Wooden figure. Two male figures stand backs turned to one another while holding a large red vessel in between. The legs and feet are disproportionally large. Both figures wear black tunics, belted with a white sash. The red vessel is round with a blue lip at top and has four handles.

Shinje Taita or Father Sun mask (part a). Face is long and narrow. Large light grey collar extends from under a prominent pointed chin. Face is painted red with small black eyebrows. There are holes for eyes, nostrils and mouth. Eyes are deeply set and close together, nose has a narrow ridge, and mouth has pursed lips. Solid black headband extends across the forehead with 15 holes along the top ridge to insert the 15 feathers (part b) into. Feathers are either brownish-red or white with brown stripes, and are tied together with thread. Two holes are drilled on each side of the mask, with a string attached to the lower holes. Back of mask painted black.

Carved male figure. Doll (part a) stands on large feet, legs spread, arms slightly akimbo and held away from the body. Legs are painted white, torso black, and face red. A black fuzzy beard surrounds the chin, mouth is open with small inset shell for teeth, eyes are made of the same shell, as is a headband tied around the forehead. A necklace of tubular sections of grass hangs down the chest, and arms have woven plant fibre sleeves. A bag of netting and plant fibre is slung over the left shoulder and adhered to the wood at the handle. A loin cloth of netting with long pieces of grass at back sits around the waist. Part b is a peice of netting similar to that of the loin cloth. Part c is a small feather grouping that attaches by a hole in the doll's head.

Carved female figure. Doll (part a) stands on large feet, legs spread, arms slightly akimbo, large breasts carved at chest. Head is covered in a woven fabric to represent a hat or hair, above protruding ears, shell eyes, and a large open mouth with inset shell teeth. A thick necklace of small white and brown shells is wound several times around the neck. A skirt of grass or bark is attached around the figure’s waist. Painted white. Part b is a ring of short grass, light yellow-brown, woven into a bracelet.

Small wooden figure, male. Figure is carved from unfinished wood, with a large head, and narrow shoulders and torso the same width as hips and legs. Toes are pointed slightly inward. Arms are lightly carved in a crossed position across the figure’s chest, above a drawn design encircling the waist made up of diamond shapes and crosses. Suggestion of a robe or scarf is drawn across the shoulders at back. Head is covered in dark ink to represent hair, and large staring eyes are drawn on face. Mouth is lightly incised. Figure’s feet are planted into a base of soft putty.

Small Kachina doll. Carved from wood, doll has large rounded head with feathers attached at top and back, face painted with black lines for eyes above decorated cheeks and a red tubular snout. A thin cotton cord is tied around neck, hanging down the back of the doll. Shoulders are narrow, with arms kept close to sides, fists held in front of stomach. Torso is painted orange with green and yellow decoration, and a necklace at centre. Skirt is full and round, with red and black patterning down the right side. Legs emerge from beneath, painted red and grey.

Mai mask. Carving of a face is oblong and narrow, with a pointed head, a ridge running down forehead, and a prominent nose with a curved nostril free-spanning the lower part of the face. Mask is painted in swirls, short rounded lines, and colour blocks in shades of brown and dark yellow, with white lime pigment in the eye and nose area. Short grass surrounds the jaw as a bushy beard. Shells are inset into mud as eyes and at the top of the head, from which sprout fine cassowary feathers. Plant fibre is looped through the top. Interior of mask is concave.

Model totem pole. Pole is carved from wood, left mainly natural colour, with facial features highlighted in red and black paint. At centre is a large bear with prominent snout, tongue emerging between canine teeth. Bear is in a sitting position, a small human-like figure held in front with the bear's claws on his shoulders; the figure’s hands sit on the claws, his mask-like face just above. At the top of the pole a small wolf face emerges between the bear’s ears, with a leg carved at each side. Back of the pole is unpainted and hollowed out.

Dance mask. Large conical head is made of woven rattan and wood covered with a layer of painted mud, grey on back, white and light red-brown on the face. A round flap stands up on top of head and a broad protruding skirt flares out at bottom front. Oval ears sit high on head, protruding from each side. A ridge runs down forehead to nose. Nose is long and thin, spanning from mid-face to front of skirt, with an open mouth underneath. Eyes are made of rings of weaving, protruding, with small bunches of feathers placed evenly around the ring. A thick edging of feathers line the sides and front of the face.

Large wooden bear cub mask. Face has a wide, protruding snout, mouth open to show bared and clenched teeth, incisors fitting together closely. Lips are painted red. Black eyes are very large, sitting in slightly sunken hollows, above which are wide black brows. Squared ears span across the top of the head, painted black and red. Backside of mask is hollowed, with a wire attached for hanging.