Wooden horse-like figure in a standing position. Animal is carved from multiple pieces of wood; all components painted dark green. Head and body are one piece. Legs, tail and ears are separate. Legs and tail nailed to body. Ears are inset and secured with glue. Eyes and mouth are incised, nostrils painted on. Eyes are naturally coloured, mouth and nostrils are white. Inner ears are painted pink, with black lines along the outer edges. White wavy lines painted across forehead and along sides of neck, imitating a mane. White dashes painted across body. Long white lines painted down centre of back, and across shoulders and rump. Lines form a large "I" shape across top of body. White lines painted along length of tail.

Wooden four-legged animal figure in a standing position. Animal is carved from multiple pieces of wood; all components are painted light yellow. Head and body are one piece. Legs, ears, horns and tail are separate. Legs are nailed to body. Ears, horns and tail are inset and secured with glue. Eyes, nostrils and mouth are incised. Incisions are all painted black. Bottom edges of legs are all painted black, imitating hooves. Eyes painted red with light brown lashes, horns are black. Ears, body, legs and tail decorated with groupings of dark brown dots. Dark brown rectangle painted down back of figure. “V” shapes, done in red, through centre of rectangle. Top of tail painted red, back edge done in dark brown.

Wooden cheetah figure in a standing position. Cat is carved from multiple pieces of wood; all components are painted yellow. Head and body are one piece. Legs, tail and ears are separate. Legs and tail nailed to body. Ears are inset and secured with glue. Eyes and mouth are incised, nose carved in low relief. Incisions are all painted black. Eyes painted white, whiskers and nose done in black. Inner ears are painted red, with black lines along the outer edges. Black lines painted along front bottom edges of all paws, imitating claws. Entire body decorated with black spots. Tail has a black tip.

Carving of an infant strapped into a dugout-style carved wooden cradle, with a carved head-presser over and around the infant's head. Cradle has a slanted headboard and rectangular footboard; top half of footboard attached separately. Top edge of headboard and top corners of sides have been painted dark grey; entire footboard and top corners of sides have been painted dark brown-black. Infant is wrapped in a blanket with only its face, neck and feet visible. The head-presser covers the infant's eyes. The frowning mouth is incised; upper lip and long nose done in relief. Straps and rings are carved in relief. Legs of figure are in an elevated position, resting on a slanted platform.

A Gara Raksha (demon) mask. The mask is comprised of a face (part a) and two detached ears (parts b-c). All three parts are painted green, red, and white. The mask's eyes are cone-shaped, and protrude dramatically away from the face. Underneath each eye is a crescent shaped hole which allows the wearer to see. The mask's nose is pointed, with a bump on the bridge and two large nostrils. Its large, red mouth is filled with teeth, and two curved tusks that extend outwards from either corner. The mask's bottom jaw is secured via string, allowing the mouth to open and close. Three cobras with flared hoods extend upwards from the top of the mask. The one in the centre is the largest, and extends from the mask's forehead. The two smaller cobras extend from each of its temples. Around both of the mask's eyes and across the bridge of the nose is a decorative pattern comprised of round, elongated shapes. The mask's ears (parts b-c) are round, concave discs with lotus flower motifs painted on. There is a small hole in the centre of each disc, and a wooden peg extends from a point on the outer rim. When attached, the ears flare outwards from the sides of the mask's face. The back of the mask is unpainted. A braided rope and piece of thin cloth are tied through small holes in the mask, in order secure it to the wearer's face.

A mask depicting the anabera kolama (drum messenger), a figure in kolam popular drama. The mask is painted yellow, with red, black, and white details. Its hairline is outlined in red, and the wood above the hairline is unpainted. The mask's red-rimmed eyes protrude slightly from its face, and are shaped like half-moons. Underneath each eye is a crescent-shaped hole which allows the wearer to see. The mask's nose is prominent, with a downward curve and large, hollow nostrils. Its red mouth is open in a large, toothy smile. Forehead creases are carved into the mask, and outlined in red. Its eyebrows are painted in black. The mask has a full moustache and long beard, which are fashioned from strands of jute. The jute is knotted to a piece of string, from which it hangs. The string is tied through small holes in each of the mask's ears in order to affix the beard and moustache to the face. Some of the jute in the beard has been twisted together in order to create thicker strands. There are two small holes above the mask's ears, and one at the top of its head, but the material used to secure the mask to the wearer's face is missing.

Weighing scale, or beam balance, consisting of a plate and balance rod (part a), with separate weight (part b). Rod is made of dark wood with brass plating around the tips. There are dot motifs along the front side, with the numbers 5, 10, 20, 30, 40, 50 at intervals along the length, between the dots. Dots continue along the top of the rod. Dots are made of metal(?) and are impressed into the wood. Three holes are drilled through the rod, towards the left side, with knotted plant fibre and plastic ties inserted through them, for hanging purposes. Along the bottom of the left tip of the rod, there is a floral-shaped pendulum. Attached are two chains made out of S-hooks. One has a large semi-circular hook at the end, the other has four dark green-grey cords attached. Cords are drilled into the sides of the weighing plate. Plate is made of thin brass metal, with two ring designs incised in the middle. In the centre of the circle is a simple floral motif. Numbers are stamped into the plate's surface. The accompanying weight is bell-shaped with a semi-circular handle. Plain string tied through handle. There is a raised circular band around the handle, and two lines are incised along the top edge of the weight. Numbers are stamped on the weight’s base, matching the numbers on the plate.

Rod puppet (zhàng tóu mù ǒu), representing the character Dan (lady), with separate headband and headdress. Head and hands of puppet (part a) are carved from wood. Components painted pink beige. The puppet’s body is formed by a reed cage. Character has a pointed nose, moveable eyes and large ears. Eyes are black-rimmed, eyebrows are painted black and thin. She has black hair pulled into a top bun and low ponytail. The ponytail is secured with an orange tulle-like tie. Between the bun and ponytail is a light blue band with sequins. She has one pink earring. The character is wearing a front opening jacket, secured with ties, with extended sleeves that drape down. Opening is trimmed on either side with sparkly silver ribbon. Cuffs are trimmed by a white ribbon with pink and green floral motifs embroidered on them. Curvilinear motifs across sleeves, done in dark green sequins. Character has a matching collar, that secures at the front, with dark pink fringe all along the bottom edge and a wavy yellow ribbon along the top. Overtop, the character is wearing another collar. The second collar is red, secures at the back and has yellow fringe along the bottom edge. The neckline is trimmed with a blue wavy ribbon and the surface is covered in floral motifs. Designs are done in dark green, silver and gold sequins. Character has a pink belt, over the jacket, covered in floral motifs. Designs done in dark green, gold and red sequins. Bottom part of puppet is covered by a decorated overskirt and a long, plain pink underskirt, with a back slit. The overskirt is made up of four thin front panels and one large back panel. All have yellow fringe along the bottom edges and ribbon trim. The front panels are trimmed with a wavy green ribbon, the back a striped red, yellow and blue one. All panels covered in floral motifs done in dark green, red and silver sequins, and curvilinear motifs done in gold sequins. Puppet is operated by three rods- one large bamboo rod attached to the reed cage, and two more, made of bamboo and metal, attached to each hand. Eyes are operated by a wooden rod, with a metal attachment, inside of the central bamboo rod. Headband (part b) is brown with white floral embroidery across it. Band secured at the back with long neon orange-pink ties. Headdress (part c) is semi-circular and rests on top of the puppet’s head. It is made of cardboard, with a metal frame, covered in pink fabric. Along the top and sides are numerous protruding wires, covered in green fabric and circular and flower shaped sequins. In between the wires, on the fabric surface of the headdress, are floral motifs done in sequins. All edges of headdress are bordered with sequins. Sequins are pink, silver, light blue, light green and gold. There are two red ties on either end of the headdress.

Rod puppet (zhàng tóu mù ǒu), representing the character Wu Sheng (martial male). Head, torso and hands are carved from wood. Components painted pink beige. Character has a small nose, moveable eyes and large ears. The mouth is painted red, eyebrows are painted black and have sharp spikes in the middle. Back of head and area around ears are painted black, imitating hair. He is wearing a dark blue cap with metal buttons along the bottom edge. Long black strands of hair are attached to the top of the cap. The character is wearing an orange robe, with one large panel on the front, three back panels and two side panels. There is a tie on the front panel at the left shoulder, ties in the middle of each side panel, and ties on the side of the left and right back panels. Character is wearing a matching collar and there are added panels overtop of the shoulders and on the front panel, below the waist. Additional panel on the front is bordered white-pink fringe. The collar, side panels and additional front panel are trimmed with wavy black ribbons. The large front panel is trimmed with red, green and gold, the back panels are untrimmed. Cuffs have a black border with red and silver flowers and phoenixes(?) embroidered on them. Curvilinear, floral and geometric motifs painted across entire surface of robe and collar in silver, green and light blue glitter. Centre of front panel has a dragon(?) design, made of pink fabric with a yellow nose, red tongue and two white fangs. The interior of the dragon is bordered with a wavy light blue ribbon. Silver and gold curvilinear designs are painted across its face. The entire section with the dragon(?) motif is bordered with the same ribbon used to border the cuffs. The top half of the robe back is made of yellow fabric, with characters printed in red, and has a ribbed yellow patch in the centre. Character is wearing a dark blue undergarment. Puppet is operated by three bamboo rods- one large rod attached to his torso, and two more attached to each hand. Back of puppet’s head has been cut out and re-attached.

Rod puppet (zhàng tóu mù ǒu), representing the character Wu Sheng (martial male). Head, torso and hands are carved from wood. Components painted pink beige. Character has a small nose, moveable eyes and large ears. The mouth is painted bright red and frowning, eyebrows are painted black and have sharp spikes in the middle. Back of head and area around ears painted black, imitating hair. He is wearing a dark grey-green cap with metal buttons along the bottom edge. Long black strands of hair are attached to the top of the cap. The character is wearing a light blue robe, with one large panel in the front, three back panels and two side panels. The front panel has a tie at the left shoulder, and there are ties on either side on the back where side panels meet back panels. Character is wearing a matching collar and there are added panels overtop of the shoulders and on the front panel, below the waist. Additional panel on the front is bordered with pink fringe. All panels and the collar are trimmed with red, green and gold. Cuffs have a black border with red and silver flowers and phoenixes(?) embroidered on them. Curvilinear motifs painted across entire surface of robe and collar in silver glitter. Centre of front panel has a dragon motif, painted in green and gold glitter, with silver clouds and red curvilinear designs. The top half of the robe back is made of green fabric and has a plain yellow patch in the centre. Character is wearing a dark blue undergarment. Puppet is operated by three bamboo rods- one large rod attached to his torso, and two more are attached to each hand. Eyes are operated by a wooden rod, with metal attachment, inside of the central bamboo rod. Back of puppet’s head was cut out and re-attached.