Mai mask. Mask is long and narrow. The forehead rises at centre, meeting the long, sharp bridge of the nose. Eyes are made of inset cowrie shells, emphasized with black paint. On a light tan background, red-brown linear designs swirl around the eyes and cheeks and along the nose. The mouth of the mask is tubular in shape, protruding above the chin and holding a short snake with a squared head. The lower portion of the mask, as well as its outside edges and forehead, are covered in tiny white-grey shells inset in a light brown mud. Larger concave shells sit at regular intervals, and white cowrie shells line the bottom edge. Long, sparse feathers protrude from both the chin and top of head. A leather cord emerges from the top. Mask is concave on back.

Carved hook. Large round face, flat in profile, sits on top of object, with protruding eyes made of seeds below a pointed brow, with scale-like carvings on forehead and cheeks. Nostrils are wide, mouth is small. Long strands of twisted plant fibre are tied through the narrow ears. The long neck is carved with circular and scale-like motifs, and connects with a large triangle below, its upper corners sharply carved into rounded spikes. A face with inset shell eyes and a smiling mouth with prominent teeth is carved into the wood. A tie of plant fibre is set through the nose. At bottom is a hook in a half circle shape, top corners elongated and curved into spikes mimicking the triangle above. It too has a carved face, with nut eyes, brow and cheeks carved with scale-like half circles, and a plant fibre tie through the nose. Mouth at bottom is wide, smiling, showing many prominent teeth. The back of the object is similar to the front.

Contemporary retablo with ceramic figures, miniature retablos and paper books. The wooden box itself (part a) has a structured hole at centre front, taking the form of a stage. The wood is painted black and several images are adhered to it, such as a typewriter, human and animal figures, flowers, and Albert Einstein surrounded by pigeons. Ceramic figures of the donor and her husband (parts b and c), their dog (part d), and a small stool (part e) are placed in the retablo, as well as a small woven basket (part f) containing a crumpled sheet of paper (part y). There are three miniature retablos (parts g-i) of glass and wood, one of which is held by the woman, and many miniature books (parts j-x). Six of the books are filled with blank paper, while the other nine have titles and writing inside.

Comb carved from brown wood which is topped by a carving of a human face and chest surmounted by a headdress to which small grey and white feathers have been attached with strands of plant fibre. This portion of the comb is carved and decorated with painted colours (white, sienna, yellow ochre). The human figure has a wooden nose bone of a lighter coloured wood. There are eight prongs on the comb which are not decorated, and are around 13 cm in length each.

A wooden carving of a bird painted with patterning along its back, across the front of its torso, and on its face. It has a long narrow neck, a smooth and rounded body, and two long parallel legs which protrude from the body beneath the rounded point of the tail. The patterning on its back and across its torso is made up of cross-hatched yellow ochre, white, and red-brown lines. The bird's head is also painted red-brown, with white eyes and details.

A wooden carving of a bird painted with detailed patterning. It has a long narrow neck, a smooth and rounded body, and two parallel legs which protrude from the body beneath the triangular point of the tail. The painting on both sides of the figure are the same.

Figure carved from a single piece of wood, decorated with intricate painted patterns on all sides. In lines and dots, colours are black, yellow ochre, red-brown, and white. Mid-way down the arm on either side is a band of small orange and light-green feathers wrapped with plant fibre. The figure’s arms and legs end in flat surfaces, with no hands or feet. The head and neck are long and narrow, face flat with a small nose and angular chin. Round eyes are small, and mouth is shallowly carved.

Geru board, or headdress. Made of thin plywood in a large diamond shape at centre, with a partial circle at top, and to the sides two ‘arms’ branching off at angles both upwards and down, separated by a small triangle. The board is painted red, blue and yellow mainly in triangle and diamond shapes, with front similar but more complex than back. At bottom is a headpiece lined with red cotton fabric, and topped by a synthetic orange material. Two wooden handles are attached to the bottom of the headpiece and wrapped with plant fibre. Part b is a plywood piece that has broken off one side of the headdress.

Female doll carved from wood, with arms articulated at the shoulders, and legs at the hips. Head is large, with carved facial features and ears, eyes and cheeks emphasized with paint. She wears a long brown cotton dress covered by a green and blue apron, with a knit brown and red shawl around her shoulders. A large metal pendant hangs from the tied closure of the shawl at her neck. Meal earrings are attached through holes in her lobes, and around her head is a metal link band decorated at front with a fabric bow. Wispy brown hair is attached to a black cap covering her head.

Retablo altar. The outside of the box is a light yellow colour with a large floral motif on the door both inside and out, and a series of small lines on the outer sides. In the box is a scene with small plaster figures vibrantly painted: three human figures stand at back, behind several animals including sheep and a donkey. On the side walls are two large yellow birds. The walls are painted a light blue, with a green floor containing remnants of gold and bronze coloured paint. The outer structure is a small box made of wood with a pediment above a door that opens on leather hinges.