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Figure2813/7

A ceramic representation of a woman spinning cotton. The female figure is holding a wooden stick with a piece of unprocessed wool on the end. She is wearing a light yellow hat with a black band, a yellow cape with vertical dark purple stripes, a light yellow short-sleeved shirt with designs in black and purple, and a purple-brown skirt. She has bare feet and red bands around her wrists. The figure's light brown hair is tied back with a broad band of light yellow with light brown horizontal stripes.

Culture
Ecuadorian
Material
clay, wood, wool fibre, glaze and paint
Made in
Pujili, Cotopaxi, Ecuador
Holding Institution
MOA: University of British Columbia
View Item Record
Box Lid16.1/2635 B

HAIDA DANCE FOR TOTEMS TO TURQUOISE (AMNH, NEW YORK, NY, USA, 2004)

Culture
Haida
Material
cedar wood, paint pigment and operculum
Made in
British Columbia, Canada
Holding Institution
American Museum of Natural History
View Item Record
Box16.1/2635 A

HAIDA DANCE FOR TOTEMS TO TURQUOISE (AMNH, NEW YORK, NY, USA, 2004)

Culture
Haida
Material
cedar wood, paint pigment and iron nail metal
Made in
British Columbia, Canada
Holding Institution
American Museum of Natural History
View Item Record
DrumSN2002.3.1

painted on both drum surfaces with "St. Mary's , Mission City, BC" and "St. Mary's Indian School, Mission, BC"

Culture
Coast Salish: Sto:lo
Material
metal, paint, hide and wood
Holding Institution
Sto:lo Research & Resource Management Centre
View Item Record
Musical Instrument35.2030

Gift of Appleton Sturgis

Material
wood, paint, bead, hide and metal
Holding Institution
Brooklyn Museum
View Item Record
Mask43.85

Museum Collection Fund

Material
wood, paint, glass, leather, bristle and metal
Holding Institution
Brooklyn Museum
View Item Record
Crucifix02.257.2427

Painted, wooden figure of Christ on the Cross with the Sacred Heart of Christ at his feet and painted cherub faces at each end of the horizontal bar of the cross.

Material
pine wood, leather, gesso and water-based paint
Holding Institution
Brooklyn Museum
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Carved Figure (Bulto) of Saint Joseph02.257.2425

A polychrome figure (bulto) of Saint Joseph set on a thick wooden base in a frontal pose with one foot in front of the other. He is dressed in a black short-sleeve robe with a red V-neck collar. A yellow cape with a step-shaped border is draped diagonally over the figure's torso. The skin has a yellow pallor and the eyes are painted white with large black pupils. Three floral motifs are painted on the front of the base. Smaller three-pronged motifs embellish the top surface. There is overall gesso and paint loss on the piece and fabric can be seen under the gesso on the back and sides of the base and cape. The entire left forearm has been broken and is missing.

Culture
Zia Pueblo
Material
wood, cloth, gesso and paint
Holding Institution
Brooklyn Museum
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Headdress for the Blue Corn Dance04.297.5204

Museum Expedition 1904, Museum Collection Fund

Culture
She-we-na
Material
wood, paint and cord
Holding Institution
Brooklyn Museum
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Kachina Doll (Hetsululu)07.467.8422

This Kachina possibly represents Hetsululu. This Kachina was so poor he did not have any jewelry, clothes, or moccasins so Hemokatsiki-the grandmother of all Kachinas - rolled some clay into a nice shape and put it on top of his mask. He was then painted in stripes of all the colors used by the Kachinas so he would represent the world. Sometimes he appears barefooted but this doll has been dressed in an additional manner with the high boots. Hetsululu was sent to the village to play a game with the villagers with clay balls. He is considered friendly and now may appear with the mixed dances carrying a bucket of clay balls. Everyone believes that his clay increases rapidly so when he throws clay balls from his bucket they catch them and put them with their corn or bread so that they may also increase.

Culture
She-we-na
Material
wood, fabric, paint, yarn, cornhusk, paper, hide and shell
Holding Institution
Brooklyn Museum
View Item Record