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Rattle25.0/458

The paint is white, red, and black.

Culture
Kwakwaka'wakw
Material
wood, paint, string and cedar bark
Holding Institution
The Burke: University of Washington
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Rattle1-390

The paint is black, green, red, and white.

Culture
Kwakwaka'wakw
Material
wood, paint and cord
Holding Institution
The Burke: University of Washington
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Gyidakhanis Mask25.0/222

After the disappearance of the excited headdress dancer and the sounding of the Tlasula horns announcing his imminent appearance, the attendants usher in a dancer, or group of dancers, whose function it is to display the inherited privilege toward which the entire Tlasula dance is focused. Some dances, such as the Gyidakhanis, feature groups of dancers and are re-enactments of mythical incidents or dances acquired from supernatural contact by an ancestor. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw and Quatsino
Material
wood and paint
Holding Institution
The Burke: University of Washington
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Sun Mask25.0/228

The personified sun is usually shown in Kwakwaka'wakw art as a human figure with a hooked beak-like nose and a corona of decorated rays surrounding the face. This sun mask in the Burke collection was done by Jack James, a Kwakwaka'wakw carver from Alert Bay.

Culture
Kwakwaka'wakw: 'Namgis
Material
wood and paint
Holding Institution
The Burke: University of Washington
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Mask | Humanoid1-1452

The paint is green, black, and red.

Culture
Kwakwaka'wakw
Material
wood and paint
Holding Institution
The Burke: University of Washington
View Item Record
Mask25.0/488

The paint is green, red, black, and white.

Culture
Kwakwaka'wakw
Material
wood and paint
Holding Institution
The Burke: University of Washington
View Item Record
Crooked Beak Mask | Humsumhl1-1669

Galokwudzuis, Crooked Beak of the Sky, is one of a household of monster birds and creatures, associates of the Man-eater Bahkwbakwalanooksiwey, the motivator of the major dances of the Tseyka, the winter ceremonial of the Kwakwaka'wakw. Of these dances, the first is the Hamatsa, impersonator of Man-eater himself. The Tseyka dances come from ancestors' fabled experiences with the creatures of the supernatural world, and the public dramatizations of those encounters are among the most prestigious ceremonial acts. (Holm, Spirit and Ancestor, 1987)

Culture
Kwakwaka'wakw
Material
wood, paint and cedar bark
Holding Institution
The Burke: University of Washington
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Sea Monster Back Mask1-1540

This Sculpin mask epitomizes the flamboyance of Kwakwaka'wakw theatrical sculpture. Jagged contours, bold, intertwined forms, and snapping, fanning, and waving appendages--all covered with contrasting and complex patterns of strong color--create creatures of startling fantasy. The subdued, wavering light of the dance house softens those contrasts amd unifies the forms. The sculpin swims to the rise and fall of its song in a sea of firelight and swirling eagle down. (Holm, Spirit and Ancestor, 1987)

Culture
Kwakwaka'wakw
Material
cedar wood, paint, string and cloth
Holding Institution
The Burke: University of Washington
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Mask | Killer Whale1-1539

The paint is red, white, black, and green.

Culture
Kwakwaka'wakw
Material
wood, paint, metal, string, cloth and nail
Holding Institution
The Burke: University of Washington
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Mask | Eagle1-1460

The paint is white, blue, black, and yellow.

Culture
Kwakwaka'wakw: 'Namgis
Material
wood and paint
Holding Institution
The Burke: University of Washington
View Item Record