Man with strips of black hair on the top and back of his head, and around the back and the sides of his neck. Wearing a blue coat, green vest, brown belt, white pants, and white boots. On his right hand he balances a tray with four stacked food containers beside a mound of rice. Mounted on a brown base, only one foot touches base.

Man with a bald head except for strips of black hair on the top, and at the back of the scalp, and for fringe around the neck, at the back, and at the sides. He is wearing a black coat with white marks, a blue vest, blue pants, and white boots. He is carrying a balanced pole over his right shoulder with a basket of vegetables at each end. Baskets are pale pink with a blue stripe around top. Mounted on a black base.

Man with a bald head except for strips of black hair at the top, and the back of the scalp, and around the back, and the side of the neck. He is wearing a white shirt, blue pants, and white boots. He balances a stick with a yellow food carrier on each end, over his right shoulder. There is a hat over his left shoulder. He is mounted on a black stand.

Mask with top knot of folded cedar bark wrapped with a strip of red plastic near the base. The mask is painted grey and has two indented diagonal curved shapes near the top of the forehead. Curvilinear eyebrow ridges extend beyond the side edges, and beaten copper is nailed to the surface of each. The eyes have circular hollow protruding pupils made of abalone shell, and the hooked beak-like nose has wide rounded nostrils. The open red mouth has pointed recurved lips. The mask also has a pointed chin and a series of black curved lines that accent the cheeks from chin to temple. Signed by artist on reverse.

Horizontal whale headdress that has a carved skeletal body, dorsal fin attached to black spine by wooden wedge and glue; black hair, ends wrapped in wire, have been inserted into five drilled holes along back of fin; light blue band, close to top of fin, has a circular hole; carved profile face at base has square abalone shell teeth; fin outlined in black; backbone has unpainted spaces between disks, four pieces of inlaid abalone on each side of fin; circular hole at neck; tail flukes have incised triangular areas between two black ovoid eyes, orange-red and light blue u forms on either side of eyes, flukes outlined in black; two curved ribs on each side attach to spine and black band base, final rib before tail is black; band base has two incised crescentic marks on each side, under tail flukes are two circular eyes with split u forms on either side, incised triangular design between eyes, crescentic shape above each eye; pectoral fins overlap band base and have u, ovoid and a tri-pointed design; head has a curved forehead with a vertical ridge between the eyes; orbital ridge melds with the snout and lip band; upper portion of eyes protrudes; black eyes in narrow pointed eyelid lines; upper incisors overlap lower lip band. Beneath jaw is an incised dogfish head with black brows, flat flaring nostrils and a wide continuous lip band. Underside of tail flukes signed: Dempsey Bob 1987; b imposed on a d/87.

Two part arrow. First part is bamboo with a notch at one end, painted red band and line design, three feathers bound at top and bottom over painted design. Second part is wood, fitted and bound with fibre to bamboo, narrows to blunt point.

Two part arrow. First part is bamboo with notch at one end, two red and one blue painted line, bordered at top and bottom by three blue bands, three feathers bound at top and bottom with thread are over painted design. Second is wood, fitted and bound with thread to bamboo, narrows to blunt point.

Large rectangular yellow cedar panel, with a centre circular relief carving with painted orange-red primary form lines, black secondary form lines and anatomical features; negative space in and around carving is oiled. Image: two black side bands have frontal orange-red frogs with splayed bodies on either side of head, subtle differences in depiction of each frog. Central image: combines bird and mammal features; top half is frontal mammal's head with double split u ears, heavy bent brows, square-like pupils in pointed eyelid lines, broad flat snout joined to top of continuous lip band, six wide rectangular upper teeth; pointed beak joins bottom lip band, split u nostrils, wings, angled on either side of beak, have identical frontal animalistic faces, beside each face is a three claw foot. Signed at bottom corner on right: Bob/87, the letter D is carved over the letter B. Numerous tiny holes and oil spots along bottom edge.

Incised and painted partial profile wolf head; upturned horn-like image at top front of snout; oval nostril with two pointed extensions at side on right; large circular pupil in downturned pointed eyelid lines; front and back tips of brow, remainder broken away, continuous lip band around bared rectangular teeth; at right of mouth is a red semi-circle with two black s curves on either side of a black triangle; vertical curved black line at right of semi-circle has black and red scallop-like design; series of red scallop-like designs continue to end of plank; the impressions of three vertical pointed sticks, which were once nailed to the plank, remain, as does one vertical band at centre; vertical row of nails at edge on right; bottom edge and edge on left are bevelled and painted; edge on right is unfinished and top edge has deteriorated; cracking over surface.

Mask made from cut out planks of wood formed in a triangular-shape with flat sides, a thin adjoining nose piece and rectangular shaped pieces of wood at the back. Detailed in blue, black and red stylized forms is a lightning serpent with a carved snout which is painted black along with the eyebrow and mouth. The large red eyes are outlined in blue. The mouth has red teeth bared. Attached to the top of the mask are long, thin strips of cedar that hang down to cover the head of the wearer. Incised in the inner side is: ‘Clayoquot serpent headdress, J. David, 80’.