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Snares (20), PtarmiganE/1387
CoatA/1116
DrumSN2002.3.1

painted on both drum surfaces with "St. Mary's , Mission City, BC" and "St. Mary's Indian School, Mission, BC"

Culture
Coast Salish: Sto:lo
Material
metal, paint, hide and wood
Holding Institution
Sto:lo Research & Resource Management Centre
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Slingshot Club or PounderX1110.2

Brooklyn Museum Collection

Material
hide, bead, pigment and wood
Holding Institution
Brooklyn Museum
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Musical Instrument35.2030

Gift of Appleton Sturgis

Material
wood, paint, bead, hide and metal
Holding Institution
Brooklyn Museum
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Model of Sled36.96

Gift of Frank K. Fairchild

Culture
Eskimo
Material
wood, hide and bone
Holding Institution
Brooklyn Museum
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Model of an Ice Scoop36.83

This miniature scoop has a net made from hide sinew laced across the hoop. It is a model of the ice scoops used around seal holes.

Culture
Eskimo
Material
whale bone, wood, hide, sinew and wire
Holding Institution
Brooklyn Museum
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Headdress61.11a-b

Headdress decorated with small colored feathers. Construction materials include hide, cotton, and reinforcements of wood or reeds. Object is moderately unstable in fair condition. Size: adult. Probable wearer: male or male? Plain weave, feather glued to hide (NK). Paired warp plain weave cotton ground (AR).

Culture
Chimú
Material
cotton, hide, feather, wood ? and reed ?
Holding Institution
Brooklyn Museum
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Dzunuk'wa Cannibal Woman Mask15.513.1

The Dzunuk'wa, or Cannibal women is a figure important to those Kwakwaka'wakw people who have an ancestral relationship to the stories involving her. She is a large, cumbersome figure, looking very bear like with shaggy fur over her body. She is clumsy and lumbers through the Northwest Coast cedar forests crying "Hoo Hoo Hoo" through her pursed lips. She is thought to carry a large woven basket with her. Should she discover a child who has disobeyed their parents and entered the woods without an adult she scoops them upinto her basket and takes them to her den to eat them! Thus children are always warned against entering the forests without permission! Her mask is a large, and wooden, painted shiny black with spattered white pigment overall and accents of red pigment and fur. The mouth has a large round opening that is surrounded by prominent red lips. Pursed as if she is crying "hoo hoo." The interior of the eyes and nostrils that are large round holes painted red. Fur, possibly bear, attached with iron nails, surrounds the lips and forms the eyebrows. A previous application of fur on these areas is suggested by the appearance of corroded nails holding down remnants of fur plus extraneous nail holes. Used originally to secure the mask are leather thongs at the eyes, the back surface just below the eyes, and at the chin where they were attached to a leather strap. The ritual dance performed with this mask continues today by an individual who inherits the privilege. On the body of the dancer would be bear like regalia and the dancer mimics the clumsy gait of the real Dzunuk'wa. Some feast dishes have forms similar to those contained in these masks. The object is stable and in fair condition. Along the edges, especially on the lower, proper right side is old insect damage. Long vertical cracks are present in the wood, but appear stable.

Culture
Kwakwaka'wakw
Material
cedar wood, hide, pigment, iron nail and fur
Holding Institution
Brooklyn Museum
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Head Plume (Wo-pol-do)08.491.8802

Plume stick consisting of a wooden handle and two feathers attached to the handle by two cords of white beads.This pin would be stuck into the bunch of owl feathers (08.491.8807). These items are part of the feathered headgear stuck into a hairnet and tied at the back of a dancer's head.

Material
acorn woodpecker scalp, prairie falcon feather, quail topknot, hide, glass bead, cotton string, wool, dye, iron metal and wood
Holding Institution
Brooklyn Museum
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