Wood and bamboo spear. The long wooden head has been carved with five pairs of perpendicular barbs and a long encircling line, filled with lime. This is inserted into a bamboo shaft and bound with woven rattan and beeswax. The shaft has been shaved towards the join and a few thin lines have been scratched just below. Near the shaft bottom are remnants of a bright blue fibre or dye.

Long spear with carved bone head. The edges of the head have four barbs each, staggered, along the sides. Head is bound to a narrow wooden shaft with string and wax. The convex side has remnants of a light green dye over the middle half of the head. The wooden shaft is carved into diagonal patterns filled with lime. It is inserted into a slightly larger bamboo shaft and bound with rattan and wax. The shaft has been thinly shaved towards the join and a few thin lines have been scratched around the shaft just below this. The nodules have been shaved smooth.

Golden, bronze and chocolate-brown cassowary feathers are attached at the base to a cone of bees wax adorned with coix seeds. The base of the feathers emerge from the point of the cone and are tied together with sago leaf fibres and bast string which are attached to a 7cm-long thin, pointed piece of wood.

Pig bone nose ornament, noticeably wider at one end. A broad ring has been carved at centre, with long arches on both sides of the bone, forming ends that appear as crescents from the front or as arrow points from a top view. The bone has been polished.

Pig bone nose ornament, slightly curving, noticeably wider at one end. A column of over three centimetres in length has been carved at centre with crescents at its ends on opposite sides. These in turn form ends that appear as crescents from the front or as arrow points from a top view.

Pig bone nose ornament. The bone has been carved to leave a central ring. On both sides two thin arms sprout on opposite sides of the ring for a couple of centimetres, culminating in molar-like shapes with four spikes.

Pig bone nose ornament, slightly curved, noticeably wider at one end. A central column of over two centimetres in length has been carved, and at its ends are long arches on opposite sides. These in turn form ends that appear as crescents from the front or as arrow points from a top view.

Nose piece (Bipane) partially wrapped in a piece of sago leaf. The two shells of a clam are carved into swirls, tied together with plant fibre through a small hole in each piece and glued with beeswax. The outside shells are a light tan with dark brown striations. The underside (front) is a light grey and contains many thin scratches. The piece has a section of dried sago leaf attached to it, with the base of the leaf on the outside and the fraying fronds over the underside.

Nose piece (Bipane). The two shells of a clam are carved into crescents, tied together with fibre through a small hole in each piece and glued with beeswax. The shells are white on both sides with striations on the outside. The striations on one of the shells shows the curving lines of the bivalve and has a charcoal-grey section and some dark red residue.

Nose piece (Bipane). Two large shells of a clam are carved into thick concentric crescents, tied together with a bright yellow fibre through a small hole in each piece and glued with beeswax. The outside is a light tan in colour with brown striations. The underside (front) is ivory in colour. The two crescents are set quite far apart.