Model totem pole (part a) with detachable wings (parts b-c). Pole has four carved figures, from top: thunderbird with pink beak; a human holding a sea lion upside-down, with a face depicted between the tail flippers; the sea lion holds a sea creature in its mouth. The figures all have eye outlines - thunderbird in blue-green; human in green; the sea lion in blue; and the sea creature has blue. The sea creature's mouth is outlined in red, and has five full and two half black vertical stripes on its body. 'CHARLIE JAMSON' written on back.

Model totem pole (also fragment bag with wing pieces). From top, bird figure, killerwhale, upside-down male figure. The bird has a large head and small body. It is seated on the back of the killerwhale below, with seperately carved wings inserted into its back. It has feathers painted and a face on its chest. The killerwhale is upright with its head bent forward with the lower half of the upside-down male figure partially inside of its mouth.

Model totem pole with three carved figures. From top, a seated or crouched male figure with feather headdress. The carved headdress has five upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid hole carved above the figure's head. The male figure is crouched on top of a large head, and holds a serpent in front of his body. The large head has upright rounded ears.

Wooden figure consisting of an intricately carved face attached to a cylindrical rod that flares into a circular concave base; cloth ties threaded through holes drilled into either side of base. Face has a long thin nose with pronounced nostrils; raised oval-shaped eyes on either side of nose, underneath semi-circular brows. Mouth is open and oval-shaped, lips done in relief; chin extends downward in a sharp point. Large curved ears, with rectangles in front of them, protrude from either side of face; ridges carved across rectangles. Raised diagonal lines are carved across cheeks. Face is painted white; diagonal lines done in blue. The figure has tall, slanted hair carved on top and back of head, with two ridges carved through it. Hair, rod and base all done in black; ties are yellow-brown.

Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.

Carved and painted wolf mask. The wolf's head is large and heavy, with a wide forehead, strong jaws and a long, blunt muzzle with black nose. The face is painted grey, with lighter grey markings. The eyes are cutout, and shows the red painted on the back of the mask. The wide mouth has bared teeth, and large triangular ears sit on either side of the face.

Elevated wooden betel nut box (part a), with divided tray sections and a drawer in the front (part b); walls of tray curve upward towards the centre. Outer sides of box are covered in raised carvings. Designs on sides of tray are floral, with central vine-like carvings, inside of rectangles; rectangles are bordered with triangles. Sides on lower half of box are decorated with rows of concentric diamonds, above floral motifs. All sides of box are black, trimmed with pink; motifs are pink and yellow. Small circular and semi-circular cutouts in centre on all sides, along bottom edge. Front of drawer (part b) is decorated with bands of concentric diamonds and diamonds with a Greek key motif; done in black, pink, yellow, and dark brown. Interior of box is undecorated, interior of tray top and drawer are black.

Demon mask. Carved and painted mask. Humanoid, demon-like face with bulging eyes, a protruding upturned nose and four tusk-like teeth. Light blue and gold scalloped headdress on top of mask. Central projection has three triangular protrusions with a teardrop-shaped projection in the centre. Ears painted a shiny copper colour. Mouth is open wide and has large white teeth along the top and bottom edges. Lips painted dark red, gums are pink. Face is painted brown and has black textured lines around the cheeks, and chin. Eyes are painted off-white, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached. Skin with straight hair attached on brow and along top of head, and thick, curly hair extending along jaw.

Mata Besik mask. Carved and painted wood. Humanoid, demon-like face with one large bulging eye, a protruding upturned nose and one large tusk-like teeth. Two gold horns extending up on either side of the head. Lips and gums painted dark red. Face is painted brown and has black textured lines around the cheeks, and chin. Eye is painted off-white, with large black pupil, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached.

Murik Lakes ancestor mask. Carving of an oblong and narrow face, with a prominent nose with a curved tip extending beyond the lower part of the face. The nose has two columns of holes drilled above the nostrils(?), and along the outer edge of each ear. Mask is painted red for the lips, ears, and extending down from the eyes to the nose, black on the lower portion of the face, extending up and around the eyes, and with white lime pigment in the designs on the forehead. The small eyes and mouth are cutout. Plant fibre is looped through the top. Interior of mask is concave.