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Spindle3060/12

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Small sections of black paint, very worn, decorate the shaft on both sides of the bead. The bead is wide and bulbous pointed at midpoint, with a line of dripping black paint above the midpoint, and a single encircling line of red brown below.

Culture
Paracas ?
Material
wood, clay and paint
Made in
Ica, Peru ?
Holding Institution
MOA: University of British Columbia
View Item Record
Spindle3060/11

Small spindle and whorl. The long, thin wooden shaft is pointed at both ends, thicker at centre, where it pierces a clay bead. Encircling stripes of white, brown, and red brown paint decorate the shaft on both sides of the bead. The bead is bulbous, painted black, with three groups of concentric circles carved into the clay and painted white.

Culture
Paracas ?
Material
wood, clay and paint
Made in
Ica, Peru ?
Holding Institution
MOA: University of British Columbia
View Item Record
String Puppet2956/300

String puppet (marioneta) of the character Triton, Greek god, messenger of the seas. Puppet is paper mache, with an orange face, large plastic green eyes, heavy brow, long drooping nose, large lips and pointed chin. Scalp is blue-green with several small fins. Neck is a ball that allows the head to rotate in all directions. Chest is human-like, while back is covered by several large fins. Hands are orange with 4 fingers each. Bottom of body is made up of clear plastic tubing and masses of white, textured plastic sheeting. Puppet is controlled by a set of large plastic covered wooden sticks, with marionette strings attached to the head, shoulders and hands.

Culture
Portuguese
Material
paper, wood, metal, paint and adhesive
Made in
Sintra, Lisboa, Portugal
Holding Institution
MOA: University of British Columbia
View Item Record
Puppet2956/293 a-b

String puppet (marioneta) of the character Neptune with carved wood face, a pointed beard tipped with a painted shell, pink lips, a long nose, black plastic eyes, sharply defined brow, short forehead and prominent ears. Small shells cover the scalp. A thin wooden stick protrudes from the back of the head and is the only method of controlling the puppet. Puppet’s torso is paper mache. Arms and hands are wood. Torso and arms are covered by decoupage in patterns coloured blue and red, while hands are painted light blue. The creature’s bottom is made entirely of thin, white, flowing plastic sheeting. A long blue cape attaches at the shoulder and hip by a beaded cross-chest belt and falls the length of the plastic bottom. Puppet’s hands and face are delicately carved and detailed. The trident (part b) is aluminum, with a long staff and three pronged head. The whole is wrapped with brass wire, with clear beads threaded on intermittently. Each prong is topped by a gold triangle.

Culture
Portuguese
Material
plastic, synthetic fibre, wood, shell, paint, aluminium metal, brass metal, paper and adhesive
Made in
Sintra, Lisboa, Portugal
Holding Institution
MOA: University of British Columbia
View Item Record
Bear Headdress3046/1

Painted bear headdress. The head is wide and slightly rounded, with large wedge-shaped ears on top outer edges splaying slightly to either side. A carved line emphasizes the forehead and head top, which are painted black. Eyes are red and white, surrounded by green, backed by carved red rectangles. The black and natural brown snout is wide, tapering toward the nose where carved nostrils are painted red. The bared teeth are square with pointed cuspids, painted white. The interior of the headdress is hollowed out. "Hank Robertson" is carved in the wood, inside.

Culture
Haisla
Material
wood and paint
Made in
British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record
Rattle3041/6

Rattle made of six cones of tin attached to a wooden handle. The cones consist of different sizes, three wide and long, and three shorter and smaller in diameter. All are crimped at the handle, where they fit into a metal ring that joins them to the handle. Each cone widens toward the base. The larger three contain a wire hung with a metal nut as a clapper. The cones are decorated with circle and line motifs pressed into the tin. The wooden handle has an engraved line that spirals from end to end.

Culture
Brazilian
Material
tin metal, wood and paint ?
Made in
Rio de Janeiro, Brazil
Holding Institution
MOA: University of British Columbia
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Shield2948/9 a-b

Wooden shield. The front is decorated with carved and painted abstract patterns. The top and bottom sections of the shield are painted red with ochre pigment, and two thinner black bands border the carved panel of decoration that covers the majority of the shield. The carved decoration consists of two sections, top and bottom, featuring four sets of conjoined coiled shapes with a diamond pattern at the centre. These are painted red and are raised above the background, which is white. Running between the upper and lower sets of coiled shapes are two undulating raised shapes which are in-filled with red pigment. The central diamond is raised and painted red with a white diamond in relief surrounding it. Part b is a fragment of the shield which fits into the upper left corner, decorated with one half of a coiled line motif. A considerable fragment of the upper section of the shield is missing as are large portions of the borders around the sides of the shield.

Culture
Asmat
Material
wood, paint, ochre pigment and lime mineral
Made in
Papua, Indonesia
Holding Institution
MOA: University of British Columbia
View Item Record
Model Totem Pole3051/18

Model totem pole. The base of the pole is carved to show a kneeling bear partially painted black, front paws resting on the centre of the chest. The bear is surmounted by a large spotted frog facing upward, legs wrapped around to the sides of the pole. Above the animal’s open mouth is a small red canoe holding three human faces. A second upward facing frog sits above this, also spotted and with legs clutching the pole. A human figure surmounts the pole, legs bent, toes pointing inward, hands on knees to either side of a large rounded belly. The face is wide, with a red mustache and brows, and a smooth, bald head. The back of the pole has been hollowed.

Culture
Gitxsan
Material
wood and paint
Made in
British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record
Model Totem Pole3051/17

Carved and painted model pole. The base of the pole is carved to show a seated human figure partially painted red, toes pointed inward, hands grasping a small bear around its waist. Its open mouth shows teeth, with heavy brows over wide set eyes. Above this figure are carved five more bears. Three smaller bears are painted with black spine and rib lines, two face downward and one up. A large bear sits at centre facing front, all feet turned toward his spotted belly. At the very top a smaller bear also faces front with paws resting on its chest. The back of the pole has been hollowed out.

Culture
Gitxsan
Material
wood and paint
Made in
British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Model Canoe3051/15

Painted model canoe. The body of the canoe is wide in the centre line, narrowing toward both the bow and stern, where it rises high above the deck. The keep is pronounced, the bottom of the boat very slightly rounded. The outer hull is painted with black formline images from gunwales to keel, while the interior and base are undecorated. Lacquer covers the exterior.

Culture
Gitxsan
Material
paint, lacquer and wood
Made in
British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record