Wooden mask with painted designs across front; back is unpainted. Humanoid face has a sharp brow, pointed nose and lips. The eyes, nostrils and mouth are carved in sunken relief. Brows, pupils, nostrils and mouth are painted black; design elements in teal blue and black across forehead and cheeks. Back of mask is carved out and unpainted. (Metal eye hooks and string for hanging on back.) Inscription inside reads: "Tim Paul Hesquiaht / Ka-Ka-Win Killer whale / 1998.

Copper covered plaque, with painted designs on front. Large piece of copper sheeting is wrapped around a board in the shape of a Northwest Coast copper. The front is divided into four sections, with various creatures painted in each; red and black paint used for background and highlights. Copper sheet held in place by upholstry tacks and tape on back; the board is unpainted.

Bentwood box (part a) with separate lid (part b). Softly curved walls of box are attached to square base with pegs and adhesive; sides of base are painted black. Bird motifs painted in red across front and back of box, made up of formline design elements; other formline motifs painted on left and right sides. Sides of thick lid are painted black, rest is undecorated; lid has a short inset lip. Artist signature and date made written and incised on base of box.

Painted drum (part a) made of stiffened skin stretched over round wood frame. Skin wraps around frame edges to the back; thin strips of sinew looped through holes in skin draw material tight. Sinew strips lashed together in centre with leather thongs; black looped cord attached to leather, for hanging purposes. Face of drum has bird, fin and sun motifs painted across surface, made up of formline design elements; done in dark blue, gold, and dark red. Artist signature and date made painted along side of drum; done in red. Drum rests inside separate square wood frame (part b) with tall walls (Metal hooks and wire in interior and on back of frame, for hanging purposes).

Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.

Thin, irregularly-shaped black wooden box (part a) for metal scales (part b); hinged lid slides open from left side. Lid has elephant motif carved in relief across entire surface. Design consists of a large elephant walking towards a split tree trunk. Main body of box is undecorated. The metal scales rest inside the box; walls carved to fit scales. Scales consist of a metal beam and two circular pans, attached on either end with three pieces of thread each; beam has shears and pointer protruding from the top centre edge. Looped cord threaded through top of shears. Ends of beam have triangular cutouts along the edges, giving them a tiered diamond-like shape; similar cutouts towards base of pointer. Shears and pans are undecorated.

Three-legged wooden flower stand; exterior facing surfaces painted red-pink, interior is naturally coloured. Stand has an hourglass-like shape; top of stand is triangular, has a squat neck, and a triangular carved skirt that flares outward. Top and bottom sections of stand are decorated with floral motifs; done in dark yellow. Neck has white panels nailed to sides; dark brown dots painted along edges. Skirt consists of scallops and triangular protrusions. Curved legs extend past skirt and have rounded feet; foam pads on front foot.

Thin, irregularly-shaped black wooden box (part a) for metal scales (part b); hinged lid slides open from right side, secured with a metal band on left end. Lid has elephant motif carved in relief across entire surface. Design consists of a large elephant followed by two smaller ones walking towards left side of box. Background is filled with groupings of dots; border with inverted triangles carved along edges of lid. Main body of box is undecorated. The metal scales rest inside the box; walls carved to fit scales. Scales consist of a metal beam and two circular pans, attached on either end with three pieces of thread each; beam has shears and pointer protruding from the top centre edge. Tips of beam are pointed and decorated with incised diagonal lines; "X"'s and diagonal lines decorate sides of shears. Pointer and pans are undecorated.

Three-legged food serving tray, or low table; exterior facing surfaces painted red, interior painted black. Tray has a round top, with a high lip, before flaring out into carved skirt. Skirt consists of curvilinear protrusions on either side of the legs, with scallops and circular cutouts along the edges. Legs of tray bend inward before extending out; semi-circles carved into the outer bottom edges. Foam pads on bases of feet.

Thin, irregularly-shaped black wooden box (part a) for metal scales (part b); hinged lid slides open from right side, secured with a metal band on left end. Lid has elephant motif carved in relief across entire surface. Design consists of two elephants, standing on rounded platforms, facing one another; fronts of elephants are bordered with curved lines, decorated with a leaf-like motif. Main body of box is undecorated. The metal scales rest inside the box; walls carved to fit scales. Scales consist of a metal beam and two circular pans, attached on either end with three pieces of thread each; beam has shears and pointer protruding from the top centre edge. Tips of beam are pointed and decorated with incised diagonal lines; "X"'s and diagonal lines decorate sides of shears. Pointer and pans are undecorated.