Painted and carved mask. Top edge has six rounded squares made of abalone and copper. Eyebrows made of copper with white and black outlines. Eyes are round mirrors ringed with copper, and red, white and black outlines. White and red detailing under each eye. Sunken green ovals surround both eyes and connect over bridge of nose. Sharp nose flares at bottom with open nostrils. Green, white and red on bridge, with black, white and red on nostrils. Cheeks are decorated with red ovals outlined by green, white and black bands of various thicknesses. Upper cheeks have more elaborate rectangles. Red mouth is wide open with curved black line around top lip. Green dashes run around mouth and chin. Black fabric hangs off back of mask, over elastic bands.

Standing wood figure (ibeji) on flat round platform. Tapered oval head with flat chin, carved hair, and smooth rounded features, with carved lines on each cheek. Ears and buttocks are pointed. Phallus protrudes from the waist. Rounded stomach with carved triangle decorations. Arms are connected to the body forming an oval. Decorated with beaded red and white belt and beaded brown necklace.

String puppet (marioneta) representing the character Venus. Puppet wears a very long dark pink skirt, and a short dark pink top with plastic round nipples attached to the outside. Her hair is also pink; clear plastic points project from the back of her head. Her midriff is exposed, showing very pale 'skin', like her face. Her lips are painted dark red. Her eyes appear to be glass balls. Her hands are carved of wood. Artist's inscription at base of body.

String puppet (marioneta) of the character Jupiter. Puppet wears a long off-white cotton robe with gold coloured grasses hanging around the outside and a gold coloured crown made of individual curved strips of metal with dark blue stone pieces attached to each. There is a painted paper collar that wraps around his neck and down the front; the arms are similarly constructed; the hands are carved of wood.

Tall carved and painted board, with some areas cut-out. Large white face at top has crescent-shaped eyes, a small open mouth showing even white teeth, and a protruding nose that attaches to the board's upper-midpoint. Below the face are carvings of birds, lizards, faces, and swirling motifs in white, orange, rust-red and yellow. Base of object is rounded with a large pointed protrusion at bottom centre. Back of piece is unpainted.

Tall, freestanding sculpture carved of wood. A female wearing a white mask embellished with painted lines and crescent motifs holds an axe aloft in her right hand. She wears a shell and sago fibre necklace around her neck, and a short sago skirt at her waist. Atop her head is a large sea bird painted in shades of light brown, with wings stretched up and out, beak and talons grasping a fish attached to the woman's forehead. The woman sits on the shoulders of a male figure, painted dark brown, who grasps her legs, wearing a large crocodile mask and a feathered loin cloth around his waist. He stands on a small round base carved as a turtle. The eyes of all the figures are shell.

Wooden slat body armour which has been painted and has small faces carved in a line round its middle. The slats are bound together with string-like binding; Good. Additional description: Armour consists of curved front and back pieces, each with an upper flap. Rear piece is shorter, but curves into a tongue shape at centre. Body sections secured together with four horizontal bands of lashing. Flaps secured with two bands of lashing. Front and back body sections decorated with a row of carved heads. The two flaps have a single head at centre of each. Armour also painted with geometric shapes. (J. Tanner, 1999).

Tall standing figure of a man. Left hand falls to his side, right holds a tall decorated staff. Around his waist is painted a loin cloth reaching mid-shin front and back. Several painted necklaces encircle his throat, as does a plant fibre cord holding a clam shell ornament. The man wears a mask heavily painted in a tan base colour topped with arrows and swirls in orange and dark grey. A tall headdress sits atop his head, carved to look like feathers at the sides and long curving horns at front. The figure stands on a small round base.

Wood carving of a man with drum, snake and bird. Man wearing a mask with prominent teeth and a shell headdress stands in a dance position, holding a kundu drum with handle in one hand and playing it with the other. A burlap skirt sits at his waist, and his ankles and wrists are decorated with loops of twisted rope. His left foot balances on the head of a large snake, its tail extending up past his shoulders and spanning the back of a large white and black eagle that stands on the man’s head. The eagle’s wings are slightly spread and it looks to the left with beak slightly open. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the signature “Sebbie Dumoi” painted in white.

Wooden carving of three masked figures. A man stands in back with a large concave vessel balanced on his head. The vessel is light brown, with scalloped edges and a face carved and painted at top. Two women stand in front of the man, both carrying bags in one hand and decorative objects in the other. They wear elaborate headdresses that fall down their backs and are covered with shells carved into the wood. All figures wear similar skirts painted orange, yellow and brown, belted at the waist, and white cords crossing their chests. The masks they wear are densely painted in orange, yellow and brown on a white base. All figures have eyes made of shell. The base is rounded and entirely carved and painted.