail and the back of the figure’s neck. Extending from all sides of the hide collar are strands of cowrie shells. Long strings of black, red and white glass beads are tied around the ponytail with light brown thread. Two copper coins and one small brass(?) bell are attached to the bead strings, hanging down the back of the figure. Plain brown tie, with knotted ends, is strung between the ponytail and the neck of the figure.

A bamboo plunge trap used for catching fish. The trap is shaped like an inverted cone, with a narrow top and wide bottom. It has a thick, circular, wooden rim at the top. Bamboo strips are joined to the rim and extend downward, growing farther apart as the distance increases. Near the rim, there are two bamboo rings, one on the inside, and one on the outside of the trap. Metal wire is woven across both rings, securing the bamboo strips in between them. Four more bamboo rings are positioned inside of the trap, and secured to the bamboo strips by metal wire. The rings grow larger the farther they extend from the rim. Between the third and fourth bamboo rings, there is a thicker, darker, rounded ring secured in place by five bamboo wedges. At this point the trap bends more sharply, so that the bamboo strips are all parallel to one another as they reach the bottom of the trap. Near the bottom, a sixth, ring made of metal wire has been woven around the bamboo strips to further secure them. The end of each bamboo strip comes to a point.

A fishing basket [a] with lid [b] and rope [c]. The basket has a circular rim and square base. Very thin, flat strips of bamboo are woven across wider vertical strips to comprise the basket's main body. The weave is close, with only small gaps. The bottom of the basket is woven from wider bamboo strips, in a perpendicular fashion. Two thicker pieces of bamboo form an X-shaped base. The basket has four cylindrical feet, one at each corner. A thin strip extends from the base of each foot, and is woven into the basket so as to attach it. The rim of the basket is made from two larger, horizontal strips of bamboo that wrap all the way around. They are secured by groups of three thinner vertical strips staggered at 2-2.5 centimetre intervals. A circular piece of wood with a cut out centre is secured to the inner rim of the basket by four small nails. The top of the wood is covered with bamboo strips, which have been woven in a chevron pattern. The lid of the basket is small, flat, and circular in shape. It is made from a piece of wood, and is covered with bamboo strips which have been woven in a chevron pattern. The handle of the lid is a thin, straight block of bamboo with downward curved ends. It extends slightly past the base of the lid on both sides, and is secured through the bottom by three small nails. There is a small hole in one side of the handle. The lid was previously attached to the body of the basket via a braided, purple rope, however all three pieces are now separate. The basket and lid are both covered in a clear lacquer.

Hand puppet of a mouse groom. Hands and feet are made of cast resin, head has an internal wooden cone, covered in cast resin. All components are painted. Head and hands are light brown. Black lines painted across face and neck, imitating fur. He has black eyes and black bushy eyebrows. Nostrils are red, and have white whiskers below. His mouth is a long red line, with two long front teeth. Oval-like ears on either side of his head. Groom is wearing a dark grey, two-piece suit, with a white collared shirt, dark red bow tie and black shoes. Jacket is secured with two buttons along the front centre, and has a chest pocket and two flap pockets. Pants are plain. Puppet is operated by inserting a hand inside the body to control its head and movements.

Hand puppet of a mouse bride. Hands and feet are made of cast resin, head has an internal wooden cone, covered in cast resin. All components are painted. Head and hands are light brown. Dark brown lines painted across face and neck, imitating fur. She has black eyes, red nostrils, a red smiling mouth, and two large front teeth. Her short ears are triangular. She has black hair, carved in relief across her head, that extends into long strands of string hair at the base of her neck. Puppet is wearing a layered, lace-like veil with floral embroidery along the bottom edge. Veil is secured around her ears and forehead with a beaded headpiece. Red and pink flowers across top of headpiece. She is wearing a white dress, with two long slits up the sides. Top of dress is covered in floral embroidery, with silver-coloured highlights, and skirt is plain. Cuffs and bottom edge of dress are trimmed with bands of scalloped, lace-like material. She has a wide, pink belt around her waist, tied at the back. Underneath her wedding dress, she is wearing silk-like pants and dark purple shoes, that curve upward at the toe. Bouquet of red, pink and purple flowers in her right hand. Puppet is operated by inserting a hand inside the body to control its head and movements.

Small, cup-shaped wooden mate container. It has a spherical body, thin stem and two-tiered, circular base. Two deeply incised lines, painted black, run across centre of body. Surface of top tier is rounded, bottom tier has a flat surface. Top edges of bottom tier flare outward sharply, before tapering inward at bottom. Small hole drilled in underside of base, in centre.

Egungun costume. One-piece mask and costume; the cloth mask, with a circular frame, is made of black velvet-like material. Metallic, silver scalloped ribbons decorate the sides and back. The front of the mask is made of a cowrie shell embroidered mesh panel, with wide gaps between the rows where the eyes would be. In the centre of the mesh panel is a hanging strand of cowrie shells and painted beads, with a small bell at the end. Strand secured to panel with plant fibre. A small red, stuffed ball is attached to the bottom centre of the panel. Along the forehead of the mask, above the cowrie shells, is a wide curvilinear motif done in sequins and beads. Fabric covered square board is stitched to the top of the mask. It has a central floral motif and short brown fringe along its edges. Heavily beaded panels hang from all sides of the board- three on the front and each side, one along the back. Panels depict curvilinear, geometric and animal motifs in sequins and beads. Back panel has “AYÏBAMA” written across it. All are lined with orange cotton. Bottom of mask has a frilled collar. Collar made of dark green velvet-like material with metallic gold ribbons, red trim and thick white and red fringe. Underneath the collar, attached to the front and back of the mask, are two weighted bags. Extending from the bags are three layers of long lappets. The top layer is covered entirely in sequins and beads. The designs are geometric, animal and curvilinear. The second and third layers are made of velvet-like material and have geometric, linear and curvilinear motifs. All beaded lappets are trimmed with metallic red zigzag ribbons. First layer of velvet-like lappets are trimmed with silver zigzag ribbons, second layer trimmed with gold zigzag ribbons. All lappets are lined with machine-printed cotton that have frog designs across them. Underneath all of the lappets is a plain red cloth, trimmed with a black zigzag ribbon.

Carved wooden face mask with a horned headdress carved at the top. The face has a pronounced brow and lips, and wide straight nose. Eyes are half lidded and oval-shaped. Cut-outs underneath lids. Face is painted dark red with white semi-circles outlined in black, below eyes. Angular ears protruding from either side of face, with raised cube motifs carved along inner edges. Cubes painted black. Black line painted between face and headdress, which has a raised curved edge. Headdress area painted dark brown, with two carved horns, curving inward. Holes drilled into either side of mask with wire attached for hanging.

Fly whisk, consisting of a tooth handle and long strands of white horse hair. Handle has an angled end, and two rings of silver-coloured metal along its length. Top of handle flares out into a semi-circle, with a long wooden rod protruding from the top. Metal wire wrapped around base of rod, with a looped tie, for hanging purposes. Rod is covered in grey and dark brown fibre, woven into design of alternating diagonal lines. Horse hair extends from the sides, front and top of the rod. Hair curves downward naturally, thinning out towards end of whisk.

Male and female doll attached to a wooden stand. Dolls are made of stuffed white cloth and have painted facial features. Both have black and grey eyes, with white highlights, and thick eyelashes. The female doll has additional pink highlights in her eyes. Both have rosy cheeks and dark brown eyebrows. His eyebrows are thick, hers are curved. Their lips are full and coloured light pink. He has closely cropped hair, with a middle part. Her hair is pulled into a low braid, that hangs down her back, and is secured with a long red tie. The male doll is wearing a light pink jacket, with a matching outer neck facing and a cream inner neck facing. The jacket is tied shut with a large pink ribbon. Overtop he is wearing an open, dark purple vest, with beads along the left side of the opening. He is wearing loose pants, that match his jacket, and black shoes. All of his clothing components are covered in floral embroidery. Done in light pink and dark purple. On his back, the male doll is wearing a bell-shaped, carrying basket for wood. It has braided, plant fibre straps attached to a wooden frame, that rests against his back. The basket, tied to the frame with wire, is woven from white twist ties. His right arm is bent at the elbow and extending outward, palm facing inward. His left arm is wrapped around the shoulders of the female doll. She is wearing a short yellow jacket, with a dark purple outer neck facing and a light pink inner neck facing. The sleeves of her jacket are covered in horizontal bands. Stripes done in white, lavender, pink, teal, red and yellow. The jacket is tied shut with a dark purple ribbon. Underneath, she is wearing a dark purple dress with a wrap skirt. Around her waist, she is wearing a white, gauze-like apron, for holding flowers. Her right arm is holding the bottom corner of the apron, lifting it away from her body. Her left arm is bent at the elbow, with her hand in front of her chest, palm facing inward. Both dolls have their heads turned toward one another, their bodies facing forward. Wooden stand is painted black and has paper labels attached to the base.