A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs cover the entire surface. Cedar bark stitching or the accompanying holes at both ends of the board. Underside has uniform chisel marks, longitudinal cracks, and two rectangular indentations at either end.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs are visible over the entire surface. Holes for cedar bark stitching at both ends. Underside is covered in uniform chisel marks, has rectangular indentations at both ends, and is inscribed at both ends with a bright pink, encircled number eight.

A long rectangular cedar plank with faded red and black painted Northwest Coast designs imprinted in the surface of the wood. Circular hole on bottom half of plank. Two rectangular notches are horizontally carved to one side of the plank near on side of the centre of the plank and have cedar bark stitching. Two rectangular notches are vertically carved on the bottom and the top end of the plank near the other edge of the plank.

Part a is a carved wooden Bodhisattva figure painted gold which appears to have been glued onto a stand from a large shrine (N2.987 h) and no longer fits in its original box-like shrine. Part b is the small box-like shrine with doors on metal hinges that open outward to reveal gold-walled interior with a wooden platform at the bottom, only partially decorated at the front. At the top is a carved facade painted with a curvilinear flower pattern with one red, white and light blue flower. The outside of the box is painted brown in a wood-like pattern with red calligraphy running vertically on both doors. The right door has carved metalwork all along its edge and a carved metal handle. The edges of the box are rounded.

Kachina figure with black wing shapes on either side of its head to which feathers are attached by string. Head has geometric design with inverted triangles in black with a white line and red and black border; figure is holding a dish with a round object on top and design on bottom; cloak is mainly white with geometric design in grey, black, light green and orange; tunic underneath cloak is black and shoes are grey with orange design and black on bottom.

Drum with hourglass-shaped, painted wood section in centre with two pieces of hide stretched over a circular frame at either end. Two pieces of hide are clamped on with metal hooks that are attached to one another with red rope, and the rope is decorated with cuff-like pieces of leather in alternating blue and yellow with a flower pattern punched out.

Standing Kachina figure with stick across top of head, down from which extends wool and hair, white head with three black dots on face, alternating black and white ring around neck. Figure has torso with yellow on top and orange on bottom, white skirt with painted belt and apron, yellow legs with painted black ties around top, and grey boots with an orange, black and white design.

Wooden bullroarer, tapered at ends and sides, with small hole and indentation at base for the string. Body is painted with red and white lines and tip is painted red.

Small wooden bullroarer, tapered at ends and sides, with a small hole and indentation at one end. Both ends are painted red. X and zigzag shapes are engraved on the body.

Tall, roughly carved mask with hollowed out face area on top of a cylindrical base. Square mouth has pointy teeth on top and bottom; holes at eyes and mouth. Paint or pigment roughly applied to front of face and all sides of cylinder portion.