Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.

Carved and painted wolf mask. The wolf's head is large and heavy, with a wide forehead, strong jaws and a long, blunt muzzle with black nose. The face is painted grey, with lighter grey markings. The eyes are cutout, and shows the red painted on the back of the mask. The wide mouth has bared teeth, and large triangular ears sit on either side of the face.

Elevated wooden betel nut box (part a), with divided tray sections and a drawer in the front (part b); walls of tray curve upward towards the centre. Outer sides of box are covered in raised carvings. Designs on sides of tray are floral, with central vine-like carvings, inside of rectangles; rectangles are bordered with triangles. Sides on lower half of box are decorated with rows of concentric diamonds, above floral motifs. All sides of box are black, trimmed with pink; motifs are pink and yellow. Small circular and semi-circular cutouts in centre on all sides, along bottom edge. Front of drawer (part b) is decorated with bands of concentric diamonds and diamonds with a Greek key motif; done in black, pink, yellow, and dark brown. Interior of box is undecorated, interior of tray top and drawer are black.

Demon mask. Carved and painted mask. Humanoid, demon-like face with bulging eyes, a protruding upturned nose and four tusk-like teeth. Light blue and gold scalloped headdress on top of mask. Central projection has three triangular protrusions with a teardrop-shaped projection in the centre. Ears painted a shiny copper colour. Mouth is open wide and has large white teeth along the top and bottom edges. Lips painted dark red, gums are pink. Face is painted brown and has black textured lines around the cheeks, and chin. Eyes are painted off-white, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached. Skin with straight hair attached on brow and along top of head, and thick, curly hair extending along jaw.

Mata Besik mask. Carved and painted wood. Humanoid, demon-like face with one large bulging eye, a protruding upturned nose and one large tusk-like teeth. Two gold horns extending up on either side of the head. Lips and gums painted dark red. Face is painted brown and has black textured lines around the cheeks, and chin. Eye is painted off-white, with large black pupil, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached.

Murik Lakes ancestor mask. Carving of an oblong and narrow face, with a prominent nose with a curved tip extending beyond the lower part of the face. The nose has two columns of holes drilled above the nostrils(?), and along the outer edge of each ear. Mask is painted red for the lips, ears, and extending down from the eyes to the nose, black on the lower portion of the face, extending up and around the eyes, and with white lime pigment in the designs on the forehead. The small eyes and mouth are cutout. Plant fibre is looped through the top. Interior of mask is concave.

Small flatbow (part a) and two arrows (parts b-c). Bow is rectangular in shape and has hexagon-shaped string nocks protruding from either end. Bow gently narrows at centre, for grip. Artist inscription written along lower section of bow, on belly. Arrows consist of points inserted into shafts; all parts are made of wood. The points are secured with fibre cord; painted dark red. Nocks are carved into shafts and whipped with fibre cord. Two helical fletch also secured to each shaft with cord, at top and bottom. Cresting along shaft; alternating stripes of red-orange and dark green. Points have thin triangular tips. The longer arrow (part b) has a protruding triangle decoration underneath the point, before flaring into the tang. The other arrow (part c) has no additional decoration. Triangle decoration is painted red-orange, tang painted dark green; other arrow (part c) only has a band of red-orange across the tang.

Drumstick with a cane body set into a wood handle, topped with a black metal ferrule. Cane body curves twice, in middle and near top; top curve ends in a curl. Body has a hook-like appearance. Handle is an irregularly shaped cylinder with a flattened front; tapers into an oval-shaped base. Bands of raised vertical rectangles carved along length; plain rings throughout. Bottom section of cylinder, that tapers, is decorated with incised vertical lines. Triangular channel carved into front of handle, near bottom edge.

Rattle with a ball-shaped head and wooden handle. Ball is made of seed(?) beads and is decorated with alternating stripes; done in brown and dark brown. Cylindrical protrusion on top of head with an opening, showing hollow interior. A band of red feathers is tied around the midpoint of the handle; additional plant ties at base.

Seven-stringed harp-like instrument with a gourd resonator. Triangular wood frame extends from top of gourd; attached to gourd with grass ties and resin(?). One rod is vertical and the other horizontal; connected at their ends with a third diagonal rod. End of horizontal rod has a moulded channel and incised decoration across the front; designs include "X" shapes and linear motifs. Tip of vertical rod is pointed and is circled with a raised band; diagonal lines carved along length. Seven strings, made of grass, are tied around the vertical rod and strung through holes in the horizontal rod. Diagonal rod is undecorated. Coils of grass inside of gourd.