Figure carved from a single piece of wood, decorated with intricate painted patterns on all sides. In lines and dots, colours are black, yellow ochre, red-brown, and white. Mid-way down the arm on either side is a band of small orange and light-green feathers wrapped with plant fibre. The figure’s arms and legs end in flat surfaces, with no hands or feet. The head and neck are long and narrow, face flat with a small nose and angular chin. Round eyes are small, and mouth is shallowly carved.

Geru board, or headdress. Made of thin plywood in a large diamond shape at centre, with a partial circle at top, and to the sides two ‘arms’ branching off at angles both upwards and down, separated by a small triangle. The board is painted red, blue and yellow mainly in triangle and diamond shapes, with front similar but more complex than back. At bottom is a headpiece lined with red cotton fabric, and topped by a synthetic orange material. Two wooden handles are attached to the bottom of the headpiece and wrapped with plant fibre. Part b is a plywood piece that has broken off one side of the headdress.

Female doll carved from wood, with arms articulated at the shoulders, and legs at the hips. Head is large, with carved facial features and ears, eyes and cheeks emphasized with paint. She wears a long brown cotton dress covered by a green and blue apron, with a knit brown and red shawl around her shoulders. A large metal pendant hangs from the tied closure of the shawl at her neck. Meal earrings are attached through holes in her lobes, and around her head is a metal link band decorated at front with a fabric bow. Wispy brown hair is attached to a black cap covering her head.

Retablo altar. The outside of the box is a light yellow colour with a large floral motif on the door both inside and out, and a series of small lines on the outer sides. In the box is a scene with small plaster figures vibrantly painted: three human figures stand at back, behind several animals including sheep and a donkey. On the side walls are two large yellow birds. The walls are painted a light blue, with a green floor containing remnants of gold and bronze coloured paint. The outer structure is a small box made of wood with a pediment above a door that opens on leather hinges.

Retablo altar. The outside of the box is light yellow with large floral motifs on the sides and on the inside and outside of the doors. Inside are two scenes with small plaster figures vibrantly painted. At top is a nativity scene showing a large baby laying in a manger surrounded by the parents and people praying, and a man playing a small guitar. Donkeys and sheep surround the manger, and cherubim protrude from the side walls. The rear panel of the scene is painted as a dark blue sky with a large gold star at centre. Below this scene is a smaller one showing people in traditional clothing attending an outdoor church service, with figures playing musical instruments. Cattle mingle in the crowd. A large cactus sits to one side, and there is a small building in a back corner. The side walls are white and decorated with multicoloured dots. The outer structure is a box made of wood with a pediment above two doors that open on leather hinges, contained by thread that passes through metal rings to keep them from opening too far.

Wood spindle. Shaft is needle shaped, long and thin, tapering to a point at each end. Centre of spindle is painted red-brown and grey with four sets of encircling black lines. Two of the sets include white lines interspersed with the black. The spindle’s tips darken in colour to brown.

Wood spindle and whorl. Shaft is long and thin, tapering to a point at each end. A cylindrical clay whorl sits just off mid-point, painted black with white flower motifs separated by lines of white and red-brown. The wood on either side of the whorl is painted with encircling lines of red-brown, dark brown, and white. The spindle’s tips are unpainted.

Wood spindle and whorl. Shaft is long and thin, tapering to a point at each end. A cylindrical clay whorl sits at mid-point, painted black and carved with lines and dots which are filled with white, yellow, brown and rust coloured paint. The wood on either side of the whorl is painted red-brown, dark brown, and yellow. The spindle’s tips are unpainted.

Canoe paddle. Blade is long and leaf shaped, very slightly convex on both sides, with a tapered, rounded tip. Handle is thick and round at neck, flattening toward grip. Grip is tubular and extends slightly beyond the width of the handle. Decorative paintings on paddle show a large red and black striped fish with flukes and dorsal fin below two black rectangles with a dot at centre, and similar in red with traces of lines extending outwards. On the other side of the blade are linear and box designs, along with a motif showing a red circular centre and short black lines extending off. At top is a large fish in red and black with prominent teeth, and a dorsal fin.

Model paddle. Blade is long and leaf shaped, slightly convex on both sides, with a tapered, rounded tip. Handle is thick and round at neck, flattening toward grip. Grip is a small tube that extends beyond the width of the handle. Birds are painted on both sides of the blade in formline style, in red and black.