NOTES CONCERNING NEW COLLECTIONS. LOWIE, ROBERT H. (ED) ANTHROPOLOGICAL PAPERS, 4, 1910

« The manufacture of snowshoes among the Lake St. John and Mistassini Indians has been described in considerable detail by Lips (1947, pp. 69-77) and Rogers (1967, pp. 91-101). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.18. « A spreader was used to hold the toe hole open while the center section of the shoe was being laced. The collection contains a single specimen from the Natasquan band which is a narrow, thin piece of birchwood with a notch at each end (fig. 32e). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.18, fig 32e (p.60).

« The manufacture of snowshoes among the Lake St. John and Mistassini Indians has been described in considerable detail by Lips (1947, pp. 69-77) and Rogers (1967, pp. 91-101). The webbing was laced with a needle, of which there are six in the collection, one made of wood and five of bone. These needles are pointed at both ends and have a hole in the center. All are approximately the length of the illustrated specimens (fig. 32d,i). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.18, fig 32d, i (p.60).

The Elizabeth Cole Butler Collection.

Two model harpoons, lashed together in a cross-shape with a leather thong. Each has a wood handle, squared and thick at top, narrowing toward bottom where the larger one is capped by a small rounded piece of antler. The tops of each hold a pointed rod of tusk attached to the handle by strips of leather that pierce the wood and antler, and are tied off along the shaft. The thongs attaching the harpoons hold small projectile points, one of metal set in antler, the other with both point and body carved of antler.

Carving of a man and dog, on a stand (part a). Male figure (part b) is carved of tusk and stands with arms stretched in front of him. He wears a parka and leggings decorated with black paint around hem, hood, and wrists. Boots and mittens are also black. Facing him is a large dog (part c), white but for its black nose, eyes, mouth and claws. Dog has a thick tail that curves to rest on his back. Both figures have two wooden pegs in their feet that connect them to holes in the stand, which is a long rectangle of smoothed brown stone.

Carved basalt fish with stand. Long, sleek char-like fish is carved with particular attention to fins, including protruding dorsal and adipose at top, caudal at back, and anal, pelvic and pectoral at bottom. All are carved with delicate horizontal lines. Gills are shown just behind the face. Fish is attached to a thick rectangular base of the same stone by two short wooden posts.

Wooden toy-vendor tree. Tree is made of an upright central bar, in three connected pieces, with two widely spaced bars tied horizontally above midpoint on front. String connects the bars to each other in order to enhance balance. 102 toys are tied or connected by thin dowels to the horizontal bars: 12 standing birds, 14 birds on perches, 3 fish, 12 snakes, 5 crocodiles , 5 dancing couples on elastic string, 7 house boats, 10 canoes, 2 houses, 7 open boxes with either a small snake or turtle inside. Also included in this count are several mechanical toys: 10 armadillos with moveable tails and heads, 5 pairs of woodpeckers pecking a dowel, 5 pairs of people using a pounder, 5 pairs of birds pecking a box. The toys are painted in tempura, with the standing and perched birds realistically coloured, and the rest of the toys painted simply and brightly. Most of the toys have signatures or inscriptions of Spanish names, written in black paint.