Wooden bear face mask. Bear has large circular black eyes surrounded by a tapering black oval, outlined in red. Eyes sit in slightly sunken hollows, above which are prominent black brows. Red split U within black U form ears, curling red nostrils, and a red tongue sticking out. 'HAIDA ART' and Reid's signature carved into base of mask and again on the back. (The back has two eye screws strung with wire, for hanging.)

Painted wooden face mask, grouse. Most of the mask is painted with black designs with natural wood exposed in the negative space. Nostrils and lips are red, and eye sockets are grey.

Mai mask. Carving of face is long and narrow, with a pointed head, a ridge running from forehead to nose, and a thick jaw area. A thin piece of shaped wood spans area from chin to bottom of mask. Face is painted in swirl and linear patterns in red, white and black. Jaw is covered in shells inset into mud, with layers of feathers and twisted plant fibre along chin and mask bottom. A collection of twine, feathers and grass is tied through a hole at top, creating a loop for hanging. Interior of mask is concave.

Raven rattle. Rattle in the shape of a brid with figures on its back, made of two pieces of wood that are held together by a braided cord coiled around the handle. The top end of the rattle is carved into a bird's head; the round belly has a face carved on it, with a hooked nose in relief. On the raven's back is a carved reclining figure and a bird head with a long beak above. (Interior likely holds pebbles, beads or lead shot.)

Rectangular carved frontlet with Thunderbird or other bird-being in relief; abalone inlay along both sides and across top, and used for accents on animal features. The bird has a recurved beak going into lower lip. Below the face are red human-like arms and hands with palms out, fingers upward, with abalone on each palm. The bird's mouth is open, showing a row of abalone teeth behind wooden incisors and red painted lips. The eyes are circles of abalone, under arched black brows. This supernatural being shares space with a small orca, whose dorsal fin rises upward and pectoral fins downward. Painted red, green-blue, and black. The rear of the frontlet is concave. Illegible hand writing on back surface.

Rectangular carved bird-like being frontlet bordered by a row of individually carved and painted human faces (representing ancestors). Central figure is a bird-like being by a long, recurved beak and human-like eyes, eyebrows, and mouth. Being has wings, sitting with claws inward. The eyes are circles of abalone under arched black brows. Two abalone inlays on each wing. The rear of the frontlet is concave. Painted red, green-blue and black, on natural wood.

Chief's chair, fully carved with animal motifs on most of its components. The chair has a deeply carved seat with a figure that likely represents a sculpin, characterized by a broad, toothed mouth, a horn-like spine on either side of the head, a series of spines along each fin, and the body with tail fin. Its mouth is centred on the bowed front edge of the seat, the facial features are carved on the seat’s upper front surface, and the fins and body (portrayed as a face) are arranged over the remaining seat in a split, bilateral fashion. It is painted in black and red, with some blue-pigmented areas and diagonal parallel hatching; other areas are left unpainted. The carved upper panel on the chair’s back depicts a face with black eyebrows and broad, toothed mouth. Connecting the panel to the seat is a vertical splat carved in the form of a fish and enclosing a human figure. The chair’s curved arms represent wolves, their heads facing downward and limbs folded. Also distinctive are the front two chair legs, which are carved in the form of downward-facing, supernatural raven heads; these feature blue-pigmented eye sockets and teeth, black beaks and eyes, and red lip-line and nostrils. The rear legs and stiles are painted but not carved. The four carved stretchers between the legs are made to represent different creatures: a killer whale with dorsal and pectoral fins folded back along its body and tail flukes folded up; a bear-like figure holding a long fish with ridged body; a wolf-like figure with extremely long “fingers”; and a figure with a beaver-like head, characterized by prominent incisors.

Small bentwood box, slightly angled on the square base with sloping top (a). A carved man stands inside the box, holding a broken paddle (b). The box is surrounded by five octopus arms. Artist's inscription on base.

Model canoe paddle, approximately 2/3 size of a regular paddle. Features a painted composition on each side of the blade. On one side is a killer whale, painted primarily in red with black detailing; on the opposite side is an otter, painted primarily in black with red detailing. The compositions are abstracted to fit the elongated shape of the paddle blade. Ovoid elements. Handle is unpainted.

Runner figure. Male figure (part a) wears knee-length black tunic. The runner's left knee is bent, and he holds a small bowl in his left hand. Arms move at the shoulder, and legs at the hip. The wooden base (part b) has leather footholds and has a leaf-like design on the top.