Small totem pole with three figures. Topmost is a bear figure with a black body, green arms and legs, a red snout and eyes and red dots covering the body. The middle figure is wolf-like with a red body, black arms and legs and green dots covering the body. The bottom figure is a bird with a green head and body covered with black dots and red and black striped wings. The word "Esquimalt" is roughly carved across the lowest portion of the pole. The pole sits on a black and brown base.

The shape of this mask is triangular with two planes intersecting on the median of the face. The forehead is high and smooth. The forehead is overpainted by a thunderbird design in black and green with the bird's head on the mask's left side. The thunderbird has oval black eyes surrounded by a plain tapering oval and a green area, a cross shape in the ovoid nostril, and four green split u feathers. The black eyebrows of the mask are raised and extend from the nose to the back edge of the mask. The eyes are placed on the upper cheek plane, with no orb, under a projecting and sloping under-brow. The eye is shallowly engraved and its centre is a round hole. A black band is painted across the eyes with some unpainted patches showing through. The nose, from which the cheek planes slope, has black drawn-back hollow nostrils. Black and green split u thunderbird feather designs extend down the cheeks. Narrow black lips are pulled back and down showing twelve plain teeth. A ridge around the bottom of the mask, painted black in the middle, is the chin.

Carved, wood mask with a triangular shape coming to a point at the bridge of the nose. Bear fur spans the top of the mask and extends halfway down the back opening. The slightly raised, heavy eyebrows are painted black, extending from the back edges of the mask and meet at the upper nose. The eyes, set in a shallow recess on the plane of the upper cheek, are long and drawn out with a circular centre. The nose is long and narrow, with back thrust nostrils. Lips, painted red are rounded and drawn back, slightly parted. U-form designs on the forehead are painted green, blue and red; eyes are outlined in black with a red broken-line sunlight design above them; wave-like designs on the cheek are painted green and blue.

Dzunuk'wa feast dish carved from a single piece of wood in shape of reclining figure, Dzunuk'wa (Tsonoqua), with head at one end; centre is deep ovoid bowl and opposite end has drawn up knees with block-like feet. Head is deeply carved with hair outlined; nose, pursed mouth and chin in higher relief than eyes and cheeks. Cheek band is mid-height. Head cuts off sharply at chin. Bowl has hands on either side with carved ovoid shape on palm and ovoids with split u's and ovoid on shoulder area. Painted black with red details on mouth, nostrils, bowl rim and with white shoulder detail. White on palm. Adze marks in longitudinal lines. Flat on bottom.

Whale-shaped mask or headdress with moveable jaw, dorsal, pectoral and fluked tail fins. The moveable parts are connected by strings which work together. Black overall with red mouth, outline around eye, nostril and details on fins. Dorsal fin at centre top is in recessed channel. It is attached to headdress with wooden pegs at bottom centre of fin; ovoid hole cut in white ovoid above face, two u-shapes above. Tail flukes also formerly pegged, peg now missing; decorated with frontal face which has black and white ovoid in ovoid eyes with red split u ears and red and white mouth. Bottom, convex surface is painted with a frontal face; black outlined round eyes and grinning mouth. Red and green details on white ground. Pectoral fins, formerly hinged with nailed on leather strips which have split down centre. One side patched and also now detached. Outside of fins are fully painted with face before double split u's; inside is black and red on unpainted wood. White s-shape on each side of whale body and white ovoid at back. Holes for string attachments in all parts. Canvas head strap on bottom with remnants of blue cloth. Piece of rope strung across bottom near back. Stains, imbedded dirt and a few scrapes.

The shape of the mask is like a high triangle, two planes intersecting on the median of the face. The heavy eyebrows are painted black, but are not raised. The brow slopes and projects sharply above the nose. Each eye is set in a concave orb in the mask. The eye is made up of a painted white ring surrounding a round hole (2 cm. in diameter, 2 mm deep). The hooked nose is long and narrow and merges with the backswept cheek planes. Up-thrusted narrow nostrils are painted orange. The mouth, encircled by a concave recess, is formed by full, protruding lips, drawn back slightly separated and painted orange. Along the top edge of the mask extend strands of black hair shredded and twisted cedar bark strands, and grey-white feathers. Inside the mask is a leather frame to fit the head.

Helmet-style sea lion(?) headdress, with rounded head and flattened snout. Blue head with red around blue nostrils, in open mouth, scribbled below curved eyebrow bands and in crescent shapes on each side of snout and below mouth. Copper discs in eyes, nailed at centre and outlined in relief oval-shape. Open under mouth. Head is 2 pieces nailed together. Series of holes on top of snout, each side. Five holes (for teeth) on lower portion of mouth. Numerous scrapes on top and sides of head. Chip on mouth.

Rattle depicting a horizontal raven with a straight beak, which rests upon the bird's chest. The wings are at the sides and there are five splayed protruding tail feathers at the bottom. The bird figure is painted blue with red accents delineating the beak and feathers. A long unpainted handle extends from the base of body. There is a horizontal cut through the body and the handle. The two pieces have been nailed together with one nail, which is located in the handle at base of the raven's body. The nail protrudes through the underside of the handle. The hollow body likely contains pebbles, which create noise when shaken.

A comb of yellow wood, roughly rectangular in shape. Nine teeth are running parallel to the longitudinal axis. The long teeth are 14 cm. long and have been shaped to be roughly round in cross-section. At the opposite end, there has been cut an indentation shaped like a flattened v, with each side measuring 6 cm. The remaining solid wood surface has been incised with a pattern of diamonds and transverse lines. The smallest diamonds have been painted red.

Large white mask, with black and red as secondary colours, has curved beak with a spiral curled end resting on a square-like upper lip. Tapered curved downturned horns are inset into square grooves at upper rim above eyebrows and facing forward, a piece of metal is nailed at upper rim above each horn. Crescentic brows above black and white circular pupils. Beak has black ridge with short lines on each side; beak incorporates flaring hollow nostrils, two black ridged curvilinear lines above each nostril, black line along nostril rim and spiral end, red underside to beak; red lip band. Upper lip band has a series of inward pointing black triangles and a triangular groove at each end. Nailed at side on right is a small crooked beak of heaven mask. At back, curved red rectangular piece attached at hinge on bottom of upper jaw. Metal nailed over split on interior of lower jaw.