Carved and painted raven rattle with one side depicting a painted face and the opposite side carved with a raven, a man and frog, connected by its tongue and a box with a painted face on its back. Partially painted with plain wood ground. Object rattles when moved. Bottom surface of the handle has artist inscription “Neel”.

Cylindrical-like shaped wood drum (part a) carved in the form of a sea lion with a wolf-like head, a long body, shallow carved and painted front flippers and a triangular shaped end consisting of two hind flippers formed together with a rectangular tail in between. The head has a long protruding snout with carved eyes, nostrils and bared teeth. The drum is painted black, red and green with Northwest Coast stylized designs. Parts b-c are the stand for the drum. Each is a rectangular unpainted wooden block with a shallow rectangular indentation for holding the body of the drum.

Small carving of a bird. Figure is standing upright on one delicately carved foot and a small dowel of wood. The body is long and plump with a thick tail, long neck and small head. The beak is small and pointed, and the eyes are two bored holes painted black.

Painted and deeply carved wooden talking stick, or speaker's staff, depicting figures (from bottom to top): Dzunuk’wa, male, otter, male wearing headdress with abalone shell, a whale, and either an eagle or thunderbird at the very top. At the base of the talking stick a metal rod protrudes from the wood.

Museum Expedition 1903, Museum Collection Fund

Small altar containing three dimensional figures representing the nativity. The exterior of the object is painted yellow-white. The side walls and top of the altar are bordered with dark blue. On each side of the altar, there are successive rows of yellow and pink dots over top the yellow-white background. The door of the object is attached to the altar with two pieces of leather that serve as hinges. There is a flower painted on the front of the door. It has pink, blue and green petals. Above the door, there is a triangular piece of wood attached to the front of the roof, giving the façade a triangular roofline. On the inside of the door, there is a pink flower with green leaves. Inside the altar, the back and side walls are painted dark blue. There are gold stars in the sky. At the back of the scene within the altar, two haloed figures stand in either corner. On the left side, the figure is a man who holds a staff in his left hand. In the right corner, the figure is a woman who has her hands clasped in prayer. Both of the figures look upon baby Jesus, who lies on a circular crib between them. The crib is yellow and has a crimped edge that is painted pink and gold. In front of baby Jesus, on the left side, there is a kneeling angel with yellow wings and a red cloak. She has her hands clasped in prayer. Opposite the angel, on the right side, there is a man in a brown hat and jacket; he plays a flute-like instrument. There are two sheep lying in front of the baby. One of them reclines on all fours. The other stands as if he is sniffing the baby. Both of the animals sit upon green mounds. There is a piece of tape stuck to the back of the object with a number written on it in blue pen.

Portable retablo containing three-dimensional figures representing Saint Cristobal and others. The altar is made of wood with fresco painted over top. The exterior walls of the altar are painted yellow-white or yellow with red borders. On the side walls, there are grey curlicues painted over the yellow-white background. The top of the altar is painted yellow with red stripes. Along the front edge, there is a triangular piece of wood attached to the top of the altar. It is painted yellow with red accents. Below, the front doors of the altar are painted pink with red curlicues over top. There are two pieces of ribbon threaded through two holes in each door. The ribbons are striped with red and white. The interior of the doors are painted with black flowers that have red and yellow centres. Saint Cristobal stands against the back wall inside the altar. He wears a yellow robe, red cape and holds a large green leaf in his hands. He has a halo, long black hair and a beard. A haloed child sits on his right shoulder with a blue ball in his right hand. Below, there are smaller figures of people and animals. The interior walls are painted yellow-white with red, black and yellow spots. Signed on the back in black paint. Also, the title of the work, location, date and a number are written in black ink.

Small altar with a wood base covered with fibre then a clay-like substance. The side and top walls of the altar are painted red-brown. The front of the object is painted pink with yellow, red, green and white detailing. There is a decorative edge slightly offset from the front of the object that wraps around the side walls and the top of the altar. The undulating lines of the edge are accentuated with yellow and red painted borders. The interior walls of the altar are light brown. There is a light grey and yellow pattern with purple flowers painted over top the light brown. A three-dimensional plastic figure of a man is standing within the altar. The man has a halo and a Franciscan style haircut. He holds a gold dagger in his left hand. He wears a white dress with blue lines underneath a short-sleeved robe. It is pink with a yellow, red, green and gold pattern over top. He stands on a three-part plinth. The top of the plinth is white with blue lines, the lower portion is gold and the bottom portion is green. The back and bottom of the altar are light grey.

Carved and painted wooden figure. Pair with 2903/55; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the male, who wears a round gold and black hat with a pointed gold knob on top of it which sits just above his ears. The figure has two ears on each side: the top portion of the ear is very pointy and rests on a more human lower ear. His eyebrows and pupils are painted black. There is a round black bun on the back of his head. The man’s skin is yellow. He wears a blue jacket with wide lapels. The buttons and other detailing on the jacket are painted gold. His hands rest on his thighs. His lower body is enveloped in a red skirt with an incised pattern. The form and position of his lower body is obscured by the skirt but he appears to be in a seated position. There is a hole on the bottom of the object suggesting it is hollow.

Wooden painted carving of two oxen yoked together; part of a "San Isidro Labrador" set. Both oxen are painted black with brown eyes, dark brown horns and hooves, and have a thick ridge of muscle running around their necks. The ox on the left of the image gazes forward and has its mouth open. Its tongue extends out of its mouth to lick its nose; its mouth and nostrils are painted pink. The left ox has its tail bent and resting on top of its back. The ox on the right has white patches on its black fur, including a triangular white patch on its forehead and a line of white hair along its spine. This ox has its head tilted to the right and its mouth is closed, and its tail down. The oxen are yoked by a piece of wood which rests on the front of their shoulders. Over each torso the yoke is curved to fit the bodies and is affixed with leather rope which wraps around the left ox’s neck twice and the right ox’s neck three times. Hanging down from the yoke and attached by a piece of string, there is a long cylindrical piece of wood that extends in between the oxen bodies and further back. There is a square hole through the end of the piece. The oxen stand on a square base that is painted green-blue. Part b is a rectanglular piece with a triangular point at one end and a smaller rectangle cut out of the other end. Part c has a horizontal portion at one end which meets the remainder of the piece at a right angle. Upwards from this right angle, another portion of the object branches off at a more acute angle. There is a small hole through the object at one end.